2021 Oscar Predictions: INTERNATIONAL FEATURE FILM (February)

After the dust settled over the Academy Board of Governors eliminating the executive committee choices for International Feature Film (what we often call the ‘saves’) we have our 15 contenders and they break down like this: Six from Europe, four from Asia, three from Central/South America and two from Africa. Theoretically, this is probably very close to how it would have broken down, by continent, with the executive committee but films like Sudan’s You Will Die at Twenty and Lesotho’s This Is Not a Burial, It’s a Resurrection might have made the cut. That said, the perennial Holocaust film (this year, Slovakia’s The Auschwitz Report) also did not, breaking from tradition.

It’s no secret that Denmark’s Another Round is the heavy favorite here even before nominations come out. It will likely be the most widely seen and since all Academy members can vote, the most ‘popular’ film now is usually the winner. But Netflix has played a shrewd game in this category with quite a few contenders and I think it could make a play with Mexico’s I’m No Longer Here but it will need to make the BAFTA cut. But it’s probably Shudder’s ghost story La Llorona from Guatemala that’s going to represent Central/South America this year.

As mentioned in the Documentary Feature predictions, three films are aiming to earn double nominations there and here. Romania’s Collective is by far the most likely to do that but Chile’s The Mole Agent could too, although that’s a longshot in both.

The Golden Globe Awards are February 28, Critics’ Choice Awards are March 7, BAFTA nominations come out March 9, Oscar nominations drop March 15 and the Screen Actors Guild Awards are April 4.

Here are my ranked 2021 Oscar predictions in International Feature Film for February.

Green – moves up ↑; Red – moves down ↓; Blue – new entry this month +; Black – no change ↔

1. Another Round ↔ (Denmark, Samuel Goldwyn Mayer) – GG, BAFTA longlist, BFCA

2. Quo Vadis, Aida? ↑ (Bosnia-Herzegovina, NEON/SUPER LTD) – BAFTA longlist

3. A Sun ↑ (Taiwan)

4. La Llorona ↑ (Guatemala, Shudder) – GG, BFCA

5. Two of Us ↓ (France, Magnolia Pictures) – GG, BFCA

6. Collective ↑ (Romania, Magnolia Pictures) – BAFTA longlist, BFCA

7. The Man Who Sold His Skin + (Tunisia, Samuel Goldwyn Mayer)

8. Dear Comrades! ↓ (Russia, Neon/Hulu) – BAFTA longlist

9. The Mole Agent ↑ (Chile, Gravitas Ventures) – BAFTA longlist

10. I’m No Longer Here ↓ (Mexico, Netflix) – BAFTA longlist

11. Sun Children ↑ (Iran, Strand Releasing)

12. Hope ↓ (Norway)

13. Night of the Kings ↓ (Ivory Coast, Neon)

14. Better Days + (Hong Kong)

15. Charlatan ↓ (Czech Republic, Strand Releasing)

Image courtesy of the Venice Film Festival

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Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.

He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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