2024 Oscars: Official Submissions for International Feature Film

Published by
Share

The race for the next International Feature Film Oscar has begun and Switzerland is first out of the gate. Carmen Jaquier’s film Thunder will represent the European country with its 51st submission. Five Swiss films have been nominated for the Academy Award for Best Foreign Language/International Feature Film, and two of these have won the Oscar, most recently for the Turkish refugee drama Journey of Hope at the 1991 Academy Awards.

Thunder tells the story of a young girl who returns home from the convent after learning of her sister’s mysterious death. Reunited with her three childhood friends she discovers that faith and desire can sometimes be intertwined. The film has its world premiere at the 2022 Toronto International Film Festival and is next set for the 2023 Locarno Film Festival in its home country on August 8.

Last season, 93 eligible submissions made the final cut, with Uganda submitting for the first time. Scroll down for the updated list with country notes and stats and more. Bookmark this page as more are announced throughout the season. The 15-film shortlist will be revealed on December 21, 2023 with Oscar nominations announced on January 23, 2024. The 96th Academy Awards will be held on March 10, 2024.

After three possible disqualifications (Hong Kong, Kyrgyzstan, Tajikistan) it looks like there will be 89 official entries for International Feature Film Oscar this year, four less than the all time record of 93.

Oscar voters in the Best International Feature Film category have received their group assignments for this year’s initial round of voting, which begins on December 18 (the 15-film shortlist will be revealed on December 21). Films are broken down into seven groups for voters, who must watch all 12 or 13 assigned them, an uptick of 4/5 from last year. Voters are not restricted to their own group of films and may watch as many as they want.

As of October 31, 59 of the 89 films are in the Academy Screening Room for the Best International Feature Film category, with additional titles added on a weekly basis. Several high-profile contenders that are not in the screening room include the UK’s The Zone of Interest, Spain’s Society of the Snow, Germany’s The Teachers’ Lounge and Denmark’s The Promised Land. The official and final list of qualified films will be released in early December.

Foreign-language/International Feature films nominated for the Best Picture Oscar

Between 1947 and 1955, the Academy presented Special Awards to the best foreign language films released in the U.S. Because these awards were not handed out on a regular basis and didn’t have any nominees, they were not competitive. For the 29th Academy Awards in 1956, a competitive Academy Award of Merit, known as the Best Foreign Language Film Award, was created for non-English speaking films. It has since then been awarded annually category. Nearly 20 years earlier, Jean Renoir’s Grand Illusion (France) was nominated for Best Picture in 1938, its only nomination. 2006’s Letters From Iwo Jima was a Japanese-spoken US production not an official submission for foreign language film.

In 1957, Denmark became the first country to send a film with a female director to the Foreign Oscar competition (Annelise Hovmand’s Be Dear to Me). Two years later, Astrid Henning-Jensen’s Paw became to the first film directed by a woman to receive a nomination in the category.

Since the inception of the foreign language/international feature Oscar in 1956, only 11 films have also been nominated for the Best Picture Oscar and nearly half of those are all within the last five years: 2018’s Roma from Mexico, 2019’s Parasite from South Korea (the first ever to win BP), Japan’s Drive My Car (2021) and Germany’s All Quiet on the Western Front (2022), all winners of the International Feature Film Oscar.

TITLECOUNTRYFILM YEAR
ZAlgeria1969
The EmigrantsSweden1972
Cries and WhispersSweden1973
The PostmanItaly1995
Life is BeautifulItaly1998
Crouching Tiger, Hidden DragonTaiwan2000
AmourAustria2012
RomaMexico2018
Parasite (Best Picture winner)South Korea2019
Drive My CarJapan2021
All Quiet on the Western FrontGermany2022

The biggest losers: While Israel is the biggest loser with 10 nominations and no wins in this category, and Portugal is the currently the most unsuccessful country for getting a nomination with the most submissions (at 37). Philippines holds another record; it’s the sole country to send a submission film in the first competitive year (1956) that hasn’t gotten an Oscar nom yet. The other 7 countries that submitted that first year – France, Italy, West Germany (now Germany), Denmark, Sweden, Japan and Spain – all ended up winning the Oscar at least once.

Rules for International Feature Film at the 96th Oscars

I. DEFINITION
An international film is defined as a feature-length motion picture (over 40 minutes) produced outside
the United States of America and its territories with a predominantly (more than 50%) non-English
dialogue track. Animated and documentary feature films are permitted.

