2022 Seattle Film Critics Society (SFCS) winners

Erik Anderson January 17, 2023

The Seattle Film Critics Society (SFCS) announced the winners in 21 categories for the 2022 Seattle Film Critics Society Awards today where the directing team of Daniel Kwan and Daniel Scheinert and their multiverse-spanning family adventure Everything Everywhere All At Once was the year’s big winner, picking up four awards: Best Picture, Best Director, Best Film Editing, and Best Supporting Actor to Ke Huy Quan.

Martin McDonagh’s tragicomedy about a severed friendship on a small Irish island, The Banshees of Inisherin, earned three awards. Colin Farrell was recognized as the Best Leading Actor for his portrayal of kind-yet-simple farmer Pádraic Súilleabháin; Kerry Condon won the award for Best Supporting Actress for her role as his worldly-minded sister Siobhán. In addition to the acting awards, McDonagh’s sharply funny script was awarded Best Screenplay.

Rounding out the acting categories, Cate Blanchett’s monumental performance as Lydia Tár in TÁR, Todd Field’s precise study of an EGOT conductor’s downfall earned double awards: for Best Lead Actress as well as for Villain of the Year. Frankie Corio’s turn as Sophie Paterson, an 11-year-old girl on a momentous summer holiday with her father, in Charlotte Wells’s Aftersun, was honored as the year’s Best Youth Performance.

Rian Johnson’s Glass Onion: A Knives Out Mystery was recognized as the Best Ensemble Cast. Starring Edward Norton, Janelle Monáe, Kathryn Hahn, Leslie Odom Jr., Madelyn Cline, Jessica Henwick, Kate Hudson, and Dave Bautista, the comedic whodunnit finds Daniel Craig reprising his role as detective Benoit Blanc among a pack of self-styled “disruptors” inside a murderous mystery box on a billionaire’s private island.

Written and directed by Park Chan-wook and starring Tang Wei and Park Hae-il, the South Korean criminal romance Decision to Leave (South Korea) was chosen as the Best International Film.

Marcel the Shell with Shoes On, Dean Fleischer-Camp’s feature-length adaptation of his YouTube short films about a lonely shell, voiced by co-writer Jenny Slate, trying to reunite with his family, won Best Animated Feature.

Fire of Love, Sara Dosa’s account of the work and romance of French volcanologists Katia and Maurice Krafft as narrated by Miranda July, was chosen as Best Documentary Feature.

Babylon, Damien Chazelle’s multifaceted period drama set during Hollywood’s tumultuous transition away from the Silent Era, was also recognized for two awards. Justin Hurwitz was awarded Best Original Score for his propulsive jazz-era compositions, and the award for Best Production Design was shared by Florencia Martin (Production Design) and Anthony Carlino (Set Decoration) for their evocation of 1920s film sets, boisterous parties, and everything in between. Catherine Martin’s spectacular craft in recreating decades of rock and roll history in Elvis won the award for Best Costume Design.

The thrilling dance numbers and balletic fight sequences in S. S. Rajamouli’s Indian Telugu epic musical RRR were awarded Best Action Choreography, marking the second consecutive year that SFCS presented this award to a film peppered with joyous dance sequences.

The SFCS honored Sweetheart Deal with the inaugural Pacific Northwest Award. Directed by Elisa Levine and Gabriel Miller, an award-winning cinematographer who died suddenly in 2019, the clear-eyed documentary tells the heart-wrenching stories of sex workers on Seattle’s Aurora Avenue and a manipulative father figure who abuses their trust.

Claudio Miranda’s groundbreaking photography in Top Gun: Maverick was awarded Best Cinematography. The eye-popping Avatar: The Way of Water, James Cameron’s immersive return to Pandora, its indigenous Na’vi population, and human occupiers won the award for Best Visual Effects.

After forming in late 2016, the Seattle Film Critics Society officially became a non-profit organization in 2017, with a membership consisting of 40 film critics, representing print, broadcast, podcasting, and online film criticism. This year’s awards are the seventh to be held under the banner of the SFCS, honoring the best films and performances of the year.

The group dedicated their awards to Sheila Benson (The Los Angeles Times) and John Hartl (The Seattle Times), two film critics to live and work in the Pacific Northwest. After her retirement from The Los Angeles Times in 1991, Benson wrote for several print publications and websites, at both the local and national level, while Hartl was a Seattle icon who spent his entire 52-year career writing for The Seattle Times.

Here is the complete list of winners.

Best Picture	Everything Everywhere All At Once (A24)
Best Director	DANIELS (Daniel Kwan and Daniel Scheinert) – Everything Everywhere All At Once
Best Actor in a Leading Role	Colin Farrell – The Banshees of Inisherin
Best Actress in a Leading Role	Cate Blanchett – TÁR
Best Actor in a Supporting Role	Ke Huy Quan – Everything Everywhere All At Once
Best Actress in a Supporting Role	Kerry Condon – The Banshees of Inisherin
Best Ensemble Cast	Glass Onion – Bret Howe and Mary Vernieu (Casting Directors)
Best Action Choreography	RRR – Vicky Arora, Ivan Kostadinov, Nick Powell, Raicho Vasilev (Stunt coordinators); Prem Rakshith, Dinesh Krishnan (Choreography)
Best Screenplay	The Banshees of Inisherin – Martin McDonagh
Best Animated Feature	Marcel the Shell with Shoes On – Dean Fleischer-Camp, director
Best Documentary Feature	Fire of Love – Sara Dosa, director
Best International Film	Decision to Leave – Park Chan-wook, director
Best Cinematography	Top Gun: Maverick – Claudio Miranda
Best Costume Design	Elvis – Catherine Martin
Best Film Editing	Everything Everywhere All At Once – Paul Rogers
Best Original Score	Babylon – Justin Hurwitz
Best Production Design	Babylon – Florencia Martin (Production Design), Anthony Carlino (Set Decoration)
Best Visual Effects	Avatar: The Way of Water – Joe Letteri, Richard Baneham, Eric Saindon, Daniel Barrett
Best Youth Performance	Frankie Corio – Aftersun
Villain of the Year	Lydia Tár – as portrayed by Cate Blanchett in TÁR
Pacific Northwest Award	Sweetheart Deal – Elisa Levine and Gabriel Miller, directors

Author
Recent Posts

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.

He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.