24 titles were revealed this morning as in competition films for the 74th Cannes Film Festival, announced today by Thierry Frémaux, artistic director and general delegate, and festival president Pierre Lescure. This year’s festival will be held July 6-17.
Among those 24 are Cannes returnees including including Wes Anderson (The French Dispatch), Leos Carax (Annette), Paul Verhoeven (Benedetta), Sean Penn (Flag Day), Sean Baker (Red Rocket), Asghar Farhadi (A Hero), and past Palme d’Or winners Jacques Audiard (Les Olympiades) and Apichatpong Weerasethakul (Memoria). Fremaux had previously teased that a major premiere, a “planetary blockbuster,” would screen on the beach and as the closing-night film but did not reveal it today. Traditionally, films are added to to the competition lineup after the first announcement.
The number of competition titles directed by women this year ties 2019’s record number of four. Ildikó Enyedi, who won Berlin’s Golden Bear with Body and Soul, brings The Story of My Wife, starring Léa Seydoux and Louis Garrel. Mia Hansen-Løve has Bergman Island, a melodrama with Mia Wasikowska, Tim Roth and Vicky Krieps, about a couple of American filmmakers who travel to the Swedish island of Faro to write their respective films. Julia Ducournau makes her competition with the horror drama Titane, with Vincent Lindon as a father whose son resurfaces at an airport after having disappeared for 10 years. And Catherine Corsini marks a two-decades long return for another shot at the Palme d’Or (after 2001’s La Repetition) with French social drama La fracture.
After canceling last year’s festival due to the coronavirus outbreak, organizers planned on making a dramatic return, with the world famous red carpet stairs in tact, glamorous stars and high profile filmmakers. With France’s reopening occurs expected soon, “You will be able to fill the room 100%,” Frémaux explained, with safety precautions still in effect. Beginning July 1, the cap on audience capacity in all cultural venues will be removed. A mask, however, will be mandatory inside auditoriums, though it may not be on the red carpet by early July.
“Cinema is not dead,” said Frémaux, “and the return of audiences to movie theaters around the world was the first good news. And the festival will be the second good news.” During an extensive presentation of the official selection, Fremaux said the lineup was “very international” and includes several films that will reflect the times, for instance “lockdown films” in which “characters are wearing masks”; movies shot with cell phones; films or documentaries about whistleblowers; and many “films questioning who we are and what this world is becoming.”
To that effect, Frémaux added a new section this year called Cannes Premiere, designed to give returning Cannes favorites and auteurs a place to screen new work outside of the competition at the Debussy theater. He described this new segment of the program as “films that could have been a part of the official competition,” adding, “We didn’t want them to screen anywhere else.” Among those films include Andrea Arnold’s Cow, Charlotte Gainsbourg’s Jane by Charlotte, Kornél Mundruczo’s Evolution and Hong Sang-soo’s In Front of Your Face.
The lineups for Critics’ Week and Directors Fortnight will be announced on June 7 and 8, respectively. Here is the lineup of the 74th Cannes Film Festival.
COMPETITION
UN CERTAIN REGARD
OUT OF COMPETITION
MIDNIGHT SCREENINGS
SPECIAL SCREENINGS
CANNES PREMIERES
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