2018 Oscar Predictions (June): BLADE RUNNER 2049 Tops Cinematography, Film Editing, Original Score, Production Design
Blade Runner 2049 leads Film Editing as well but not by a big margin. Dunkirk, like Cinematography, is hot on its heels, followed by Detroit. The Papers, Darkest Hour and Get Out round out the top 5.
| FILM EDITING | ERIK ANDERSON |
BRYAN BONAFEDE | GREG HOWARD | EVAN KOST |
JASON OSIASON | KENNETH POLISHCHUK |
DENIZCAN SÜRÜCÜ | RICHARD ANTHONY |
ŞÜKRÜ SÖĞÜT | MATT DINN | TOTAL POINTS |
|
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | Blade Runner 2049 | 3 | 2 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 93 |
| 2 | Dunkirk | 2 | 1 | 1 | 2 | 3 | 3 | 3 | 3 | 4 | 2 | 86 |
| 3 | Detroit | 1 | 3 | 2 | 3 | 9 | 2 | 2 | 2 | 2 | 1 | 83 |
| 4 | The Papers | 4 | 5 | 4 | 4 | 10 | 5 | 4 | 4 | 3 | 5 | 62 |
| 5 | Darkest Hour | 9 | 9 | 8 | 6 | 6 | 7 | 7 | 6 | 5 | 9 | 38 |
| 5 | Get Out | 8 | 4 | 5 | 2 | 8 | 8 | 4 | 38 | |||
| 7 | Inner City | 6 | 7 | 5 | 5 | 5 | 6 | 6 | 37 | |||
| 8 | Florida Project, The | 8 | 7 | 4 | 4 | 7 | 7 | 29 | ||||
| 9 | Star Wars: The Last Jedi | 7 | 5 | 8 | 10 | 10 | 7 | 10 | 8 | 23 | ||
| 10 | Wonderstruck | 5 | 6 | 6 | 9 | 18 | ||||||
| 11 | Lean on Pete | 6 | 6 | 7 | 9 | 16 | ||||||
| 12 | Call Me By Your Name | 7 | 9 | 7 | 8 | 10 | 14 | |||||
| 13 | mother! | 10 | 9 | 10 | 8 | 9 | 9 | |||||
| 14 | Current War, The | 10 | 8 | 10 | 5 | |||||||
| 15 | Suburbicon | 9 | 2 | |||||||||
| 16 | Greatest Showman, The | 10 | 1 | |||||||||
| OTHER CONTENDERS | ||||||||||||
| Aftermath, The | ||||||||||||
| Breathe | ||||||||||||
| Downsizing | ||||||||||||
| Goodbye Christopher Robin | ||||||||||||
| Happy End | ||||||||||||
| Killing of a Sacred Deer, The | ||||||||||||
| Last Flag Flying | ||||||||||||
| Lost City of Z, The | ||||||||||||
| Marshall | ||||||||||||
| Mary Magdalene | ||||||||||||
| Shape of Water, The | ||||||||||||
| Snowman, The | ||||||||||||
| Phantom Thread | ||||||||||||
| Three Billboards Outside Ebbing, Missouri |
Next page: Original Score
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
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