II. ELIGIBILITY

A. The country-selected film must be first released in the country of origin no earlier than December 1,
2022, and no later than October 31, 2023, and be first publicly exhibited for at least seven
consecutive days in a commercial motion picture theater for the profit of the producer and exhibitor.
In order for films to more easily meet theatrical exhibition requirements, the Academy will allow films
to qualify outside the country of origin, provided the film is theatrically exhibited outside of the United
States and its territories for at least seven consecutive days in a commercial motion picture theater
for paid admission.

Submissions must be in 35mm or 70mm film, or in a 24- or 48-frame progressive scan Digital Cinema
format with a minimum projector resolution of 2048 by 1080 pixels, source image format conforming
to ST 428-1:2006 D-Cinema Distribution Master – Image Characteristics; image compression (if
used) conforming to ISO/IEC 15444-1 (JPEG 2000); and image and sound files packaged as Digital
Cinema Packages (DCPs) in the “SMPTE DCP” format. SMPTE DCP refers to SMPTE ST 429-
2:2020 D-Cinema Packaging – DCP Operational Constraints and related specifications. (Blu-ray
format does not meet Digital Cinema requirements.)

The audio in a Digital Cinema Package (DCP) is typically 5.1 or 7.1 channels of discrete audio. The
minimum for a non-mono configuration of the audio shall be three channels as Left, Center, Right (a
Left/Right configuration is not acceptable in a theatrical environment). In addition to channel-based
audio, object-based audio may also be present as an immersive audio bitstream.
The discrete audio data shall be formatted in conformance with SMPTE ST 429-3:2007 D-Cinema
Packaging – Sound and Picture Track File, SMPTE ST 428-2:2006 D-Cinema Distribution Master –
Audio Characteristics and SMPTE ST 428-12:2013 D-Cinema Distribution Master Common Audio
Channels and Soundfield Groups. Immersive audio, if present, shall be formatted in conformance
with SMPTE ST 2098-2:2019 Immersive Audio Bitstream Specification and SMPTE 429-18:2019 DCinema Packaging – Immersive Audio Track File and packaged in conformance with SMPTE 429-
19:2019 D-Cinema Packaging – DCP Operational Constraints for Immersive Audio.

B. The film must be advertised and exploited during its qualifying theatrical release in a manner
considered normal and customary to theatrical feature distribution practices. The film need not have
been released in the United States.

C. Films that, in any version, receive a nontheatrical public exhibition or distribution before their
qualifying theatrical release will not be eligible for Academy Awards consideration.
Nontheatrical public exhibition or distribution includes but is not limited to:

  • Broadcast and cable television
  • PPV/VOD
  • DVD distribution
  • Inflight airline distribution
  • Internet transmission

D. The recording of the original dialogue track as well as the completed picture must be predominantly
(more than 50%) in a language or languages other than English. Accurate, legible Englishlanguage subtitles are required.
E. The submitting country must confirm that creative control of the film was largely in the hands of
citizens or residents of the submitting country.
F. Should a selection committee not disclose up-to-date and/or accurate information related to a
submitted film’s citizenship, business-related affiliation or credit on a selected film, designated credits,
production details and release information, a film will be deemed ineligible.
G. The International Feature Film Executive Committee shall resolve all questions of eligibility and rules

III. SUBMISSION

A. Each country shall be invited to submit its best film to the Academy. Selection of that film shall be
made by one approved organization, jury or committee, of which at least 50% must include artists
and/or craftspeople from the field of motion pictures. A list of the selection committee members must
be submitted to the Academy no later than Tuesday, August 15, 2023, or by the submission
deadline published by the Academy. Countries submitting for the first time, or which have not
submitted for the previous five years, must present a list of selection committee members and
application materials for Academy approval by December 31, 2023, for eligibility in the following
(97th) Awards year. A country need not submit a film every year for Awards consideration.
B. Only one film will be accepted from each country as the official selection. Films should be
submitted to the Academy as soon as they are selected.
C. The Academy will provide online access to each country’s approved selection committee so that the
producer of the selected film can supply full production information.
D. The following submission materials must be submitted to the Academy by 5 p.m. PT on Monday,
October 2, 2023:

  • Completed online submission forms
  • Digital upload of the film for streaming purposes
  • [For Internal Use Only] A secure and password-protected link to the film. This is required to test
    non-English dialogue.
  • Full cast and credits list
  • Director’s biography and photograph
  • A designated key frame for streaming display artwork
  • A poster from the film’s theatrical release, for archival purposes
  • Proof of the film’s qualifying theatrical release, including but not limited to advertising

E. Entrants whose films advance to the shortlist must submit either one 35mm or 70mm film print or one
DCP of the film after the shortlist is announced. By submitting a film, the filmmakers agree that the
Academy has the right to make copies and distribute them for voting purposes only. The Academy
will retain for its archives one print of every motion picture receiving a nomination for the International
Feature Film award.

IV. VOTING

A. International Feature Film nominations will be determined in two rounds of voting:

  1. All active and life Academy members will be invited to view the eligible submissions in the
    category. Those who opt in will be required to see a minimum number of submitted eligible films
    as defined by the current procedures. Members will vote by secret ballot in the order of their
    preference for not more than fifteen motion pictures. The fifteen motion pictures receiving the
    highest number of votes shall advance to next round of voting.
  2. All active and life Academy members will be invited to view the fifteen shortlisted films in the
    category. A member must see all shortlisted films for the ballot to be counted. Members shall
    vote in the order of their preference for not more than five motion pictures. The five motion
    pictures receiving the highest number of votes shall become the nominations for final voting for
    the International Feature Film award.

B. Final voting for the International Feature Film award shall be restricted to active and life Academy
members who have viewed all five nominated films.

C. The Academy statuette (Oscar) will be awarded to the film and accepted by the director on behalf of
the film’s creative talents. For Academy Awards purposes, the country will be credited as the
nominee. The director’s name will be listed on the statuette plaque after the country and film title.

V. ADVERTISING AND PUBLICITY RESTRICTIONS

In addition to complying with the Awards Rules for the 96th Academy Awards, all participants in the
Awards competition are also bound by the Awards Campaign Promotional Regulations concerning
the promotion of eligible films and are subject to the penalties provided therein, including the potential
declaration of ineligibility by the Board of Governors for violation of those guidelines.

VI. ELIGIBILITY IN OTHER CATEGORIES

A. International Feature Film submissions may be submitted for consideration for the 96th Academy
Awards in other categories, including Best Picture, provided they comply with the rules governing
those categories.

B. Films submitted for consideration in the International Feature Film category for the 96th Academy
Awards are NOT eligible for consideration in other awards categories in the subsequent year, nor
could the films have been submitted in other awards categories in a previous year.

Stats, Notes and Superlatives

Submissions with women/women-identifying directors or co-directors: Austria, Australia, Bosnia and Herzegovina, Burkina Faso, Costa Rica, Croatia, Estonia, Georgia, Greece, Hong Kong, Israel, Latvia, Lithuania, Malaysia, Mexico, Moldova, Netherlands, Norway, Palestine, Panama, Switzerland, Tunisia

Submissions with LGBTQ+ subjects or themes: North Macedonia, Taiwan

Animated submissions: Hungary, Philippines, Poland

Documentary submissions: Brazil, Canada, Estonia, Morocco, Norway, Palestine, Panama, Tunisia, Ukraine

Countries with potential eligibility issues:

Countries submitting for the first time: Namibia

2024 Oscars: International Feature Film Oscar Submissions

COUNTRYTITLEDIRECTOR(S)STUDIO/U.S. DISTRIBUTIONFACTS/STATS
AlbaniaAlexanderArdit Sadiku (1st)16th submission for Albania, which has yet to be nominated
ArgentinaThe DelinquentsRodrigo Moreno (1st)MUBI50th submission for Argentina, which has been nominated seven times and won twice (1985's The Official Story, 2009's The Secret in Their Eyes)
ArmeniaAmerikatsiMichael A. Goorjian (1st)Variance Films13th submission for Armenia, which has yet to be nominated
AustraliaShaydaNoora Niasari (1st)Sony Pictures Classics16th submission for Australia, which has been nominated once
AustriaVeraTizza Covi (2nd), Rainer Frimmel (2nd)47th submission for Austria, which has been nominated four times and won twice (2007's The Counterfeiters, 2012's Amour)
BangladeshNo Ground Beneath the FeetMohammad Rabby Mridha (1st)19th submission for Bangladesh, which has yet to be nominated
BelgiumOmenBaloji (1st)Utopia48th submission for Belgium, which has been nominated eight times
BhutanThe Monk and the GunPawo Choyning Dorji (2nd)Roadside Attractions4th submission for Bhutan, which has been nominated once
BoliviaThe VisitorMartín Boulocq (1st)15th submission for Bolivia, which has yet to be nominated
Bosnia and HerzegovinaExcursionUna Gunjak (1st)23rd submission for Bosnia-Herzegovina, which has been nominated twice and won once (2001's No Man's Land)
BrazilPictures of GhostsKleber Mendonça Filho (2nd)Grasshopper Film53rd submission for Brazil, which has been nominated four times
BulgariaBlaga's LessonStephan Komandarev (3rd)34th submission for Bulgaria, which has yet to be nominated
Burkina FasoSiraApolline Traoré (1st)2nd submission for Burkina Faso, which has yet to be nominated
CanadaRojekZayne Akyol (1st)Icarus Films49th submission for Canada, which has been nominated seven times and won once (2003's The Barbarian Invasions)
CameroonHalf HeavenEnah Johnscot (2nd)6th submission for Cameroon, which has yet to be nominated
ChileThe SettlersFelipe Gálvez Haberle (1st)MUBI28th submission for Chile, which has been nominated twice and won once (2017's A Fantastic Woman)
ChinaThe Wandering Earth 2Frant Gwo (1st)37th submission for China, which has been nominated twice
ColombiaA MaleFabián Hernández Alvarado (1st)32nd submission for Colombia, which has been nominated once
Costa RicaI Have Electric DreamsValentina Maurel (1st)12th submission for Costa Rica, which has yet to be nominated
CroatiaTracesDubravka Turic (1st)33rd submission for Croatia, which has yet to be nominated
CubaNelsito's WorldFernando Perez (3rd)which has been nominated twice
CzechiaBrothersTomáš Mašín (1st)30th submission for Czechia since the split of Czechoslovakia, which has been nominated three times and won once (1996's Kolya). Prior to the split, Czechoslovakia was nominated six times and won twice (1965's The Shop on Main Street, 1967's Closely Watched Trains)
DenmarkThe Promised LandNikolaj Arcel (2nd)Magnolia Pictures61st submission for Denmark, which has been nominated 14 times and won four (1987's Pelle the Conquerer, 1988's Babette's Feast, 2010's In a Better World, 2020's Another Round)
Dominican RepublicCuarencenaDavid Maler (1st)16th submission for Dominican Republic, which has yet to be nominated
EgyptVoy! Voy! Voy!Omar Hilal (1st)37th submission for Egypt, which has yet to be nominated
EstoniaSmoke Sauna SisterhoodAnna Hints (1st)21st submission for Estonia, which has been nominated once
FinlandFallen LeavesAki Kaurismäki (1st)MUBI37th submission for Finland, which has been nominated once
FranceThe Taste of ThingsTran Anh Hung (1st for France, 3rd overall)IFC Films71st submission for France, which has been nominated 40 times and won 12 times (including 3 Honorary)
GeorgiaCitizen SaintTinatin Kajrishvili (1st)22nd submission for Georgia, which has been nominated once
GermanyThe Teachers' LoungeIlker Çatak (1st)Sony Pictures Classics64th overall submission for Germany both pre and post-unification in 1990, Germany has been nominated 21 times and won four times (1979's The Tin Drum, 2002's Nowhere in Africa, 2006's The Lives of Others, 2022's All Quiet on the Western Front)
GreeceBehind the HaystacksAsimina Proedrou (1st)43rd submission for Greece, which has been nominated five times
HungaryFour Souls of the CoyoteAron Gauder (1st)59th submission for Hungary, which has been nominated 10 times and won twice (1981's Mephisto, 2015's Son of Saul)
IcelandGodlandHlynur Pálmason (1st)Janus Films44th submission for Iceland, which has been nominated once
India2018Jude Anthany Joseph (1st)56th submission for India, which has been nominated three times
IndonesiaAutobiographyMakbul Mubarak (1st)33rd submission for Indonesia, which has yet to be nominated
IranThe Night GuardianReza Mirkarimi (2nd)26th submission for Iran, which has been nominated three times and won twice (2011's A Separation and 2016's The Salesman, both from Asghar Farhadi)
IraqHanging GardensAhmed Al-Daradji (1st)12th submission for Iraq, which has yet to be nominated
IrelandIn the Shadow of BeirutStephen Gerard Kelly (1st) and Garry Keane (2nd)10th submission for Ireland, which has been nominated once
IsraelSeven BlessingsAyelet Menahemi (1st)56th submission for Israel, which has been nominated 10 times but has yet to win - a record in this category
Italylo, CapitanoMatteo Garrone (3rd)70th submission for Italy, which has been nominated 32 times, won 14 times
JapanPerfect DaysWim Wenders (1st)NEON70th submission for Japan, which has been nominated 17 times and won five (three honorary then 2008's Departures and 2021's Drive My Car)
JordanInshallah a BoyAmjad Al-Rasheed (1st)7th submission for Jordan, which has been nominated once
