2024 Oscar Predictions: CINEMATOGRAPHY (November)

The American Society of Cinematographers (ASC) will reveal their nominations on January 11, 2024 and hold their annual awards on March 3. Oscar nominations will be announced on January 23 and the 96th Academy Awards will be held on March 10.
Here are my 2024 Oscar predictions in Cinematography for November 2023.
- Oppenheimer (Universal Pictures) – Hoyte van Hoytema
- Killers of the Flower Moon (Apple Original Films) – Rodrigo Prieto
- Maestro (Netflix) – Matthew Libatique
- The Zone of Interest (A24) – Łukasz Żal
- Poor Things (Searchlight Pictures) – Robbie Ryan
- El Conde (Netflix) – Edward Lachman
- Ferrari (NEON) – Erik Messerschmidt
- Saltburn (Amazon MGM Studios) – Linus Sandgren
- Napoleon (Apple Original Films/Sony Pictures) – Dariusz Wolski
- The Color Purple (Warner Bros) – Dan Laustsen
Next up:
- All of Us Strangers (Searchlight Pictures) – Jamie D. Ramsay
- Anatomy of a Fall (Neon) – Simon Beaufils
- Barbie (Warner Bros) – Rodrigo Prieto
- Priscilla (A24) – Philippe Le Sourd
- Society of the Snow (Netflix) – Pedro Luque
Other contenders:
- Air (Amazon MGM Studios) – Robert Richardson
- Asteroid City (Focus Features) – Robert Yeoman
- The Bikeriders (20th Century Studios) – Adam Stone
- The Holdovers (Focus Features) – Eigil Bryid
- The Iron Claw (A24) – Mátyás Erdély
- The Killer (Netflix) – Erik Messerschmidt
- May December (Netflix) – Christopher Blauvelt
- NYAD (Netflix) – Claudio Miranda
- Origin (NEON) – Matthew J. Lloyd
- Past Lives (A24) – Shabier Kirchner
- Rustin (Netflix) – Tobias A. Schliessler
- The Taste of Things (IFC Films) – Jonathan Ricquebourg
Latest posts by Erik Anderson (see all)
- 2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON - May 23, 2026
- Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize - May 22, 2026
- ‘Coward’ Review: Belgian Soldiers Find Love in Lukas Dhont’s Hidden Romance Masterpiece [A] Cannes - May 21, 2026

AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes