Greta Gerwig’s billion-dollar Barbie outsold all the competition for the Critics Choice Awards nominations with a record-breaking 18, the most of any film in the organization’s 29 years, passing the hauls of Everything Everywhere All at Once and The Shape of Water which both landed 14 during their respective years. Among Barbie’s mentions were for best picture, director, actress (Margot Robbie), supporting actor (Ryan Gosling (supporting actor), supporting actress (America Ferrera) and three for original song: “Dance the Night,” “I’m Just Ken” and “What Was I Made For?”
Christopher Nolan’s Oppenheimer and Yorgos Lanthimos’ Poor Things also came in with double digits, earning 13 nominations each including best picture, tying for the second most nominations for films. Rounding out the best picture category are Cord Jefferson’s American Fiction, Blitz Bazawule’s The Color Purple, Alexander Payne’s TheHoldovers, Bradley Cooper’s Maestro, Celine Song’s Past Lives and Emerald Fennell’s Saltburn.
“We are so excited to celebrate this year’s remarkable projects, performances, and the people who made it all possible at the 29th Annual Critics Choice Awards,” said CCA CEO Joey Berlin. “This year saw an incredible number of blockbuster hits and beautiful stories brought to life in these exceptional films.”
Nomination totals by studio: Warner Bros – 25, Netflix – 17, Searchlight, Universal – 14, Apple Original Films – 12, Amazon – 11, Focus Features – 9, A24 – 5, NEON, Sony Pictures, Walt Disney – 4, Lionsgate, Paramount Pictures – 2.
The winners will be broadcast live on The CW on Sunday, January 14, with Chelsea Handler returning as host and be held at the Barker Hangar in Santa Monica.
Best Picture
American Fiction (Amazon MGM Studios)
Barbie (Warner Bros)
The Color Purple (Warner Bros)
The Holdovers (Focus Features)
Killers of the Flower Moon (Apple Original Films)
Maestro (Netflix)
Oppenheimer (Universal Pictures)
Past Lives (A24)
Poor Things (Searchlight Pictures)
Saltburn (Amazon MGM Studios)
Best Actor
Bradley Cooper — Maestro (Netflix)
Leonardo DiCaprio — Killers of the Flower Moon (Apple Original Films)
Colman Domingo — Rustin (Netflix)
Paul Giamatti — The Holdovers (Focus Features)
Cillian Murphy — Oppenheimer (Universal Pictures)
Jeffrey Wright — American Fiction (Amazon MGM Studios)
Best Actress
Lily Gladstone — Killers of the Flower Moon (Apple Original Films)
Sandra Hüller — Anatomy of a Fall (NEON)
Greta Lee — Past Lives (A24)
Carey Mulligan — Maestro (Netflix)
Margot Robbie — Barbie (Warner Bros)
Emma Stone — Poor Things (Searchlight Pictures)
Best Supporting Actor
Sterling K. Brown — American Fiction (Amazon MGM Studios)
Robert De Niro — Killers of the Flower Moon (Apple Original Films)
Robert Downey Jr. — Oppenheimer (Universal Pictures)
Ryan Gosling — Barbie (Warner Bros)
Charles Melton — May December (Netflix)
Mark Ruffalo — Poor Things (Searchlight Pictures)
Best Supporting Actress
Emily Blunt — Oppenheimer (Universal Pictures)
Danielle Brooks — The Color Purple (Warner Bros)
America Ferrera — Barbie (Warner Bros)
Jodie Foster — Nyad (Netflix)
Julianne Moore — May December (Netflix)
Da’Vine Joy Randolph — The Holdovers (Focus Features)
Best Young Actor/Actress
Abby Ryder Forston — Are You There God? It’s Me, Margaret. (Lionsgate)
Ariana Greenblatt — Barbie (Warner Bros)
Calah Lane — Wonka (Warner Bros)
Milo Machado Graner — Anatomy of a Fall (NEON)
Dominic Sessa — The Holdovers (Focus Features)
