‘Top Gun: Maverick’ review: Tom Cruise plays it safe in this ruthlessly competent but frustratingly distant sequel [Grade: B-] | Cannes Review
Tom Cruise was being honest when he told a crowd in Cannes on Wednesday that he believes the main ingredient of art is “skill.” Though... Read More
Adam Solomons
Adam Solomons is a critic and journalist who currently combines his love for films with a News Reporter role at British tabloid The Daily Star. A Rotten Tomatoes-approved critic with bylines at Sight & Sound and The Quietus, Adam has also been a political journalist. His favourite movie is Toy Story 2.
Interview: Cinematographer Dariusz Wolski on making three movies in one year with Ridley Scott including ‘The Last Duel’ and ‘House of Gucci’
Like many of his colleagues in the cinematography world, Dariusz Wolski’s career only begins to make sense when you realise it sort of doesn’t. Not... Read More
TIFF Review: Poland’s Oscar entry ‘Leave No Traces’ is a sobering thriller about the state of police brutality [Grade: B]
Though director Jan Matuszyńki insists Burn After Reading was the single biggest influence on his sophomore feature and Oscars entry, Leave No Traces is not... Read More
Interview: Jan Matuszyński on his Oscar-shortlisted political thriller ‘Leave No Traces’
For one of Poland’s most exciting new filmmakers, Jan Matuszyński has few influences from his native country. In describing political thriller Leave No Traces (‘Żeby... Read More
Venice Review: ‘Scenes from a Marriage’ is a worthy retread with staggering performances from Oscar Isaac and Jessica Chastain [Grade: B+]
It’s not common for me to advise readers to watch a 294-minute limited series in one go. But Scenes from a Marriage, HBO’s new Ingmar... Read More
Venice review: Denis Villeneuve’s ‘Dune’ is a gripping and visually arresting opener to an exciting universe [Grade: A]
The two most important lines in Dune come at the very beginning and the very end. First, when Duke Leto (Oscar Isaac) tells princeling son... Read More
Venice review: Kristen Stewart delivers a career-best performance in a fitting and fantastic look at an accidental revolutionary in ‘Spencer’ [Grade: A]
A spiky icon and a gentle iconoclast, Diana Spencer occupies a place in the public consciousness of Britain and the rest of the world which... Read More
‘In Front of Your Face’ review: A competent but isolating drama about dread from Hong Sang-soo [Cannes Review]
It doesn’t become clear what In Front of Your Face is really about till pretty far in, though its sheer emotional refinement means we can... Read More
‘Red Rocket’ review: Simon Rex puts the come in comeback in Sean Baker’s nuanced Trump country exposé [Cannes Review]
Perhaps even more so than The Florida Project, Sean Baker’s financial and ideological investment in celluloid film pays off in Red Rocket. His latest film,... Read More
‘JFK Revisited: Through the Looking Glass’ is a dense and detailed return to the conspiracy 30 years after Oliver Stone’s masterpiece [Cannes Review]
In the 30 years since JFK made global headlines for its excoriation of the military-industrial complex – and garnered eight Oscar nominations for its trouble... Read More
2024 Gotham Awards: ‘A Different Man’ Takes Best Feature; Colman Domingo, Clarence Maclin, ‘Nickel Boys’ Win Big 
‘Nosferatu’ Review: Lily-Rose Depp Gives a Ferocious Performance as Robert Eggers Creates a Wicked, Wintry Wonderland of Sex, Desire and Death [A] 
2025 Golden Globes: Ted Danson Named Carol Burnett Award Honoree 
Predictions for the 2024 Gotham Awards and New York Film Critics Circle (NYFCC)