Netflix enters agreement to preserve New York’s Paris Theatre indefinitely
New York’s iconic Paris Theatre is back! The Paris, one of the oldest art houses in the United States, and the last single-screen theater in New York, was shuttered earlier this year and was re-opened earlier this month to a successful run of Marriage Story, by acclaimed New York filmmaker Noah Baumbach. Today Netflix announced a lease agreement to keep the theater open and save the beloved institution. The company plans to use the theater for special events, screenings, and theatrical releases of its films. Terms of the lease were not disclosed.
“After 71 years, the Paris Theatre has an enduring legacy, and remains the destination for a one-of-a kind movie-going experience,” said Ted Sarandos, Netflix’s Chief Content Officer. “We are incredibly proud to preserve this historic New York institution so it can continue to be a cinematic home for film lovers.”
The Paris Theatre has charmed film aficionados since it first opened in 1948, when actress Marlene Dietrich cut the ribbon to commemorate the occasion. The theater, opened by Pathé Cinema, originally showed French titles, the first of which was La Symphonie Pastorale, which ran for eight months.
The Paris became a symbol of prestige cinema, known for showcasing specialized films, and can be credited with introducing renowned foreign language films to an American audience including Franco Zeffirelli’s Romeo and Juliet, which ran for almost an entire year from 1968-1969; Claude Lelouch’s A Man And A Woman; and Marcello Mastroianni’s comedy Divorce Italian Style, which played for over a year. The theater closed in August 2019 after a successful run of Ron Howard’s Pavarotti.
Tickets for Marriage Story at the Paris Theatre are currently on sale and can be purchased at the box office, or at www.marriagestorymovie.com.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
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