Academy announces eligibility rule addendum for 93rd Academy Awards

(Shutterstock/660646837)
On October 6, the Academy’s Board of Governors passed an addendum to Awards Rule Two regarding eligibility.
The Board initially made rule changes this past spring in response to theater closures, allowing films unable to screen in theaters to qualify via the Academy Screening Room. With the gradual re-opening of theaters, an addendum was added to clarify the two methods for qualification in the Best Picture and general entry categories moving forward through the end of this exceptional awards year (February 28, 2021).
1. Films which are intended for theatrical release, but are initially made available through commercial streaming, VOD service or other broadcast may qualify by making the film available on the secure Academy Screening Room member site within 60 days of the film’s streaming/VOD release or broadcast.
2. Films may qualify with a traditional theatrical release, completing a seven-day run in one of six qualifying cities (Los Angeles, New York, San Francisco/Bay Area, Chicago, Miami, Atlanta), screening at least three times daily, with at least one screening between 6 pm and 10 pm daily. Additionally, drive-in theaters in these cities will now qualify as a commercial venue, however, the screening requirement will be adjusted from three times daily to once daily. Films that have a theatrical release are not required to submit to the Academy Screening Room within 60 days—It is optional.
The complete Rules Addendum will be posted at www.oscars.org/rules as a separate document under the 93rd Academy Awards Rules.
- 2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON - May 23, 2026
- Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize - May 22, 2026
- ‘Coward’ Review: Belgian Soldiers Find Love in Lukas Dhont’s Hidden Romance Masterpiece [A] Cannes - May 21, 2026

AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes