Emmys 2014: Writing for a TV Movie/Miniseries
Winners’ Predictions…
[box type=”shadow” align=”alignleft” ]
| TV MOVIE/MINISERIES WRITING | Erik | Chris | Federico | Jonathan | Nicole | Peter | TOTALS |
|---|---|---|---|---|---|---|---|
| American Horror Story: Coven, "Bitchcraft" | 0 | ||||||
| Fargo, "The Crocodile's Dilemma" | * | 1 | |||||
| Luther | 0 | ||||||
| The Normal Heart | * | * | * | * | 4 | ||
| Sherlock: His Las Vow | 0 | ||||||
| Treme, "To Miss New Orleans" | 0 |
[divider]
Nominations’ Predictions…
[box type=”shadow” align=”alignleft” ]
| TV MOVIE/MINISERIES WRITING | Erik | Chris | Federico | Jonathan | Nicole | Peter | TOTALS |
|---|---|---|---|---|---|---|---|
| AHS: Coven "Bitchcraft" | 0 | ||||||
| Burton and Taylor | * | 1 | |||||
| Clear History | 0 | ||||||
| Dancing on the Edge | * | * | * | * | 4 | ||
| Fargo, "The Crocodile's Dilemma" | * | * | * | * | * | * | 6 |
| Flowers in the Attic | 0 | ||||||
| Killing Kennedy | 0 | ||||||
| Klondike, "Hour 1" | 0 | ||||||
| Klondike, "Hour 2" | 0 | ||||||
| Luther | * | * | * | * | * | 5 | |
| Muhammed Ali's Greatest Fight | * | * | * | * | * | 5 | |
| The Normal Heart | * | * | * | * | * | * | 6 |
| Return to Zero | 0 | ||||||
| Sherlock: His Last Vow | * | * | * | * | * | * | 6 |
| The Spoils of Babylon | 0 | ||||||
| Treme, "To Miss New Orleans" | * | * | * | 3 | |||
| The White Queen "Love and Death" | 0 | ||||||
| The White Queen "The Bad Queen" | 0 | ||||||
| The White Queen "The Princess in the Tower" | 0 | ||||||
| The White Queen "War at First Hand" | 0 |
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
Latest posts by Erik Anderson (see all)
- 68th Grammy Awards: Bad Bunny Makes History with Album of the Year, Kendrick Lamar Takes the Most Wins - February 1, 2026
- London Critics’ Circle (LCC) Awards: ‘One Battle After Another’ Takes Film, Director, Screenwriting, Supporting Actor Wins - February 1, 2026
- Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’ - January 30, 2026
How Editor Andy Jurgensen Found the Right Balance of Tone and Momentum for ‘One Battle After Another’ [VIDEO INTERVIEW] 
68th Grammy Awards: Bad Bunny Makes History with Album of the Year, Kendrick Lamar Takes the Most Wins 
London Critics’ Circle (LCC) Awards: ‘One Battle After Another’ Takes Film, Director, Screenwriting, Supporting Actor Wins 
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’