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37th Los Angeles Asian Pacific Film Festival announces dates and early highlights

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The Los Angeles Asian Pacific Film Festival (LAAPFF), presented annually by Visual Communications (VC), today announced the first set of films that will screen as part of the 37th edition of the Festival, which will be a hybrid event taking place virtually and in person at select cinemas in the Los Angeles area from September 23 to October 2, 2021.

The Festival will open on Thursday, September 23 at the Japanese American Cultural & Community Center’s Aratani Theatre in Little Tokyo, Downtown Los Angeles with the Los Angeles premiere of Ann Kaneko’s MANZANAR, DIVERTED: WHEN WATER BECOMES DUST, a poetic look at the unexpected alliance formed by Native Americans, Japanese American WWII incarcerees, and environmentalists to defend their land and water from Los Angeles.

“Visual Communications looks forward to sharing the stories that intersect and converge movements such as MANZANAR, DIVERTED,” says Francis Cullado, Executive Director of Visual Communications. “From emerging to established filmmakers, the Festival continues to celebrate artists who are making an impact in our communities.”

Following Opening Night, LAAPFF will showcase new works as part of Centerpiece Weekend at the Aratani Theatre and Regal L.A. LIVE. Highlights include the Los Angeles premieres of: Iman Zawahry’s AMERICANISH, the first American Muslim rom-com directed by an American Muslim female filmmaker; Sujata Day’s comedy-drama DEFINITION PLEASE, which she also stars in; Christopher Makoto Yogi’s Sundance hit I WAS A SIMPLE MAN, starring Constance Wu; Dante Basco’s directorial debut THE FABULOUS FILIPINO BROTHERS; and Suzanne Kai’s long awaited crowdpleaser from Tribeca, LIKE A ROLLING STONE: THE LIFE & TIMES OF BEN FONG-TORRES, about the legendary Rolling Stone editor and writer Ben Fong-Torres.

LAAPFF is a proud Academy Award-qualifying film festival for the Short Film Awards. Recipient(s) of the Film Festival’s Golden Reel Award for Narrative Short Film will be eligible for consideration in the Animated Short Film/Live-Action Short Film category of the Academy Awards®. This Festival is the only one of its kind in the world to have earned this qualification. Some highlights from the shorts lineup include the World Premiere presentations of: Candace Ho’s CHASING CLOUDS, a narrative short about a Taiwanese American woman forced to confront the harsh reality of her mother’s dementia; Paolo Bitanga’s NIGHT & DAY, a documentary short from the Philippines about a mother′s home that comes alive once a year when her many children return for the holidays; and Dakota Camacho’s FANA’GUYAN, a short dance film that explores ending violence and generating healing through embodiment, intimacy, and ancestral creativity. FANA’GUYAN will screen as part of Pacific Cinewaves, programming which represents LAAPFF’s commitment to amplify Native Hawaiian and Pacific Islander communities from Hawai’i, Aotearoa (New Zealand), Guåhan (Guam), Rapa Nui (Easter Island), Samoa, and throughout the Pacific region.

“It is an honor to work in this landscape and witness the rise of storytellers from Asian & Pacific Islander communities,” said Eseel Borlasa, Programmer & Festival Operations Director of Visual Communications. “Each year, the Festival is proud to share these diverse perspectives, and we hope to continuously bridge understanding and build empathy and solidarity amongst our audiences. That collective work of storytelling to audience impact helps put values into action. LAAPFF believes in that work, and we are proud to be part of the process.”

Visual Communications is proud to continue their partnership with HBO for the fifth annual HBO Asian Pacific American Visionaries, a short film competition which showcases cinematic storytellers of Asian and Pacific Islander descent. The finalists were selected from hundreds of submissions and were judged by a distinguished panel of HBO executives, industry leaders and fellow APA filmmakers. The three winning films exemplified this year’s competition theme: “Taking the Lead.” Jess X. Snow’s LITTLE SKY, Jesse Gi’s NEH, and Urvashi Pathania’s UNMOTHERED will premiere at LAAPFF on September 25, and debut on HBO Max on September 27.

This year, the Festival will also continue to host C3, a space for creators to converge and celebrate creative communities. These consist of both virtual and in-person panels and conversations.

Established in 1983, LAAPFF is the largest festival of its kind in Southern California, and the premier showcase for the best and brightest of Asian Pacific cinema. It was recently named one of the “25 Coolest Film Festivals in the World” by MovieMaker Magazine. For over three decades, LAAPFF has presented over 5,000 films by Asian & Pacific Islander talent, and continues to expand its commitment to nurturing new talent and promoting the development of Asian & Pacific Islanders both behind and in front of the camera. T he Festival is proud to be an Oscar® qualifying fest for the best short film Academy Award category – either live action or animation.

LAAPFF will announce its full lineup on Wednesday, September 1, 2021. Ticketing for the general public will be available starting Monday, September 13, 2021 at 12:00pm PT.

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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