Winners of the 74th ACE Eddie Awards, honoring the best editing in film, television and more were announced today where Oppenheimer and The Holdovers took the drama and comedy theatrical awards.
Both films are up for the film editing Oscar alongside fellow ACE nominees Anatomy of a Fall, Poor Things and Killers of the Flower Moon.
Spider-Man: Across the Spider-Verse and Still: A Michael J. Fox Movie continued their guild dominance with wins in the animated and documentary feature categories, respectively. In television, The Bear also grabbed another win in comedy, for the second season episode “Forks,” while The Last of Us won drama for its Emmy-winning bottle episode ” Long, Long Time.”
The daytime ceremony was held at UCLA’s Royce Hall and hosted by Drag Race contestant, performer and queer activist Nina West, fresh off her acclaimed performance as Edna Turnblad in the 2-year national touring production of Hairspray.
John Waters was honored with the ACE Golden Eddie Filmmaker of the Year Award, recognizing an artist who exemplifies distinguished achievement in the art and business of film.
“John Waters isn’t just a filmmaking icon,” said ACE president Kevin Tent, ACE, “He’s a punk rock poet of the picture palace. With each frame, he challenges norms, skewers societal hypocrisies, and explodes cinematic expectations with subversive wit and audacious style. His films crackle with an anarchic energy that’s as intoxicating as it is hilarious and poignant. ACE is proud to celebrate his singular artistic vision that has entertained the hell out of generations.”
ACE also bestowed career achievement honors to film editors Kate Amend, ACE and Walter Murch, ACE for their outstanding career contributions to film editing and Stephen Lovejoy, ACE received the ACE Heritage Award in recognition of his unwavering commitment to advancing the image of the film editor, cultivating respect for the editing profession, and tireless dedication to the American Cinema Editors.
Presenters included longtime John Waters collaborators Mink Stole and Ricki Lake, along with George Lucas, Thomas Lennon, Max Greenfield, Sarayu Blue, LisaGay Hamilton, Kevin Smith, Hank Greenspan and Anna Konkle, among others. Guests enjoyed live music at the after party played by actor, comedian and musician Tom Kenny’s band, Tom Kenny & the Hi-Seas, and there was a special appearance by DJ Lance Rock.
Here is the complete list of winners of the 74th ACE Eddie Awards.
BEST EDITED FEATURE FILM (Drama, Theatrical)
Anatomy of a Fall – Laurent Sénéchal
Killers of the Flower Moon – Thelma Schoonmaker, ACE
Maestro – Michelle Tesoro, ACE
Oppenheimer – Jennifer Lame, ACE – WINNER
Past Lives – Keith Fraase
BEST EDITED FEATURE FILM (Comedy, Theatrical)
Air – William Goldenberg, ACE
American Fiction – Hilda Rasula, ACE
Barbie – Nick Houy, ACE
The Holdovers – Kevin Tent, ACE – WINNER
Poor Things – Yorgos Mavropsaridis, ACE
BEST EDITED ANIMATED FEATURE FILM
Elemental – Stephen Schaffer, ACE
Nimona – Randy Trager, ACE – Erin Crackel
Spider-Man: Across the Spider-Verse – Michael Andrews, ACE – WINNER
The Last of Us: “Long, Long Time” – Timothy A. Good, ACE – WINNER
Slow Horses: “Strange Games” – Sam Williams
Succession: “Conner’s Wedding” – Bill Henry, ACE
Succession: “With Open Eyes” – Ken Eluto, ACE
BEST EDITED FEATURE FILM (NON-THEATRICAL)
Black Mirror: Beyond the Sea – Jon Harris
Flamin’ Hot – Kayla M. Emter, Liza D. Espinas
Reality – Jennifer Vecchiarello, Ron Dulin – WINNER
BEST EDITED LIMITED SERIES
Beef: “The Birds Don’t Sing, They Screech in Pain” – Harry Yoon, ACE; Laura Zempel, ACE – WINNER
Beef: “The Great Fabricator” – Nat Fuller
Fargo: “The Paradox of Intermediate Transactions” – Christopher Nelson, ACE
Fargo: “The Tragedy of the Commons” – Regis Kimble
Lessons in Chemistry: “Introduction to Chemistry” – Géraud Brisson, ACE; Daniel Martens
BEST EDITED NON-SCRIPTED SERIES
Couples Therapy: “Episode310” – Delaney Lynch, Helen Kearns, ACE; Katrina Taylor – WINNER
Dancing with the Stars: “S32.E5” – Laurens Van Charante, Ben Bulatao, ACE; Fernanda Cardoso, Jessie Sock, Jon Oliver, Neal Acosta, Raiko Siems, Joe Headrick, Mike Bennaton
Deadliest Catch: “Pain Level Ten” – Rob Butler, ACE; Isaiah Camp, ACE; Alexander Rubinow, ACE, Josh Stockero
BEST EDITED VARIETY TALK/SKETCH SHOW OR SPECIAL EVENT
A Black Lady Sketch Show: “My Love Language is Words of Defamation” – Stephanie Filo, ACE; Malinda Zehner Guerra, Taylor Joy Mason, ACE
Last Week Tonight with John Oliver: “Dollar Stores” – Anthony Miale, ACE
Taylor Swift: The Eras Tour – Dom Whitworth, Guy Harding, Hamish Lyons, Rupa Rathod, Ben Wainwright-Pearce, Reg Wrench – WINNER
BEST EDITED ANIMATED SERIES
Blue Eye Samurai: “The Tale of the Ronin and The Bride” – Yuka Shirasuna – WINNER
Bob’s Burgers: “Amelia” – Jeremy Reuben, ACE; Stephanie Earley
Scott Pilgrim Takes Off: “Ramona Rents a Video” – Keisuke Yanagi
ANNE V. COATES AWARD FOR STUDENT EDITING
Isaiah Clarke – Spanish Springs High School
Jaime Diaz – California State University Los Angeles
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.