2024 Oscar Predictions: FILM EDITING (November)

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Oscar nominations will be announced on January 23, 2024, American Cinema Editors (ACE) will reveal their ACE Eddie nominations January 25 and the 96th Academy Awards will be held on March 10.

Here are my 2024 Oscar predictions in Film Editing for November 2023.

  1. Oppenheimer (Universal Pictures) – Jennifer Lame
  2. Killers of the Flower Moon (Apple Original Films) – Thelma Schoonmaker
  3. Poor Things (Searchlight Pictures) – Yorgos Mavropsaridis
  4. Barbie (Warner Bros) – Nick Houy
  5. Maestro (Netflix) – Michelle Tesoro
  6. The Zone of Interest (A24) – Paul Watts
  7. American Fiction (Amazon MGM Studios/Orion) – Hilda Rasula
  8. The Holdovers (Focus Features) – Kevin Tent
  9. Ferrari (NEON) – Pietro Scalia
  10. Anatomy of a Fall (NEON) – Laurent Sénéchal

Next up:

  • All of Us Strangers (Searchlight Pictures) – Jonathan Alberts
  • The Color Purple (Warner Bros) – Jon Poll
  • The Iron Claw (A24) – Matthew Hannam
  • The Killer (Netflix) – Kirk Baxter
  • Spider-Man: Across the Spider-Verse (Sony Pictures) – Michael Andrews

Other contenders: 

  • Air (Amazon MGM Studios) – William Goldenberg
  • The Bikeriders (20th Century Studios) – Julie Monroe
  • The Creator (20th Century Studios) – Hank Corwin, Joe Walker and Scott Morris
  • Creed III (Amazon MGM Studios) – Tyler Nelson and Jessica Baclesse
  • John Wick Chapter 4 (Lionsgate) – Nathan Orloff
  • May December (Netflix) – Affonso Gonçalves
  • Napoleon (Apple Original Films/Sony Pictures) – Claire Simpson and Sam Restivo
  • NYAD (Netflix) – Christopher Tellefsen
  • Origin (NEON) – Spencer Averick, Priscilla (A24) – Sarah Flack
  • Saltburn (Amazon MGM Studios) – Victoria Boydell
  • Society of the Snow (Netflix) – Jaume Marti

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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