KenyaMveraDaudi Anguka (1st)8th submission for Kenya, which has yet to be nominated
LatviaMy FreedomIlze Kunga-Melgaile (1st)15th submission for Latvia, which has yet to be nominated
LithuaniaSlowMarija Kavtaradze (1st)16th submission for Lithuania, which has yet to be nominated
LuxembourgThe Last AshesLoïc Tanson (1st)19th submission for Luxembourg, which has yet to be nominated
MalaysiaTiger StripesAmanda Nell Eu (1at)8th submission for Mongolia, which has yet to be nominated
MexicoTótemLila Avilés (2nd)Janus FIlms/Sideshow56th submission for Mexico, which has been nominated nine times and won once (2018's Roma)
MoldovaThunderIoane Bobeica (1st)4th submission for Moldova, which has yet to be nominated
MongoliaCity of WindLkhagvadulam Purev-Ochir (1st)8th submission for Mongolia, which has yet to be nominated
MontenegroSirinSenad Šahmanović10th submission for Montenegro, which has yet to be nominated
MoroccoThe Mother of All LiesAsmae El Moudir (1st)19th submission for Morocco, which has yet to be nominated
NamibiaUnder the Hanging Tree (Rotterdam)1st ever submission for Namibia
NepalHalkaraBikram Sapkota (1st)13th submission for Nepal, which has been nominated once
NetherlandsSweet DreamsEna Sendijarević (1st)56th submission for Netherlands, which has been has been nominated 7 times and won 3 times (1987's The Assault, 1996's Antonia's Line, 1998's Character)
NigeriaMami WataC. J. Obasi (1st)3rd submission for Nigeria, which has yet to be nominated
North MacedoniaHousekeeping for BeginnersGoran Stolevski (1st for NM, 2nd overall)Focus Features20th submission for North Macedonia, which has been nominated twice
NorwaySongs of EarthMargreth Olin (2nd)45th submission for Norway, which has been nominated six times
PakistanIn FlamesZarrar Khan (1st)12th submission for Pakistan, which has yet to be nominated
PalestineBye Bye TiberiasLina Soualem (1st)16th submission for Palestine, which has been nominated twice
PanamaTito, Margot & MeMercedes Arias (2nd), Delfina Vidal (2nd)10th submission for Panama, which has yet to be nominated
ParaguayThe Last Runaway 2Armando Aquino (1st), Mauricio Rial (1st)7th submission for Paraguay, which has yet to be nominated
PeruThe Erection of Toribio BardelliAdrian Sava (2nd)30th submission for Peru, which has been nominated once
PhilippinesThe MissingCarl Joseph Papa (1st)34th submission for Philippines, which has yet to be nominated
PolandThe PeasantsDK Welchman (1st), Hugh Welchman (1st)Anonymous Content55th submission for Poland, which has been nominated 13 times and won once (2014's Ida)
PortugalBad LivingJoão Canijo (3rd)40th submission for Portugal, which has yet to be nominated
RomaniaDo Not Expect Too Much From the End of The WorldRadu Jude (4th)MUBI39th submission for Romania, which has been nominated once
Saudi ArabiaAlhamour H.A.Abdulelah Alqurashi (1st)7th submission for Saudi Arabia, which has yet to be nominated
SenegalBanel & AdamaRamata Toulaye SY (1st)5th submission for Senegal, which has yet to be nominated
SerbiaBecause My Thoughts Are StrugglingMilorad Milinković (1st)30th submission for Serbia, which has yet to be nominated
SingaporeThe Breaking IceAnthony Chen (1st)17th submission for Singapore, which has yet to be nominated
SlovakiaPhotophobiaIvan Ostrochovský (2nd), Pavol Pekarčík (1st)27th submission for Slovakia, which has yet to be nominated
SloveniaRidersDominik Menceja (1st)27th submission for Slovenia, which has yet to be nominated
South AfricaMusic is My LifeMpumi Mbele (1st)19th submission for South Africa, which has been nominated twice and won once (2005's Tsotsi)
South KoreaConcrete UtopiaUm Tae-haw (1st)36th submission for South Korea, which has been nominated and won once (2019's Parasite)
SpainSociety of the SnowJ.A. Bayona (1st)Netflix66th submission for Spain, which has been nominated 20 times and won four (1982's Begin the Beguine, 1993's Belle Époque, 1999's All About My Mother, 2004's The Sea Inside)
SudanGoodbye JuliaMohammed Kordofani (1st)2nd submission for Sudan, which has yet to be nominated
SwedenOpponentMilad Alami (1st)63rd submission for Sweden, which has been nominated 16 times and won three times, all for Ingmar Bergman films (1960's The Virgin Spring, 1961's Through a Glass Darkly, 1983's Fanny and Alexander)
SwitzerlandThunderCarmen Jaquier (1st)Dekanolog51st submission for Switzerland, which has been nominated five times and won twice (1984's Dangerous Moves, 1990's Journey of Hope)
TaiwanMarry My Dead BodyCheng Wei-hao (1st)Netflix49th submission for Taiwan, which has been nominated three times (all for Ang Lee films) and won once (2000's Crouching Tiger, Hidden Dragon)
ThailandNot FriendsAtta Hemwadee (1st)30th submission for Thailand, which has yet to be nominated
TunisiaFour DaughtersKaouther Ben Hania (3rd)Kino Lorber10th submission for Tunisia, which has been nominated once
TurkeyAbout Dry GrassesNuri Bilge Ceylan (6th)Janus FIlms/Sideshow30th submission for Turkey, which has yet to be nominated
Ukraine20 Days at MariupolMstyslav Chernov (1st)Frontline/AP16th submission for Ukraine, which has yet to be nominated
United KingdomThe Zone of InterestJonathan Glazer (1st)A2420th submission for United Kingdom, which has been nominated twice
UruguayFamily AlbumsGuillermo Rocamora (1st)23rd submission for Uruguay, which has been nominated once (1992's A Place in the World) but was then disqualified and the nomination rescinded
VenezuelaThe Shadow of the SunMiguel Ángel Ferrer (1st)33rd submission for Venezuela, which has yet to be nominated
VietnamGlorious AshesBùi Thạc Chuyên (1st)20th submission for Vietnam, which has been nominated once
YemenThe BurdenedAmr Gamal (2nd)3rd submission for Yemen, which has yet to be nominated
Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

