‘The Revenant’ and ‘Love & Mercy’ not among 112 Eligible Original Scores for 2016 Oscar Race

Erik Anderson December 16, 2015

**THE REVENANT and LOVE & MERCY are out; THE HATEFUL EIGHT is in for Original Score**

Although it’s not too much of a surprise for the original score of Love & Mercy to miss out here (too much of Brian Wilson’s music merged with original music), the snub of the score from The Revenant is a sting. The music branch is a stingy, archaic bunch and the three credited composers for the film (Bryce Dessner, Carsten Nicolai and Ryuichi Sakamoto) were deemed ineligible not for original content but merely for the number of credited composers. It’s unfortunate because it’s one of the best film scores of the year. There hasn’t been a film nominee credited to three people since the last Best Score – Musical or Comedy in 1999. Since then there have been only been three films with two composers including The Social Network, which won in 2011. That winning duo, Atticus Ross and Trent Reznor, were also nominated in 2012 for the score of The Girl With the Dragon Tattoo. Ironically, Ross is the composer for Love & Mercy.

But what was included might be more interesting than what was snubbed. Ennio Morricone’s score for The Hateful Eight has been deemed eligible and the narrative for him to win becomes very strong as a result. The 5-time nominee has never won a competitive Oscar (he was awarded an Honorary one in 2007) and this, his first Western score in 40 years, could be his chance. But don’t ever count out 5-time Oscar winner John Williams for his new composition for Star Wars: The Force Awakens. A winner for the very first Star Wars film, the 49-time nominee (you read that right) could find himself a 50-time nominee and 6-time winner in the coming months.

The eligible scores along with their composers are listed below, in alphabetical order by film title:

“Adult Beginners,” Marcelo Zarvos, composer
“The Age of Adaline,” Rob Simonsen, composer
“Altered Minds,” Edmund Choi, composer
“Alvin and the Chipmunks: The Road Chip,” Mark Mothersbaugh, composer
“Anomalisa,” Carter Burwell, composer
“Ant-Man,” Christophe Beck, composer
“Beasts of No Nation,” Dan Romer, composer
“The Big Short,” Nicholas Britell, composer
“Black Mass,” Tom Holkenborg, composer
“Bridge of Spies,” Thomas Newman, composer
“Brooklyn,” Michael Brook, composer
“Burnt,” Rob Simonsen, composer
“By the Sea,” Gabriel Yared, composer
“Carol,” Carter Burwell, composer
“Cartel Land,” H. Scott Salinas and Jackson Greenberg, composers
“Chi-Raq,” Terence Blanchard, composer
“Cinderella,” Patrick Doyle, composer
“Coming Home,” Qigang Chen, composer
“Concussion,” James Newton Howard, composer
“Creed,” Ludwig Goransson, composer
“The Danish Girl,” Alexandre Desplat, composer
“The Divergent Series: Insurgent,” Joseph Trapanese, composer
“Dukhtar,” Peter Nashel, composer
“The End of the Tour,” Danny Elfman, composer
“Everest,” Dario Marianelli, composer
“Ex Machina,” Ben Salisbury and Geoff Barrow, composers
“Far from the Madding Crowd,” Craig Armstrong, composer
“Fifty Shades of Grey,” Danny Elfman, composer
“5 Flights Up,” David Newman, composer
“Frame by Frame,” Patrick Jonsson, composer
“Freedom,” James Lavino, composer
“Furious Seven,” Brian Tyler, composer
“The Good Dinosaur,” Mychael Danna and Jeff Danna, composers
“Goosebumps,” Danny Elfman, composer
“Grandma,” Joel P. West, composer
“The Hateful Eight,” Ennio Morricone, composer
“He Named Me Malala,” Thomas Newman, composer
“Hot Pursuit,” Christophe Beck, composer
“Hot Tub Time Machine 2,” Christophe Beck, composer
“The Hunger Games: Mockingjay – Part 2,” James Newton Howard, composer
“The Hunting Ground,” Miriam Cutler, composer
“I Smile Back,” Zack Ryan, composer
“I’ll See You in My Dreams,” Keegan DeWitt, composer
“In the Heart of the Sea,” Roque Baños, composer
“Inside Out,” Michael Giacchino, composer
“The Intern,” Theodore Shapiro, composer
“It Follows,” Disasterpeace, composer
“Jalam,” Ouesppachan, composer
“Jurassic World,” Michael Giacchino, composer
“Kahlil Gibran’s The Prophet,” Gabriel Yared, composer
“Kingsman: The Secret Service,” Henry Jackman and Matthew Margeson, composers
“Krampus,” Douglas Pipes, composer
“La Jaula de Oro,” Jacobo Lieberman and Leonardo Heiblum, composers
“The Lady in the Van,” George Fenton, composer
“The Last Witch Hunter,” Steve Jablonsky, composer
“Learning to Drive,” Dhani Harrison and Paul Hicks, composers
“Legend,” Carter Burwell, composer
“Little Accidents,” Marcelo Zarvos, composer
“The Longest Ride,” Mark Isham, composer
“Mad Max: Fury Road,” Tom Holkenborg, composer
“The Man from U.N.C.L.E.,” Daniel Pemberton, composer
“The Martian,” Harry Gregson-Williams, composer
“Max,” Trevor Rabin, composer
“Maze Runner: The Scorch Trials,” John Paesano, composer
“Meru,” J. Ralph, composer
“Minions,” Heitor Pereira, composer
“Mr. Holmes,” Carter Burwell, composer
“Mistress America,” Dean Wareham and Britta Phillips, composers
“My All American,” John Paesano, composer
“Nachom-ia Kumpasar,” Ronnie Monsorate, composer
“99 Homes,” Antony Partos and Matteo Zingales, composers
“Our Brand Is Crisis,” David Wingo, composer
“Pan,” John Powell, composer
“Paper Towns,” Son Lux, composer
“Paranoid Girls,” Javier del Santo, composer
“Pawn Sacrifice,” James Newton Howard, composer
“The Peanuts Movie,” Christophe Beck, composer
“Pixels,” Henry Jackman, composer
“Poached,” Mark Orton, composer
“Pod,” Giona Ostinelli, composer
“Poltergeist,” Marc Streitenfeld, composer
“Racing Extinction,” J. Ralph, composer
“Room,” Stephen Rennicks, composer
“Salt Bridge,” Marciano Telese, composer
“San Andreas,” Andrew Lockington, composer
“The Second Best Exotic Marigold Hotel,” Thomas Newman, composer
“Set Fire to the Stars,” Gruff Rhys, composer
“Shaun the Sheep Movie,” Ilan Eshkeri, composer
“Sicario,” Jóhann Jóhannsson, composer
“Southpaw,” James Horner, composer
“Spectre,” Thomas Newman, composer
“The SpongeBob Movie: Sponge out of Water,” John Debney, composer
“Spotlight,” Howard Shore, composer
“Spy,” Theodore Shapiro, composer
“Star Wars: The Force Awakens,” John Williams, composer
“Steve Jobs,” Daniel Pemberton, composer
“Steve McQueen: The Man & Le Mans,” Jim Copperthwaite, composer
“Stonewall,” Rob Simonsen, composer
“Suffragette,” Alexandre Desplat, composer
“Taken 3,” Nathaniel Mechaly, composer
“Ted 2,” Walter Murphy, composer
“Testament of Youth,” Max Richter, composer
“The 33,” James Horner, composer
“Tomorrowland,” Michael Giacchino, composer
“True Story,” Marco Beltrami, composer
“Trumbo,” Theodore Shapiro, composer
“Truth,” Brian Tyler, composer
“Victor Frankenstein,” Craig Armstrong, composer
“The Walk,” Alan Silvestri, composer
“The Water Diviner,” David Hirschfelder, composer
“Wolf Totem,” James Horner, composer
“Z for Zachariah,” Heather McIntosh, composer

Author
Recent Posts

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.

He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.