Madeleine Yuna Voyles — The Creator (20th Century Studios)
Best Acting Ensemble
Air (Amazon Studios)
Barbie (Warner Bros)
The Color Purple (Warner Bros)
The Holdovers (Focus Features)
Killers of the Flower Moon
Oppenheimer (Universal Pictures)
Best Director
Bradley Cooper — Maestro (Netflix)
Greta Gerwig — Barbie (Warner Bros)
Yorgos Lanthimos — Poor Things (Searchlight Pictures)
Christopher Nolan — Oppenheimer (Universal Pictures)
Alexander Payne — The Holdovers (Focus Features)
Martin Scorsese — Killers of the Flower Moon (Apple Original Films)
Best Original Screenplay
Air — Alex Convery (Amazon Studios)
Barbie — Greta Gerwig, Noah Baumbach (Warner Bros)
The Holdovers – David Hemingson (Focus Features)
Maestro — Bradley Cooper, Josh Singer (Netflix)
May December — Samy Burch (Netflix)
Past Lives — Celine Song (A24)
Best Adapted Screenplay
Are You There God? It’s Me, Margaret. — Kelly Fremon Craig (Lionsgate)
All of Us Strangers — Andrew Haigh (Searchlight Pictures)
American Fiction — Cord Jefferson (Amazon MGM Studios)
Killers of the Flower Moon — Martin Scorsese, Eric Roth (Apple Original Films)
Oppenheimer — Christopher Nolan (Universal Pictures)
Poor Things — Tony McNamara (Searchlight Pictures)
Best Cinematography
Matthew Libatique – Maestro (Netflix)
Rodrigo Prieto – Barbie (Warner Bros)
Rodrigo Prieto – Killers of the Flower Moon (Apple Original Films)
Robbie Ryan – Poor Things (Searchlight Pictures)
Linus Sandgren – Saltburn (Amazon MGM Studios)
Hoyte van Hoytema – Oppenheimer (Universal Pictures)
Best Production Design
Suzie Davies, Charlotte Dirickx – Saltburn (Amazon MGM Studios)
Ruth De Jong, Claire Kaufman – Oppenheimer (Universal Pictures)
Jack Fisk, Adam Willis – Killers of the Flower Moon (Apple Original Films)
Sarah Greenwood, Katie Spencer – Barbie (Warner Bros)
James Price, Shona Heath, Szusza Mihalek – Poor Things (Searchlight Pictures)
Adam Stockhausen, Kris Moran – Asteroid City (Focus Features)
Best Editing
William Goldenberg – Air (Amazon Studios)
Nick Houy – Barbie (Warner Bros)
Jennifer Lame – Oppenheimer (Universal Pictures)
Yorgos Mavropsaridis – Poor Things (Searchlight Pictures)
Thelma Schoonmaker – Killers of the Flower Moon (Apple Original Films)
Michelle Tesoro – Maestro (Netflix)
Best Costume Design
Jacqueline Durran – Barbie (Warner Bros)
Lindy Hemming – Wonka (Warner Bros)
Francine Jamison-Tanchuck – The Color Purple (Warner Bros)
Holly Waddington – Poor Things (Searchlight Pictures)
Jacqueline West – Killers of the Flower Moon (Apple Original Films)
Janty Yates, David Crossman – Napoleon (Apple Original Films)
Best Hair and Makeup
Barbie (Warner Bros)
The Color Purple (Warner Bros)
Maestro (Netflix)
Oppenheimer (Universal Pictures)
Poor Things (Searchlight Pictures)
Priscilla (A24)
Best Visual Effects
The Creator (20th Century Studios)
Guardians of the Galaxy Vol. 3 (Walt Disney/Marvel)
Mission: Impossible – Dead Reckoning Part One (Paramount Pictures)
Oppenheimer (Universal Pictures)
Poor Things (Searchlight Pictures)
Spider-Man: Across the Spider-Verse (Sony Pictures)
Best Comedy
American Fiction (Amazon MGM Studios)
Barbie (Warner Bros)
Bottoms (MGM)
The Holdovers (Focus Features)
No Hard Feelings (Sony Pictures)
Poor Things (Searchlight Pictures)
Best Animated Feature
The Boy and the Heron (GKIDS)
Elemental (Walt Disney/Pixar)
Nimona (Netflix)
Spider-Man: Across the Spider-Verse (Sony Pictures)
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.