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Mud is the first screener to hit AMPAS

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 Roadside Attractions and Lionsgate dug their heels deep into the Mud, making it the first official screener for AMPAS, marking the beginning of the long trek to the Dolby Theater next March. The Jeff  Nichols-directed film, co-starring Matthew McConaughey, made $21 million dollars earlier this spring, making it one of the biggest breakout indie hits of the year. Not to be confused with the Blu-Ray that  was sent to bloggers and critics for their awards, this plain-packaged DVD was reportedly received by Academy members this weekend.

Now, being the first doesn’t always guarantee Oscar gold (last year The Intouchables proved that) but quite often it does. In 2011 Summit did it with A Better Life, netting Damien Bichir a surprise Oscar  nomination for Best Actor, beating out higher profile names like Leonardo DiCaprio for J. Edgar and Michael Fassbender for Shame. An even better example was Crash in 2005. Also, a modest spring  release with decent box office and, more importantly, another Lionsgate release, Crash went on to win the SAG ensemble and the Best Picture Oscar (in a huge upset) that can be all but traced back to its  aggressive screener campaign.

What does this mean for Mud? In reality, not much in terms of Best Picture. But, an Original Screenplay nomination seems in play and a Best Supporting Actor nomination for McConaughey, who’s already  poised for a Lead Actor nomination for Dallas Buyers Club (opening in November). Considering Roadside Attractions has its own Lead Actor contender in Robert Redford for All is Lost (opening in  October), campaigning McConaughey in Supporting for Mud makes sense. Nichols’ first feature, Take Shelter, with Michael Shannon, didn’t light up AMPAS despite critical acclaim and starring a previous  Oscar nominee. But, McConaughey has built a long career of likability and came somewhat close to an Oscar nomination last year with Magic Mike (on top of also being in Killer Joe, Bernie and The  Paperboy). I imagine there will be a healthy dose of good will towards him this year as a result. He also has a small part in Martin Scorsese’s The Wolf of Wall Street but that feels less like another potential  nomination and more just another example of McConaughey’s diversity and ubiquitousness again this season.

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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