‘How to Die Alone’ TV Review: Natasha Rothwell Steals the Show (and a Credit Card) as a Natural Born Lead

September 9, 2024

Near-death experiences famously create dissonance for those involved, a new outlook on life stemming from almost losing it. Natasha Rothwell… Read More

AwardsWatch Podcast Ep. 251 – ‘Beetlejuice Beetlejuice’ Review and Our Favorite (and Least Favorite) Legacy Sequels with Guests Karen Peterson and Cody Dericks

September 9, 2024

On episode 251 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Karen Peterson and Cody… Read More

‘The Substance’ Review: Coralie Fargeat Feeds Us Moore Gore in Blood-Soaked Rumination on Female Body Image | TIFF

September 9, 2024

Women know body horror all too well. Before we can even really grasp what they mean, the standards embedded in… Read More

‘Without Blood’ Review: Angelina Jolie Directs Salma Hayek and Demián Bichir With Lots of Looks But Little Content | TIFF

September 9, 2024

Writer/director Angelina Jolie has shown a penchant for challenging films depicting war when she is behind the camera—think First They… Read More

‘Daniela Forever’ Review: Henry Golding Elevates an Imaginative Sci-Fi Pic That Falls Short of its Full Potential | TIFF

September 9, 2024

When it comes to sci-fi films about an attempt for romantic connection, movies about machines and AI tend to be… Read More

2024 Creative Arts Emmys (Night Two): ‘Shōgun’ Breaks All Time Record, Pasek and Paul Join EGOT Family

September 8, 2024

Shōgun has broken the all-time Emmy record for the most wins for any series in a single year with 14,… Read More

‘Pedro Páramo’ Review: Cinematographer Rodrigo Prieto’s Adaptation of the Classic Mexican Magical Realism Novel is Otherworldly | TIFF

September 8, 2024

Long before M. Night Shyamalan’s characters saw dead people, author Juan Rulfo wrote about a whole bunch of them roaming… Read More

‘On Swift Horses’ Review: Daniel Minahan’s Unsexy Adaptation Rides On Svelte Torsos and Not Much Else | TIFF

September 8, 2024

While revisionist westerns aren’t exactly popular, they do important work in dispelling the myth of the Great American West. On… Read More

‘The Wild Robot’ Review: An Animated Triumph Destined to Become a Classic with an All-Time Voice Performance from Lupita Nyong’o | TIFF

September 8, 2024

Never underestimate the power of children’s books. It’s easy to dismiss them as something designed for a child at a… Read More

‘Youth (Homecoming)’ Review: Wang Bing’s 10-Hour Doc Trilogy Disappoints in its Closing Workshop Saga | Venice

September 8, 2024

Wang Bing’s mammoth Youth documentary trilogy chronicles the lives of migrant workers in Zhili, China, garment sweatshops from 2014 to… Read More

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