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2021 Sundance Film Festival takes revolutionary steps to screen movies across the US

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The Sundance Institute today unveiled plans for the seven-day 2021 Sundance Film Festival, offered digitally via a custom-designed online platform (festival.sundance.org) alongside drive-ins, independent arthouses, and a network of local community partnerships. The Festival runs January 28 through February 3, 2021.

The online expression of the Sundance Film Festival will provide global access for storytellers and audiences alike to come together, experience artists new work, connect with one another, and participate in conversation. All films in the program will be available online in the United States, with certain films opting for global availability. The full talks and events program, as well as the New Frontier section for XR and emerging media, will be available globally.

“Even under these impossible circumstances artists are still finding paths to make bold and vital work in whatever ways they can,” says Tabitha Jackson, in her first year as Festival Director. “So Sundance, as a festival of discovery, will bring that work to its first audiences in whatever ways we can. The core of our Festival in the form of an online platform and socially distanced cinematic experiences is responsive to the pandemic and gives us the opportunity to reach new audiences, safely, where they are. And thanks to a constellation of independent cinema communities across the U.S. we are not putting on our Festival alone. At the heart of all this is a belief in the power of coming together, and the desire to preserve what makes a festival unique — a collaborative spirit, a collective energy, and a celebration of the art, artists, and ideas that leave us changed.”

“Our Festival footprint has changed this year, but we are excited to bring an incredible community together in new ways to engage with new artists and new stories — whether they’re joining us for the first year or have been for decades,” said Sundance Institute Executive Director Keri Putnam. “Our ambition is for everyone to come together, safely, wherever they may be, and participate in screenings on our platform at the same time. The Sundance team has consulted with artists, worked with incredible partners, and built a plan to welcome new audiences and capture a true Festival spirit.”

FEATURE FILMS
As at past Sundance Film Festivals, films will premiere throughout the day, with Day One films set to debut Thursday, January 28, at 6 p.m. U.S. Mountain Time. During the 2021 Festival, each of the 70+ feature films will premiere online in a dedicated time slot, followed by a live Q&A. Multiple films will premiere simultaneously roughly every three hours from 10 a.m. to 10 p.m. U.S. Mountain Time. This rollout is designed to preserve the energy of a Festival, with an abundance of choices and collective experiences, as audiences can begin the film simultaneously, and participate in the live Q&A which follows (viewers can also begin films any time within three hours of their premiere’s start). All films will return to the platform two days after their premiere for a “second screening,” offered on demand for 24 hours. The platform’s movie player is powered by Shift72 and developed with best-in-industry security and access practices. In a Festival first, the entire 70+-feature lineup on the platform will be closed-captioned on demand, and Q&As will be live-captioned.

SHORT FILM, INDIE SERIES PROGRAMS
The Short Film and Indie Series (formerly Indie Episodic) programs, focused on creative storytelling outside the feature format, will include 50 short films and world premieres of four episodic works. These will be available on demand on the Festival platform for the full length of the Festival.

NEW FRONTIER
Since its launch, the Sundance Film Festival’s New Frontier has served as a showcase for dynamic, innovative work at the crossroads of film, art, and technology — and 2021 is no exception, with 14 works in the program. For the first time ever, adventurous audiences around the world will be given the chance to engage with the works, the artists, and each other via a bespoke virtual platform, accessible via computer and VR headsets. The New Frontier Gallery hosts the complete slate of live performances, AR, VR, and other emerging media works. Cinema House is the Festival’s fully immersive, big-screen theater, and Film Party is an interactive social space where the entire community of accredited Festivalgoers can safely gather together again. The environment also features interactive tools such as proximity audio and video chat.

SATELLITE SCREENS
Expanding beyond its Utah home, the Festival has created a network of partnerships to bring feature films and customized local programming — talks, events, artist meet-ups — to communities across the country. In addition to these Satellite Screen partnerships, the Institute will program screenings at The Ray in Park City and the Rose Bowl and Mission Tiki Drive-Ins in Los Angeles, health and safety guidelines permitting. Each Satellite Screen will create and host their own events, sharing local cultural conversations with broader Festival audiences, with most also screening selections from the 2021 program.

