Best Adapted Screenplay
| WRITING (ADAPTED SCREENPLAY) | Erik Anderson | Bryan Bonafede | Chris Pepper | Evan Kost | James Narvey | Kenneth Polishchuk | Júlia Albuquerque | Monika Nikolić | Richard Anthony | Robert Schirmer | TOTAL POINTS |
|
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | Moonlight | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 50 |
| 2 | Lion | 3 | 2 | 3 | 2 | 2 | 3 | 4 | 3 | 2 | 2 | 34 |
| 3 | Arrival | 2 | 4 | 2 | 4 | 3 | 2 | 3 | 2 | 3 | 3 | 32 |
| 4 | Hidden Figures | 4 | 3 | 4 | 3 | 4 | 4 | 2 | 4 | 4 | 4 | 24 |
| 5 | Fences | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 10 |
Best Original Screenplay
| WRITING (ORIGINAL SCREENPLAY) | Erik Anderson | Bryan Bonafede | Chris Pepper | Evan Kost | James Narvey | Kenneth Polishchuk | Júlia Albuquerque | Monika Nikolić | Richard Anthony | Robert Schirmer | TOTAL POINTS |
|
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | La La Land | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 46 |
| 2 | Manchester By the Sea | 1 | 1 | 2 | 2 | 2 | 2 | 2 | 2 | 1 | 1 | 44 |
| 3 | Hell or High Water | 3 | 3 | 3 | 3 | 3 | 3 | 4 | 3 | 3 | 3 | 29 |
| 4 | The Lobster | 5 | 4 | 4 | 4 | 5 | 4 | 3 | 5 | 4 | 5 | 17 |
| 5 | 20th Century Women | 4 | 5 | 5 | 5 | 4 | 5 | 5 | 4 | 5 | 4 | 14 |
Best Film Editing
| FILM EDITING | Erik Anderson | Bryan Bonafede | Chris Pepper | Evan Kost | James Narvey | Kenneth Polishchuk | Júlia Albuquerque | Monika Nikolić | Richard Anthony | Robert Schirmer | TOTAL POINTS |
|
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | La La Land | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 49 |
| 2 | Arrival | 2 | 3 | 3 | 3 | 3 | 4 | 2 | 4 | 3 | 2 | 31 |
| 2 | Moonlight | 4 | 4 | 2 | 2 | 4 | 2 | 3 | 2 | 2 | 4 | 31 |
| 4 | Hacksaw Ridge | 3 | 1 | 4 | 4 | 2 | 3 | 4 | 3 | 4 | 3 | 29 |
| 5 | Hell or High Water | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 10 |
Best Cinematography
| CINEMATOGRAPHY | Erik Anderson | Bryan Bonafede | Chris Pepper | Evan Kost | James Narvey | Kenneth Polishchuk | Júlia Albuquerque | Monika Nikolić | Richard Anthony | Robert Schirmer | TOTAL POINTS |
|
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | La La Land | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 50 |
| 2 | Lion | 2 | 2 | 5 | 2 | 2 | 2 | 2 | 3 | 2 | 2 | 36 |
| 3 | Moonlight | 3 | 3 | 2 | 3 | 4 | 3 | 3 | 2 | 3 | 3 | 31 |
| 4 | Arrival | 4 | 4 | 3 | 4 | 3 | 4 | 4 | 4 | 5 | 4 | 21 |
| 5 | Silence | 5 | 5 | 4 | 5 | 5 | 5 | 5 | 5 | 4 | 5 | 12 |
Best Production Design
| PRODUCTION DESIGN | Erik Anderson | Bryan Bonafede | Chris Pepper | Evan Kost | James Narvey | Kenneth Polishchuk | Júlia Albuquerque | Monika Nikolić | Richard Anthony | Robert Schirmer | TOTAL POINTS |
|
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | La La Land | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 50 |
| 2 | Arrival | 2 | 2 | 2 | 2 | 2 | 3 | 3 | 3 | 5 | 2 | 34 |
| 2 | Fantastic Beasts and Where to Find Them | 3 | 3 | 3 | 3 | 3 | 2 | 2 | 2 | 2 | 3 | 34 |
| 4 | Hail, Caesar! | 5 | 5 | 4 | 4 | 4 | 4 | 4 | 4 | 3 | 4 | 19 |
| 5 | Passengers | 4 | 4 | 5 | 5 | 5 | 5 | 5 | 5 | 4 | 5 | 13 |
Best Costume Design
| COSTUME DESIGN | Erik Anderson | Bryan Bonafede | Chris Pepper | Evan Kost | James Narvey | Kenneth Polishchuk | Júlia Albuquerque | Monika Nikolić | Richard Anthony | Robert Schirmer | TOTAL POINTS |
|
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | Jackie | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 49 |
| 2 | La La Land | 1 | 2 | 2 | 3 | 2 | 3 | 2 | 2 | 2 | 2 | 39 |
| 3 | Florence Foster Jenkins | 4 | 3 | 3 | 2 | 3 | 2 | 3 | 3 | 3 | 3 | 31 |
| 4 | Fantastic Beasts and Where to Find Them | 3 | 4 | 4 | 4 | 4 | 4 | 4 | 5 | 4 | 4 | 20 |
| 5 | Allied | 5 | 5 | 5 | 5 | 5 | 5 | 5 | 4 | 5 | 5 | 11 |
Previous: Picture, Director, Actor, Actress, Supporting Actor & Actress
Next: Makeup & Hairstyling, Original Score and Song, Sound Editing & Mixing and Visual Effects







Interview: Boots Riley on Collecting an Eclectic Cast and How ‘I Love Boosters’ is Like Richard Scarry’s ‘Busy, Busy Town’
Jessie Buckley and Paul Mescal to Reunite for ‘Hold On To Your Angels’ from Benh Zeitlin
2027 Golden Globes Reveal Key Dates, Adds AI Rules, Expands Podcast Pool
How Judith Light Psychs Us Out in ‘The Terror: Devil in Silver’ and the Secret to Her Long-lasting Career [VIDEO INTERVIEW]