Oscars: The Case For… ‘Luce’
Each year, there are movies that I feel were overlooked by major awards bodies. In…
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Roberto Ruggio
Roberto is a 32-year-old movie buff hailing straight from Venice-ish, Italy. Disdained by the modern world and its ostracism against Ken Russell’s undisputable masterpiece “The Devils”, he finds solace in watching films of debatable quality, sipping beer and being as queer as possible.
Oscars: The Case For… ‘Hustlers’
Each year, there are movies that I feel were overlooked by major awards bodies. In…
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Oscars: The Case For… ‘The Farewell’
Each year, there are movies that I feel were overlooked by major awards bodies. In…
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Oscars: The Case For… ‘Knives Out’
Each year, there are movies that I feel were overlooked by major awards bodies. In…
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Oscars: The Case For… ‘The Lighthouse’
Each year, there are movies that I feel were overlooked by major awards bodies. In…
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Venice Review: ‘Babyteeth’ is a magnificent portrayal of love
Milla is a teenager, she lives with her parents Henry, a psychiatrist, and Anna, former…
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Venice Review: Rylance shines in promising but unfocused ‘Waiting For The Barbarians’
Colombian director Ciro Guerra made himself known to the film world with his sizzling masterpiece…
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2019 Venice Film Festival Awards: Predictions and Preferences
It’s Friday night while I’m writing this post, and the 2019 Venice Film Festival has…
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Venice Review: ‘About Endlessness’ is a triumph
Roy Andersson shocked the 2014 Venice Film Festival when his A Pigeon Sat On A…
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Venice Review: ‘The King’ is a satisfying look into the Middle Age
We’re in the 15th century. The reign of Henry IV (Ben Mendehlson) is reaching its…
