Cannes Review: ‘Portrait of a Lady on Fire’ is passionate, unconventional queer cinema
Céline Sciamma’s Portrait of a Lady on Fire, the romance drama set in 18th-century French…
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Cannes Film Festival
Cannes Review: Elia Suleiman’s ‘It Must Be Heaven,’ is a political and sometimes brilliant meta commentary on Palestine identity
Elia Suleiman’s latest is a dryly comedic essay film on the Palestinian identity In the…
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Cannes Review: Marco Bellocchio’s Godfather-esque ‘The Traitor’ struggles with the duality of its style
Marco Bellocchio’s latest features a clash of cinematic styles with mixed results One of Italy’s…
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Cannes Review: Michael Angelo Covino’s ‘The Climb’ is pitch-perfect buddy comedy
It’s not without its blemishes, but by combining breakthrough lead performances, accomplished cinematography, hilarious sight…
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Cannes Review: ‘The Bears’ Famous Invasion’
Lorenzo Mattotti’s debut animated feature is an animated feast for the eyes In his first…
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Cannes Review: ‘Atlantique’ Puts a Creative Spin On A Tragic Love Story
Atlantique, the first feature from director Mati Diop is a cinematic puzzle worth putting together….
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Cannes Review: Xavier Dolan’s ‘Matthias and Maxime’ is an improvement over recent works but still lacks emotional urgency
Xavier Dolan’s latest is cluttered, uneven but well-intentioned film about repressed love In his follow-up…
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Cannes Review: Joon-ho Bong’s ‘Parasite’ is breathtaking and heartbreaking
Joon-ho Bong delivers the best film of the Cannes Film Festival so far Known for…
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Cannes Review: Tarantino’s ‘Once Upon a Time…in Hollywood’ is one of his most nuanced, poignant and entertaining films to date
Quentin Tarantino’s latest is a delicious, subversive and audacious takedown of Hollywood In one of…
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Cannes Review: Gaspar Noé’s ‘Lux Æterna’ makes a mockery of its own message
Is Gaspar Noé’s Lux Æterna a big middle finger to the Time’s Up/Me Too movement?…