Recent Posts

2024 Toronto Film Critics Association (TFCA) Winners: ‘Nickel Boys’ Named Best Picture, RaMell Ross Wins Best Director

The Toronto Film Critics Association (TFCA) has named Nickel Boys the Best Picture of 2024… Read More

December 15, 2024

2024 St. Louis Film Critics Association (StLFCA) Winners: ‘Dune: Part Two’ is Best Film

The 2024 St. Louis Film Critics Association (StLFCA) winners have been announced and Denis Villeneuve's… Read More

December 15, 2024

2024 San Francisco Bay Area Film Critics Circle (SFBAFCC) Winners: ‘Anora,’ ‘The Brutalist,’ ‘Sing Sing’ Earn Top Awards

The San Francisco Bay Area Film Critics Circle unveiled its 2024 winners today, with Sean… Read More

December 15, 2024

2024 Boston Online Film Critics Association (BOFCA) Winners: ‘The Brutalist’ Takes Five

The Boston Online Film Critics Association (BOFCA) has revealed its winners for the best in… Read More

December 15, 2024

2025 Oscar Predictions: BEST ACTRESS (December)

The hardest Oscar category of the season just got a lot harder. Before critics and… Read More

December 13, 2024

2024 San Francisco Bay Area Film Critics Circle (SFBAFCC) Nominations

The San Francisco Bay Area Film Critics Circle unveiled its 2024 nominations today, with 35… Read More

December 13, 2024

This website uses cookies.