2022 International Documentary Association (IDA) shortlists announced

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An invader rides his motorcycle through the rainforest fire blaze in THE TERRITORY (Credit: Alex Pritz/Amazon Land Documentary)

The International Documentary Association (IDA) announced the 25 features and 24 shorts included on the shortlists for the 38th IDA Documentary Awards, which will be held on December 10, 2022, at the Paramount Theater on the Paramount Studios Lot in Los Angeles.

Up to ten nominees in each of the feature and short documentary categories will be selected from the shortlist. Following the nominees announcement on November 11, IDA members will have access to view each of the nominated films and to vote for Best Feature Documentary and Best Short Documentary starting November 18, 2022.

Additional IDA Awards will be presented in the following categories: Best Curated Series, Best Episodic Series, Best Multi-Part Documentary, Best TV Feature Documentary or Mini-Series, Best Short Form Series, Best Stand-Alone Audio Documentary, Best Multi-Part Audio Documentary or Series, David L. Wolper Student Documentary Award, Best Music Documentary, Best Director, Best Cinematography, Best Editing, Best Writing, Best Music Score, ABC News VideoSource Award, and the Pare Lorentz Award.

“The 38th IDA Documentary Awards continues the tradition of celebrating the work of outstanding nonfiction media makers,” Rick Pérez, IDA’s Executive Director said. “This year’s Best Feature Documentary and Best Short Documentary shortlists reflect a growing awareness that multiple perspectives are necessary to better reflect the worldwide popularity of the form and to recognize the global community of artists working in the field.”

“We are so proud to have made IDA Documentary Awards history with the highest number of submissions, and the most international entries and shortlist,” said Kristal Sotomayor and Eddie Hustleby, IDA Awards Competition Team. “We also have the most globally diverse jurors in the history of the awards, and for the first time submissions require closed captions as part of IDA’s accessibility priorities.”

This year the IDA Documentary Awards shortlists and nominees are selected by independent committees of 310 documentary makers, curators, critics, and industry experts from 52 countries. IDA received 806 total submissions in all categories, 40% of which are internationally produced or co-produced projects from 86 countries.

Of the shortlisted feature and short documentaries, 8 are distributed by The New Yorker, 4 are distributed by HBO Documentary Films/HBO Max, 4 are distributed by Netflix, 3 are distributed by The New York Times Op-Docs, 2 are distributed by NEON, 2 are distributed by POV/POV Shorts, and 2 are distributed by National Geographic. 

Best Feature Documentary Shortlist

1341 Frames of Love and War (Israel, United States, United Kingdom | Yes Docu | Director/Producer: Ran Tal. | Producer: Sarig Peker)

After A Revolution (Libya, Italy, United Kingdom | EYESTEELFILM | Director/Producer: Giovanni Buccomino | Producers: Naziha Arebi, Alessandro Carroli)

All that Breathes (India, United States, United Kingdom | Sideshow and Submarine Deluxe, HBO Documentary Films | Director/Producer: Shaunak Sen | Producers: Aman Mann, Teddy Leifer)

All the Beauty and the Bloodshed (United States | NEON, HBO | Director/Producer: Laura Poitras | Producers: Howard Gertler, John Lyons, Nan Goldin, Yoni Golijov)

Delikado (United States, Philippines, Australia | POV | Director: Karl Malakunas | Producers: Marty Syjuco, Michael Collins, Kara Magsanoc-Alikpala)

Etilaat Roz (Afghanistan | Director/Producer: Abbas Rezaie | Producer: Zaki Daryabi)

Fire of Love (Canada, Japan | National Geographic | Director/Producer: Sara Dosa | Producers: Shane Boris, Ina Fichman)

Geographies of Solitude (Canada | Films We Like | Director/Producer: Jacquelyn Mills | Producer: Rosalie Chicoine Perreault)

Hidden Letters (United States, Norway, China | Independent Lens | Directors: Violet Feng, Qing Zhao | Producer: Mette Cheng Munthe-Kaas)

A House Made of Splinters (Denmark, Finland, Ukraine | Director: Simon Lereng Wilmont | Producer: Monica Hellström)

Katrina Babies (United States | HBO Documentary Films, HBO Max | Director/Producer: Edward Buckles, Jr. | Producers: Audrey Rosenberg, Rebecca Teitel)

Lyra (United Kingdom | Cinephil | Director/Producer: Alison Millar | Producer: Jackie Doyle)

Mija (United States | Disney+ | Director: Isabel Castro | Producers: Tabitha Breese, Yesenia Tlahuel)

Moonage Daydream (United States | NEON, Universal | Director/Producer: Brett Morgen)

NAVALNY (United States, Germany, Russian Federation | Warner Bros Pictures, CNN Films, HBO Max | Director: Daniel Roher | Producers: Odessa Rae, Diane Becker, Melanie Miller, Shane Boris)

Nelly & Nadine (Sweden, Belgium, Norway | Wolfe Releasing | Director: Magnus Gertten | Producer: Ove Rishøj Jensen)

No Simple Way Home (United Kingdom, South Africa, South Sudan | Generation Africa – STEPS | Director: Akuol de Mabior | Producers: Sam Soko, Don Edkins, Tiny Mungwe)

The Pawnshop (Poland | Syndicado | Director/Producer: Lukasz Kowalski | Producer: Anna Mazerant)

Sansón and Me (Mexico, United States | Cinema Guild | Director: Rodrigo Reyes | Producer: Su Kim)

Singing on the Rooftops (Spain | Inicia Films | Director: Enric Ribes | Producer: Valérie Delpierre)

A Story of Bones (United Kingdom | Directors: Joseph Curran, Dominic Aubrey de Vere | Producer: Yvonne Isimeme Ibazebo)

The Territory (Brazil, United States | National Geographic | Director/Producer: Alex Pritz | Producers: Darren Aronofsky, Sigrid Dyekjær, Will N. Miller, Gabriel Uchida, Lizzie Gillett)

Three Minutes – A Lengthening (Netherlands | SuperLTD | Director: Bianca Stitger | Producers: Floor Onrust, Steve Mcqueen)

Waters of Pastaza (Portugal | Syndicado | Director/Producer: Inês T. Alves | Producer: Ico Costa)

Young Plato (Ireland, United Kingdom, Belgium | Autlook Film Sales | Directors: Neasa Ní Chianáin, Declan McGrath | Producers: David Rane, Hanne Phlypo, Céline Nusse, Jackie Doyle)

Best Short Documentary Shortlist

ᎤᏕᏲᏅ (What They’ve Been Taught) (United States | Nia Tero, Reciprocity Project | Director: Brit Hensel | Producers: Taylor Hensel, Adam Mazo, Kavita Pillay, Tracy Rector)

And Then They Burn the Sea (Qatar | Square Eyes | Director: Majid Al-Remaihi | Producer: Basel Owies)

Angola Do You Hear Us? Voices From A Plantation Prison (United States | MTV Documentary Films | Director: Cinque Northern | Producer: Catherine Gund)

Beirut Dreams in Color (Lebanon, United States, United Kingdom | The Guardian | Director: Michael Collins | Producers: Marty Syjuco, James Costa, Sarah Kaskas)

The Benevolents (Canada | The New York Times Op-Docs | Director/Producer: Sarah Baril Gaudet)

Bounty (United States | Directors: Ben Pender-Cudlip, Dawn Neptune Adams, Maulian Dana | Directors/Producers: Adam Mazo, Tracy Rector | Producer: Ben Pender-Cudlip)

Coming Home (United States | POV Shorts | Directors/Producers: Naim Naif, Margot Bowman | Producer: Meghan Doherty)

The Dreamlife of Georgie Stone (Australia, United States | Netflix | Directors/Producers: Maya Newell | Producers: Sophie Hyde, Matthew Bate, Lisa Sherrard)

The Elephant Whisperers (United States | Netflix | Director: Kartiki Gonsalves | Producers: Guneet Monga, Achin Jain)

Fatima In Kabul (Canada, Afghanistan | CBC – Canadian Broadcasting Corporation/CBC Distribution | Director/Producer: Brishkay Ahmed)

Haulout (United Kingdom | Rise And Shine World Sales, The New Yorker | Directors/Producers: Evgenia Arbugaeva, Maxim Arbugaev)

Heart Valley (United Kingdom | The New Yorker, Condé Nast | Director/Producer: Christian Cargill | Producers: Lily Wakeley, Kiran Sidhu)

Hold Your Breath: The Ice Dive (United Kingdom, United States | Netflix | Director: Ian Derry. Producers: Mike Brett, Jo-Jo Ellison, Steve Jamison)

Holding Moses (United States | The New Yorker | Directors/Producers: Rivkah Beth Medow, Jen Rainin)

Holy Cowboys (India, United States, United Kingdom | Director/Producer: Varun Chopra. Producer: Anna Hashmi)

I Am Trying to Remember (Czech Republic, Islamic Republic Of Iran | Europe Media Nest s.r.o., The New Yorker | Director: Pegah Ahangarani | Producer: Kaveh Farnam)

In Flow of Words (Netherlands | The New Yorker, Condé Nast | Director: Eliane Esther Bots | Producer: Manon Bovenkerk)

The Joys And Sorrows Of Young Yuguo (United States, United Kingdom | Netflix | Director: Ilinca Călugăreanu | Producer: Mara Adina)

Love, Barbara (United States | Director/Producer: Brydie O’Connor | Producer: Myriam Schroeter)

MINK! (United States | The New York Times Op-Docs | Director: Ben Proudfoot | Producer: Rachel Greenwald)

not even for a moment do things stand still (United States | The New York Times Op-Docs | Director/Producer: Jamie Meltzer | Producers: Annie Marr, Suzanne Brennan Firstenberg)

Nuisance Bear (Canada | The New Yorker | Directors/Producers: Jack Weisman, Gabriela Osio Vanden)

The Silent Shore (France | The New Yorker, Condé Nast Entertainment | Directors/Producers: Nathalie Giraud, Timothée Corteggiani | Producer: Anne Bruneau)

Two-Spirit (Colombia | The New Yorker | Director: Mónica Taboada-Tapia | Producer: Beto Rosero)

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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