The BAFTAs are this Sunday and in so many categories it feels like a fight between Poor Things and Oppenheimer, at least in the ones where Christopher Nolan’s near billion dollar blockbuster isn’t already the runaway frontrunner.
Whether it’s Best Film, Adapted Screenplay or Original Score, the two films seem in lockstep with each other. Were it not for the director snub of PT‘s Yorgos Lanthimos it might be even more competitive between the two films. But where Oppenheimer has a clear path in several below the categories (like Editing, Sound, Cinematography, Score), Poor Things not only has it to contend with but Barbie in categories like Production Design and Costume Design and unless we’re in for an unprecedented sweep for Oppy (not impossible), those are close races, especially the former, which has seen all three win at least one precursor so far.
Unsurprisingly, Oppenheimer and Poor Things also factor in three of the four acting races with the top two a real fight, just not with each other. Leading Actor is between Oppenheimer’s Cillian Murphy (who has the Golden Globe for Drama) and The Holdovers‘ Paul Giamatti (who has the Golden Globe for Comedy and Critics Choice). BAFTA, even with its voting structure merry-go-round, has seen fit to award the eventual Best Actor Oscar winner 15 times out of the last 20 years, only two of those time in the last 10 years. Of course, that includes just last year when Austin Butler (Elvis) bested Brendan Fraser (The Whale) and is really the only 1:1 comparison we have in the modern era with Fraser going on to win the Oscar. Both Murphy and Giamatti have hit everywhere and are the critics’ leaders with Murphy having the edge there in overall wins. But will Murphy ride the wave of his film’s potential awards blowout or is Giamatti poised to take full control of the race?
With Lily Gladstone (Killers of the Flower Moon) not nominated at BAFTA, Leading Actress is between Emma Stone (Poor Things) and Sandra Hüller (Anatomy of a Fall) and on one side it would seem to make this an even easier win for Stone without what is/might be her biggest competition. But Hüller is also a nominee in supporting for The Zone of Interest and support for both of her films here (and at the Oscars) is substantial. The domination of Anatomy of a Fall at this year’s European Film Awards also gives her a point on her side but misses at the Golden Globes and with London Critics (to Stone, no less) and the lack of a Screen Actors Guild nomination brings those point back down. A win for Hüller here will definitely cause a stir in Oscar predictions circles until SAG has its say on the 24th and if Gladstone were to win there then we’d really have a race. One unlike we’ve really seen in a while; the 2020 and 2021 Best Actress races aren’t the best comparisons as the BAFTA voting changes and nominations went far outside the SAG and Oscar lineups. 2012 is probably the best comparison, when Emmanuelle Riva (Amour) bested Jennifer Lawrence (Silver Linings Playbook) with the former not SAG-nominated and the latter going on to win the Oscar.
One category Poor Things and Oppenheimer aren’t competing in, very surprisingly, is Best Casting. Only in its fifth year, there are no real trends or patterns to go off from, especially with the two top films left off the list completely. This category has seen Joker beat Once Upon a Time in Hollywood, Rocks beating Best Film nominee Promising Young Woman and Elvis winning last year over All Quiet on the Western Front, Everything Everywhere All At Once, Triangle of Sadness and Aftersun. This year, three of the five nominees are also Best Film nominees: Anatomy of a Fall, The Holdovers and Killers of the Flower Moon. Then we have All of Us Strangers, which has six nominations including two acting nods and Best Director, and How to Have Sex, which is also nominated for Outstanding British Debut and Outstanding British Film (where AOUS is as well). Twice in those four years the winner was not nominated for Best Film but in the case of 2021’s West Side Story that film also had a Supporting Actress win with Ariana DeBose. Cast size doesn’t seem to be an overriding factor here either and four of the five nominees this year having small casts of just four or fives primary performers. While Anatomy and Holdovers seem like the safest bets here if voters want to vote for Strangers this is definitely its best shot at a win.
The 2024 EE BAFTA Film Awards will be held live on Sunday, February 18 from the Southbank Centre’s Royal Festival Hall in London and hosted by David Tennant. The EE BAFTA Film Awards will be broadcast on BBC One and iPlayer in the UK, with a two-hour delay in the U.S. on BritBox International in USA, Canada, Denmark, Finland, Sweden, Norway and South Africa, as well as BBC Australia and Britbox in Australia, NOVA Bulgaria, NOVA Greece, Turner Spain, and Canal Plus.
Here are my ranked winner predictions for the 2024 EE BAFTA Film Awards.
Best Film
Best Director
Leading Actor
Leading Actress
Supporting Actor
Supporting Actress
Casting
Original Screenplay
Adapted Screenplay
Outstanding British Film
Animated Film
Documentary
Film Not in the English Language
Cinematography
Editing
Production Design
Costume Design
Make Up & Hair
Original Score
Sound
Special Visual Effects
Outstanding Debut by a British Writer, Director or Producer
BAFTA Rising Star (voted on by the public)
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