The 73rd Annual ACE Eddie Awards, presented by American Cinema Editors (ACE), were announced live today at UCLA’s Royce Hall, recognizing outstanding editing in 14 categories of film, television and documentaries.
For feature film, Top Gun: Maverick bested fellow Oscar competition in Elvis and TÁR in the drama category while Everything Everywhere All At Once beat out its Oscar competition, The Banshees of Inisherin, in comedy. EEAAO previously won the BAFTA and Critics’ Choice for editing over Elvis and Top Gun: Maverick at both groups. All five will dual it out for the Film Editing Oscar next Sunday at the 95th Academy Awards.
Since 2000, the ACE Eddie winner for theatrical drama has gone on to win the Academy Award for Film Editing 13 out 22 times, but the three years have subverted that.
Guillermo del Toro’s Pinocchio and Fire of Love won in the Animated Feature and Documentary categories, respectively, while The Bear, Severance and The White Lotus were among the winners in television.
In addition to the announcement of winners in competitive categories, Gina Prince-Bythewoodaccepted the prestigious ACE Golden Eddie Award – recognizing an artist or company for distinguished achievement in film.
Film editors Lynne Willingham, ACE and Don Zimmerman, ACE received Career Achievement Awards for their outstanding contributions to film editing. The event was hosted by Ashley Nicole Blackand presided over by ACE President Kevin Tent, ACE.
Presenters included Bryan Cranston, Ruben Östlund, Lisa Ann Walter, Sanaa Lathan, Adam Shankman and more.
Here is the full list of winners of the 73rd Annual ACE Eddie Awards.
BEST EDITED FEATURE FILM (Drama, Theatrical)
All Quiet on the Western Front – Sven Budelmann, BFS
Elvis – Matt Villa, ACE ASE and Jonathan Redmond
TÁR – Monika Willi
Top Gun: Maverick – Eddie Hamilton, ACE – WINNER
The Woman King – Terilyn A. Shropshire, ACE
BEST EDITED FEATURE FILM (Comedy, Theatrical)
The Banshees of Inisherin – Mikkel E.G. Nielsen, ACE
Everything Everywhere All at Once – Paul Rogers – WINNER
Glass Onion: A Knives Out Mystery – Bob Ducsay, ACE
The Menu – Christopher Tellefsen, ACE
Triangle of Sadness – Ruben Östlund and Mikel Cee Karlsson
BEST EDITED ANIMATED FEATURE FILM (Theatrical or Non-Theatrical):
The Bad Guys – John Venzon, ACE
Guillermo del Toro’s Pinocchio – Ken Schretzmann, ACE and Holly Klein – WINNER
Marcel the Shell with Shoes On – Dean Fleischer-Camp and Nick Paley
Puss in Boots: The Last Wish – James Ryan, ACE
Turning Red – Nicholas C. Smith, ACE
BEST EDITED DOCUMENTARY (Theatrical):
All the Beauty and the Bloodshed – Amy Foote, Joe Bini, Brian A. Kates, ACE
Fire of Love – Erin Casper, Jocelyne Chaput – WINNER
Good Night Oppy – Helen Kearns, ACE, Rejh Cabrera
Moonage Daydream -Brett Morgen
Navalny – Langdon Page, Maya Hawke
BEST EDITED DOCUMENTARY (Non-Theatrical):
The Andy Warhol Diaries: “Collab: Andy & Basquiat” – Steve Ross
George Carlin’s American Dream – Joe Beshenkovsky, ACE – WINNER
The Last Movie Stars: “Luck is an Art” – Barry Poltermann
Luci and Desi – Robert A. Martinez
Pelosi in the House – Geof Bartz, ACE
BEST EDITED MULTI-CAMERA COMEDY SERIES:
The Conners: “Of Missing Minds and Missing Fries” – Brian Schnuckel, ACE
How I Met Your Father: “Timing is Everything” – Susan Federman, ACE
The Neighborhood: “Welcome to the Art of Negotiation” – Chris Poulos – WINNER
BEST EDITED SINGLE CAMERA COMEDY SERIES:
Atlanta: “Andrew Wyeth. Alfred’s World.” – Kyle Reiter, ACE and Isaac Hagy, ACE
Barry: “710N” – Franky Guttman
Barry: “Starting Now” – Ali Greer
The Bear: “System” – Joanna Naugle – WINNER
Only Murders in the Building: “I Know Who Did It” – Shelly Westerman, ACE and Payton Koch
BEST EDITED DRAMA SERIES:
Andor: “One Way Out” – Simon Smith – WINNER
Euphoria: “Stand Still Like the Hummingbird” – Aaron I. Butler, ACE and Julio Perez IV, ACE
Euphoria: “The Theater and Its Double” – Laura Zempel, Julio Perez IV, ACE and Nikola Boyanov
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.