21st Visual Effects Society (VES) awards: ‘Avatar: The Way of Water’ dominates with 9, ‘Guillermo del Toro’s Pinocchio’ wins 3

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James Cameron’s 2022 blockbuster Avatar: The Way of Water was unsurprisingly the big winner at the 21st Visual Effects Society (VES) awards, which were held live last night at a ceremony at the Beverly Hilton and hosted for the 10th time by comedian Patton Oswalt.

After a record-setting 14 nominations, the film won a record-breaking nine awards from the Visual Effects Society (VES), more than any film, television show or single project in the guild’s history, and won trophies for Outstanding VFX in a Photoreal Feature, Outstanding Animated Character in a Photoreal Feature, Outstanding Effects Simulations in a Photoreal Feature, Outstanding Special (Practical) Effects in a Photoreal Project and more.

The Outstanding Supporting VFX in a Photoreal Feature award went to Ron Howard’s Thirteen Lives.

Guillermo del Toro’s Pinocchio was a triple winner, earning awards for Outstanding Visual Effects in an Animated Feature, Outstanding Animated Character in an Animated Feature (Pinocchio) and Outstanding Created Environment in an Animated Feature. On the TV side, Amazon’s The Lord of the Rings: The Rings of Power won three awards and was named Outstanding VFX in a Photoreal Episode.

Former VES executive director Eric Roth received the Board of Directors Award from the current board, which includes Lisa Cooke, current VES Chair; Jim Morris, VES, president of Pixar Animation and founding VES Chair; and former Chairs Jeffrey A. Okun, VES; Mike Chambers, VES; Carl Rosendahl, VES; and Jeff Barnes.

Gale Anne Hurd received the Lifetime Achievement Award during the ceremony from James Cameron. Hurd, accepting her lifetime achievement award said “growing up, my local movie theater was my babysitter. Ray Harryhausen was my first visual effects crush. There have been many since, but you always remember your first.”

Hall of Fame inductees, a distinction is bestowed upon a select group of professionals and pioneers who have played a significant role in advancing the field of visual effects by invention, science, contribution or avocation of the art, science, technology and/or communications, include Mary Ellen Bute, Alice Guy-Blaché, Grace Hopper, Bill Kovacs and George Pal.

“As we celebrate the 21st Annual VES Awards, we’re honored to keep shining a light on remarkable visual effects artistry and innovation,” VES chair Lisa Cooke said in a statement. “In all of our colleagues honored tonight, we see best in class work that elevates the art of storytelling and exemplifies the spirit of adaptation and ingenuity — talents that have kept audiences engaged and uplifted, now, more than ever. The VES Awards is the only venue that showcases and honors these outstanding global artists across a wide range of disciplines, and we are extremely proud of all our winners and nominees!”

Here is the complete list of winners.

OUTSTANDING VISUAL EFFECTS IN A PHOTOREAL FEATURE

Avatar: The Way of Water – Richard Baneham, Walter Garcia, Joe Letteri, Eric Saindon, JD Schwalm

OUTSTANDING SUPPORTING VISUAL EFFECTS IN A PHOTOREAL FEATURE

Thirteen Lives – Jason Billington, Thomas Horton, Denis Baudin, Michael Harrison, Brian Cox

OUTSTANDING VISUAL EFFECTS IN AN ANIMATED FEATURE

Guillermo del Toro’s Pinocchio – Aaron Weintraub, Jeffrey Schaper, Cameron Carson, Emma Gorbey, Mad God, Chris Morley, Phil Tippett, Ken Rogerson, Tom Gibbons

OUTSTANDING VISUAL EFFECTS IN A PHOTOREAL EPISODE

The Lord of the Rings: The Rings of Power “Udûn” – Jason Smith, Ron Ames, Nigel Sumner, Tom Proctor, Dean Clarke

OUTSTANDING SUPPORTING VISUAL EFFECTS IN A PHOTOREAL EPISODE

Five Days at Memorial “Day Two” – Eric Durst, Danny McNair, Matt Whelan, Goran Pavles, John MacGillivray

OUTSTANDING VISUAL EFFECTS IN A REAL-TIME PROJECT

The Last of Us Part I – Erick Pangilinan, Evan Wells, Eben Cook, Mary Jane Whiting

