Adam Solomons

‘Bergman Island’ review: A Mia Hansen-Løve letter on filmmaking with stellar performances from Vicky Krieps, Tim Roth and Mia Wasikowska [Cannes Review]

Mia Hansen-Løve’s directorial style seems to be less about style or genre and more about mood. Her 2018 travelogue romance… Read More

July 12, 2021

‘The Worst Person in the World’ review: Joachim Trier’s flirtatious love story might be the best film at Cannes [Cannes Review]

The kind of movie which reminds you just how beguiling top-tier cinema can be, Joachim Trier’s The Worst Person in… Read More

July 10, 2021

‘After Yang’ review: Kogonada’s lo-fi sci-fi is a meditative gem propelled by Colin Farrell’s most soulful performance [Cannes Review]

If Columbus was a bold attempt to resurrect slow cinema with a Gen Z-friendly storyline and progressive ideas, After Yang… Read More

July 9, 2021

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