Warner Bros Fred Hampton film from Shaka King gets a title: ‘Judas and the Black Messiah’

Erik Anderson July 29, 2020

The Untitled Fred Hampton Project (aka Jesus Was My Homeboy) from Warner Bros, starring LaKeith Stanfield and Daniel Kaluuya, is now officially titled Judas and the Black Messiah.

Fred Hampton was 21 years old when he was assassinated by the FBI, who coerced a petty criminal named William O’Neal to help them silence him and the Black Panther Party. But they could not kill Fred Hampton’s legacy and, 50 years later, his words still echo…louder than ever.

In 1968, a young, charismatic activist named Fred Hampton became Chairman of the Illinois chapter of the Black Panthers, who were fighting for freedom, the power to determine the destiny of the Black community, and an end to police brutality and the slaughter of Black people.

Fred Hampton was inspiring a generation to rise up and not back down to oppression, which put him directly in the line of fire of the government, the FBI and the Chicago Police. But to destroy the revolution, they had to do it from the inside. Facing prison, William O’Neal is offered a deal by the FBI: if he will infiltrate the Black Panthers and provide intel on Hampton, he will walk free. O’Neal takes the deal.

Now a comrade in arms to Fred Hampton, O’Neal lives in fear that his treachery will be discovered even as he rises in the ranks of the Black Panthers. But as Hampton’s fiery message draws him in, O’Neal cannot escape the deadly trajectory of his ultimate betrayal.

Though his life was cut short, Fred Hampton’s impact has continued to reverberate. The government saw the Black Panthers as a militant threat to the status quo and sold that lie to a frightened public in a time of growing civil unrest. But the perception of the Panthers was not reality. In inner cities across America, they were providing free breakfasts for children, legal services, medical clinics and research into sickle cell anemia, and political education. And it was Fred Hampton and his Chicago Chapter of the Black Panthers who, recognizing the power of multicultural unity for a common cause, created the Rainbow Coalition—joining forces with other oppressed peoples in Chicago to fight for equality and political empowerment.

Judas and the Black Messiah stars Oscar nominee Daniel Kaluuya (“Get Out,” “Widows,” “Black Panther”) as Fred Hampton and LaKeith Stanfield (“Atlanta,” “The Girl in the Spider’s Web”) as William O’Neal. The film also stars Jesse Plemons (“Vice,” “Game Night,” “The Post”), Dominique Fishback (“The Hate U Give,” “The Deuce”), Ashton Sanders (“The Equalizer 2,” “Moonlight”) and Martin Sheen (“The Departed,” TV’s “The West Wing,” TV’s “Grace & Frankie”).

Judas and the Black Messiah is directed by Shaka King, marking his studio feature film directorial debut. The project originated with King and his writing partner, Will Berson, who co – wrote the screenplay, story by Berson & King and Kenny Lucas & Keith Lucas. King, who has a long relationship with filmmaker Ryan Coogler (“Black Panther,” “Creed,” “Fruitvale Station”), pitched the film to Coogler and Charles D. King (“Just Mercy,” “Fences”), who are producing the film. The executive producers are Sev Ohanian, Zinzi Evans, Kim Roth, Poppy Hanks, Ravi Mehta, Jeff Skoll, Anikah McLaren, Aaron L. Gilbert, Jason Cloth, Ted Gidlow, and Niija Kuykendall.

The ensemble cast also includes Algee Smith (“The Hate U Give,” “Detroit”), Darrell Britt Gibson (“Just Mercy,” “Three Billboards Outside Ebbing, Missouri”), Dominique Thorne (“If Beale Street Could Talk”), Amari Cheatom (“Roman J. Israel, Esq.,” “Django Unchained”), Caleb Eberhardt (“The Post”), and Lil Rel Howery (“Get Out”).

The behind-the-scenes creative team includes director of photography Sean Bobbitt (“12 Years a Slave,” “Widows”), production designer Sam Lisenco (“Shades of Blue”), editor Kristan Sprague (“Random Acts of Flyness”) and costume designer Charlese Antoinette Jones (“Raising Dion”)

The film is a Warner Bros. Pictures presentation, in association with MACRO Films, Participant and BRON Creative, and will be distributed worldwide by Warner Bros. Pictures.

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Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.

He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.