2021 Oscar Predictions: ORIGINAL SCORE (January)

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A handful of scores from major releases were revealed as ineligible ahead of the official list from the Academy (reported by Variety) largely based on BAFTA submissions including Terence Blanchard’s One Night in Miami, Mark Isham and Craig Harris’ score for Judas and the Black Messiah, Nicolas Becker and Abraham Marder’s score for Sound of Metal and Kris Bowers’ score for The United States vs Billie Holiday. Reasons for score ineligibility range from amount of score in the film (there is a 60% threshold) to how collaborations between more than one composer happened to a film that uses too much existing music or songs.

The one potential hangup in this category remains to be the score for Soul and if only Trent Reznor and Atticus Ross will be eligible or if Jon Batiste, who composed all of the original jazz pieces in the film, will be on the official Academy list. Disney has Batiste on their official FYC page for the film and he made the cut for BAFTA, but they’ve disagreed with the Oscars before, especially in how collaborations are recognized. The music branch has historically shown a very arbitrary adherence to its own rules. Too much existing music or songs can disqualify a film, or if a film uses a piece of music that’s too familiar (like Arrival using Max Richter’s “On the Nature of Daylight”) and then allowing the Gustavo Santaolalla score for 2007’s Babel in even though the majority of was previously released material. Not only did it get nominated, it won. We’ll see how the branch decides when the Oscar shortlists are announced on February 9.

Here are my ranked 2021 Oscar predictions in Original Score for January.

Green – moves up; Red – moves down; Blue – new entry this month

1. Soul (Pixar)
Trent Reznor and Atticus Ross (and Jon Batiste, if eligible)

2. Mank (Netflix)
Trent Reznor and Atticus Ross

3. News of the World (Universal Pictures)
James Newton Howard

4. Da 5 Bloods (Netflix)
Terence Blanchard

5. Minari (A24)
Emile Mosseri

6. The Trial of the Chicago 7 (Netflix)
Daniel Pemberton

7. The Midnight Sky (Netflix)
Alexandre Desplat

8. Tenet (Warner Bros)
Ludwig Göransson

9. The Life Ahead (Netflix)
Gabriel Yared

10. Ma Rainey’s Black Bottom (Netflix)
Branford Marsalis


Other Contenders

Ammonite (Neon)
Volker Bertelmann and Dustin O’Halloran

Hillbilly Elegy (Netflix)
David Fleming and Hans Zimmer

Let Them All Talk (HBO Max)
Thomas Newman

Mulan (Disney+)
Henry Gregson-Williams

Over the Moon (Netflix)
Steven Price

Image courtesy of Walt Disney Company

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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