“These partners are the backbone of independent artistic communities across the country, where filmmakers are born and cinephiles are developed,” said Jackson. “We’re entering these partnerships because a healthy ecosystem for artists and audiences requires that independent cinemas across the country survive and thrive.”

Programming details for films at these screens will be available when the program is announced later this month, and these plans will evolve in conjunction with the COVID-19 pandemic health and safety guidelines. Participating U.S. partner organizations and locations include:

Alabama: Birmingham with Sidewalk Film Festival
 Sidewalk Film Center, Sidewalk Drive-In

Arizona: Tucson with The Loft Cinema
 The Loft Open Air Cinema

California:
Montclair with American Cinematheque
  Mission Tiki Drive-In
Pasadena with the Rose Bowl Stadium
  Rose Bowl Drive-In
San Francisco with The Roxie Theater
  Roxie Theater, Fort Mason Drive-In

Colorado: Denver with Denver Film
  Sie FilmCenter

Florida:
 Key West
 with Tropic Cinema
  Tropic Cinema, The Key West Lighthouse, The Truman Little White
  House, The Ernest Hemingway House and Museum
Miami with Third Horizon and O Cinema
  New World Symphony SoundScape Park and South Miami-Dade
  Cultural Arts Center

Georgia:
 Atlanta
 with Atlanta Film Society
  The Plaza Theater, Plaza Drive-In, Dad’s Garage Drive-In
Macon with Macon Film Festival
  Douglass Theatre

Hawaii: Honolulu with Doris Duke Theatre at the Honolulu Museum of Art (HoMA)

Iowa: Iowa City with FilmScene
 FilmScene at The Chauncey

Kansas: Wichita with mama.film
 mama.film microcinema, Wichita Art Museum, Groover Labs

Kentucky: Louisville with The Speed Art Museum
 Speed Art Museum

Louisiana: New Orleans with New Orleans Film Society
 The Broad Theater

Maryland: Baltimore with Maryland Film Festival
 Stavros Niarchos Foundation Parkway Theater

Massachusetts: Brookline with Coolidge Corner Theatre
 Coolidge Corner Theatre

Michigan: Detroit with Cinema Detroit

Minnesota: Minneapolis-St. Paul with FilmNorth
 Riverview Theater

New York: Pleasantville with Jacob Burns Film Center
 Jacob Burns Film Center & Media Arts Lab

Ohio: Columbus with Gateway Film Center
 Gateway Film Center

Oklahoma: Tulsa with Circle Cinema
 Circle Cinema, Circle Cinema Drive-In, Admiral Twin Drive-In,
 Philbrook Museum, OSU-Tulsa, Tulsa University, Gilcrease Museum

Pennsylvania: Philadelphia with BlackStar Film Festival

Puerto Rico: San Juan with Asociación de Documentalistas de Puerto Rico (AdocPR)
 Museo de Arte de Puerto Rico (MAPR)

South Carolina: Columbia with The Luminal Theater
 Spotlight Cinemas Capitol 8

Tennessee:
Memphis with Indie Memphis
  Malco Summer Drive-In
Nashville with Belcourt Theatre
  Belcourt Theatre

Texas:
Austin with Austin Film Society
  AFS Cinema
Dallas with Aviation Cinemas
  Texas Theatre
Houston with Houston Cinema Arts Society
  MoonStruck Drive-In, DeLUXE Theater

Utah:
Park City
  The Ray
Salt Lake City with Salt Lake Film Society

Washington:
 Seattle
 with Northwest Film Forum

THE PLATFORM:
One of the fundamental values of the Festival is gathering: it’s a place where a global community of independent artists can convene for a generative and open exchange of ideas. This year, that will take place on the platform’s Festival Village, a free-to-all space where Satellite Screens, partners, and Festival sponsors will host a wide range of events, programming, and offerings to complement and enrich the official program. The platform’s Main Street will act as both an homage to the iconic Park City thoroughfare and as an extension of the Festival’s core programming, featuring digital partner spaces hosting conversations, musical performances, and more. The Artist Lounge will feature a space for creators to gather for artist programming, as well as for the Festival’s Class of ’21 to network and celebrate at private events.

TICKETING DETAILS
Tickets and passes for those who want to experience the Festival for the full run, a single day, or a single screening will be available to the general public beginning January 7; further details will be available later this month. For more information, sign up at Festival.Sundance.org.

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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