2022 Utah Film Critics Association: ‘Everything Everywhere All At Once’ wins 10 awards

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Everything Everywhere All At Once dominated the 2022 Utah Film Critics Association awards announced today, with 10 wins overall. The film was recognized as Best Picture as well as for Best Achievement in Directing and Original Screenplay by Daniel Kwan and Dan Scheinert, Best Lead Female Performance for Michelle Yeoh, Best Supporting Female Performance for Stephanie Hsu, Best Supporting Male Performance for Ke Huy Quan, Ensemble Cast, Film Editing and Visual Effects.

That left room for just a handful of films to earn prizes, including The Banshees of Inisherin (Best Actor, Best Original Score, tied with EEAAO for Original Screenplay).

Marcel the Shell With Shoes On won Best Animated Feature, and also tied for the Best Adapted Screenplay by Dean Fleischer-Camp and Jenny Slate. Sarah Polley’s screenplay for Women Talking shared the Adapted Screenplay Award. Documentary Feature went to Wildcat, and Non-English Language feature to RRR.

The UFCA annually awards the Vice/Martin Award for Performance in a Science-Fiction, Fantasy or Horror Film, created in honor of late UFCA members Jeff Vice and Jimmy Martin. Ke Huy Quan added to his Male Supporting Performance recognition by winning this award.

Here is the full list of winners and runners-up.

Best Picture: Everything Everywhere All at Once (Runner-up: Top Gun: Maverick)

Best Director: Daniel Kwan & Daniel Scheinert, Everything Everywhere All at Once (Runner-up: S.S. Rajamouli, RRR)

Best Actor: Colin Farrell, The Banshees of Inisherin (Runner-up: Austin Butler, Elvis)

Best Actress: Michelle Yeoh, Everything Everywhere All at Once (Runner-up: Danielle Deadwyler, Till)

Best Supporting Actor: Ke Huy Quan, Everything Everywhere All at Once (Runner-up: Brendan Gleeson, The Banshees of Inisherin)

Best Supporting Actress: Stephanie Hsu, Everything Everywhere All at Once (Runner-up: Kerry Condon, The Banshees of Inisherin)

Best Ensemble Cast: Everything Everywhere All at Once (Runners-up: The Banshees of Inisherin, Glass Onion: A Knives Out Mystery, Women Talking)

Vice/Martin Award (given to a notable performer in a science-fiction, horror or fantasy film): Ke Huy Quan, Everything Everywhere All at Once (Runner-up: Mia Goth, Pearl)

Best Original Screenplay (tie): Martin McDonagh, The Banshees of Inisherin & Daniel Kwan and Daniel Scheinert, Everything Everywhere All at Once

Best Adapted Screenplay (tie): Sarah Polley, Women Talking & Dean Fleischer-Camp and Jenny Slate, Marcel the Shell with Shoes On

Best Animated Feature: Marcel the Shell with Shoes On (Runner-up: Guillermo del Toro’s Pinocchio)

Best Documentary Feature: Wildcat (Runner-up: Good Night Oppy)

Best Non-English Language Feature: RRR (Runners-up: Bardo, False Chronicle of a Handful of Truths & Close)

Best Cinematography: Claudio Miranda, Top Gun: Maverick (Runner-up: Larkin Seiple, Everything Everywhere All at Once)

Best Film Editing: Paul Rogers, Everything Everywhere All at Once (Runner-up: Eddie Hamilton, Top Gun: Maverick)

Best Original Score: Carter Burwell, The Banshees of Inisherin (Runner-up: Michael Giacchino, The Batman)

Best Visual Effects: Everything Everywhere All at Once (Runner-up: Avatar: The Way of Water)

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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