When watching a film by director Jane Schoenbrun, one can’t help but dive back into their own past. As their protagonist Kris (Hannah Einbinder) explains... Read More
Cannes Film Festival
Kôji Fukada has spent the past two decades quietly consolidating his place in world cinema, advancing by increments from the sidebars to the main slates... Read More
“My grandfather once said that happiness isn’t a story.” In the traditional folk song “Silver Dagger,” the lyrics go “All men are false, says my... Read More
In my final set of reviews from the 78th Cannes Film Festival, we’re taking a look at five films from three of the Festival’s sidebar... Read More
From boys to men, these three films look at a teen’s coming out, a man’s struggle with his darkest demons and two men who find... Read More
“The best way to criticize a film is to make one.” Jean-Luc Godard’s famous quote, among many others, finds its way early in Nouvelle Vague... Read More
Belgian brothers in both blood and cinema, Jean-Pierre and Luc Dardenne have long been masters of portraying the gritty realities of working-class life in their... Read More
Early in Kelly Reichardt’s new anti-heist film, The Mastermind, J.B. Mooney (Josh O’Connor) stops in front of a security guard on his way out of... Read More
The Cannes Film Festival can present a variety of options for cinephiles to consume over the course of the close to two-week event. Within an... Read More
Steven Spielberg’s Jaws turns 50 years old on June 20th and its cinematic significance can’t be understated. Its colossal financial success gave birth to the... Read More

‘Teenage Sex and Death at Camp Miasma’ Review: I Saw the Twin Peaks Glow [A-] Cannes
‘Nagi Notes’ Review: Kôji Fukada’s Gentle Examination of Intimate, Small Town Relationships Pays Off for Those with Patience [A-] Cannes
‘The History of Sound’ Review: Paul Mescal and Josh O’Connor’s Tender Romance is a Silver Dagger to the Heart [A-] Cannes
2025 Cannes Film Festival Reviews: ‘Eleanor the Great,’ ‘Miroirs No. 3,’ ‘A Pale View of Hills,’ ‘The Richest Woman in the World,’ and ‘Vie Privée’
2025 Cannes Film Festival Reviews: ‘Enzo,’ ‘Urchin,’ ‘Pillion’
‘Nouvelle Vague (New Wave)’ Review: Richard Linklater Channels His Inner French Cinephile with Impeccably ‘Breathless’ Recreation [A-] Cannes
‘Young Mothers’ Review: The Dardennes Mine Emotional Trauma and Resilience of Teen Motherhood [B-] Cannes
‘The Mastermind’ Review: Josh O’Connor is Caught Stealing in Kelly Reichardt’s Vietnam Era Portrait of an Art Thief [A-] Cannes
2025 Cannes Film Festival Reviews: ‘The Secret Agent,’ ‘My Father’s Shadow,’ ‘The Plague,’ ‘Splitsville,’ ‘Arco’
‘Dangerous Animals’ Review: Jai Courtney Chews More Scenery Than His Shark Co-Stars [B] Cannes
Director Watch Podcast Ep. 154 – ‘Insomnia’ (Christopher Nolan, 2002) with Special Guest Christina Jeurling Birro
‘Teenage Sex and Death at Camp Miasma’ Review: I Saw the Twin Peaks Glow [A-] Cannes
Interview: Richard Gadd Talks ‘Half Man,’ Finding the Humor in Trauma, and That Hospital Scene with Jaime Bell
‘Nagi Notes’ Review: Kôji Fukada’s Gentle Examination of Intimate, Small Town Relationships Pays Off for Those with Patience [A-] Cannes