OUTSTANDING VISUAL EFFECTS IN A COMMERCIAL

Frito-Lay “Push It” – Tom Raynor, Sophie Harrison, Ben Cronin, Martino Madeddu

OUTSTANDING VISUAL EFFECTS IN A SPECIAL VENUE PROJECT

ABBA: Voyage – Ben Morris, Edward Randolph, Stephen Aplin, Ian Comley

OUTSTANDING ANIMATED CHARACTER IN A PHOTOREAL FEATURE

Avatar: The Way of Water: Kiri – Anneka Fris, Rebecca Louise Leybourne, Guillaume Francois, Jung-Rock Hwang

OUTSTANDING ANIMATED CHARACTER IN AN ANIMATED FEATURE

Guillermo del Toro’s Pinocchio: Pinocchio – Oliver Beale, Richard Pickersgill, Brian Leif Hansen, Kim Slate

OUTSTANDING ANIMATED CHARACTER IN AN EPISODE, COMMERCIAL OR REAL-TIME PROJECT

The Umbrella Academy: Pogo – AIdan Martin, Hannah Dockerty, Olivier Beierlein, Miae Kang

OUTSTANDING CREATED ENVIRONMENT IN A PHOTOREAL FEATURE

Avatar: The Way of Water: The Reef – Jessica Cowley, Joe W. Churchill, Justin Stockton, Alex Nowotny

OUTSTANDING CREATED ENVIRONMENT IN AN ANIMATED FEATURE

Guillermo del Toro’s Pinocchio: In the Stomach of a Sea Monster – Warren Lawtey, Anjum Sakharkar, Javier Gonzalez Alonso, Quinn Carvalho

OUTSTANDING CREATED ENVIRONMENT IN AN EPISODE, COMMERCIAL, OR REAL-TIME PROJECT

The Lord of the Rings: The Rings of Power “Adar”: Númenor City – Dan Wheaton, Nico Delbecq, Dan LeTarte, Julien Gauthier

OUTSTANDING VIRTUAL CINEMATOGRAPHY IN A CG PROJECT

Avatar: The Way of Water – Richard Baneham, Dan Cox, Eric Reynolds, A.J Briones

OUTSTANDING MODEL IN A PHOTOREAL OR ANIMATED PROJECT

Avatar: The Way of Water: The Sea Dragon – Sam Sharplin, Stephan Skorepa, Ian Baker, Guillaume Francois

OUTSTANDING EFFECTS SIMULATIONS IN A PHOTOREAL FEATURE

Avatar: The Way of Water: Water Simulations – Johnathan M. Nixon, David Moraton, Nicolas Illingworth, David Caeiro Cebrian

OUTSTANDING EFFECTS SIMULATIONS IN AN ANIMATED FEATURE

Puss in Boots: The Last Wish – Derek Cheung, Michael Losure, Kiem Ching Ong, Jinguang Huang

OUTSTANDING EFFECTS SIMULATIONS IN AN EPISODE, COMMERCIAL, OR REAL-TIME PROJECT

The Lord of the Rings: The Rings of Power: “Udûn” Water and Magma – Rick Hankins, Aron Bonar, Branko Grujcic, Laurent Kermel

OUTSTANDING COMPOSITING & LIGHTING IN A FEATURE

Avatar: The Way of Water: Water Integration – Sam Cole, Francois Sugny, Florian Schroeder, Jean Matthews

OUTSTANDING COMPOSITING & LIGHTING IN AN EPISODE

Love, Death and Robots: Night of the Mini Dead – Tim Emeis, José Maximiano, Renaud Tissandié, Nacere Guerouaf

OUTSTANDING COMPOSITING & LIGHTING IN A COMMERCIAL

Ladbrokes “Rocky” – Greg Spencer, Theajo Dharan, Georgina Ford, Jonathan Westley

OUTSTANDING SPECIAL (PRACTICAL) EFFECTS IN A PHOTOREAL PROJECT

Avatar: The Way of Water: Current Machine and Wave Pool – JD Schwalm, Richie Schwalm, Nick Rand, Robert Spurlock

OUTSTANDING VISUAL EFFECTS IN A STUDENT PROJECT (AWARD SPONSORED BY AUTODESK)

A Calling. From the Desert to the Sea – Mario Bertsch, Max Pollmann, Lukas Löffler, Till Sander-Titgemeyer

EMERGING TECHNOLOGY AWARD

Avatar: The Way of Water: Water Toolset – Alexey Dmitrievich Stomakhin, Steve Lesser, Sven Joel Wretborn, Douglas McHale

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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