19 Films Eligible for the Animated Feature Oscar
“Cloudy with a Chance of Meatballs 2”
“The Croods”
“Despicable Me 2”
“Epic”
“Ernest and Celestine”
“The Fake”
“Free Birds“
“Frozen”
“Khumba”
“The Legend of Sarila”
“A Letter to Momo”
“Monsters University”
“O Apóstolo”
“Planes”
“Puella Magi Madoka Magica the Movie – Rebellion”
“Rio: 2096 A Story of Love and Fury”
“The Smurfs 2”
“Turbo”
“The Wind Rises”
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
Latest posts by Erik Anderson (see all)
- ‘Death Becomes Her,’ Jinkx Monsoon Lead LGBTQ Critics’ Dorian Theater Award Nominations - May 13, 2025
- Interview: With ‘Overcompensating,’ Benito Skinner Brings the Benny Drama, and Comedy, to His College Coming Out [VIDEO] - May 13, 2025
- 2025 BAFTA TV Awards: ‘Mr Bates vs The Post Office,’ Marisa Abela, Jessica Gunning Share Top Wins - May 11, 2025
‘The Phoenician Scheme’ Review: Wes Anderson’s Latest Explores the Meaning of Legacy and Features a Superb Breakthrough Performance from Mia Threapleton [A-] Cannes 
‘Love Letters’ Review: A Quietly Powerful Portrait of Queer Motherhood [B] Cannes 
‘A Useful Ghost’ Review: Vacuum Cleaner Love Story Doesn’t Suck [C+] Cannes 
‘Sirât’ Review: Óliver Laxe Takes Us on a Sisyphean Journey of Sound and Fury Road [A-] Cannes