Jessica Hausner’s career launched in Cannes when her film school project Inter-View, figured among the palmares of the Cinefondation competition in 1999. Over the years,... Read More
Ali Benzekri
A devoted cinephile, Ali started his career as Communication and Ditribution Manager at Ali n' Productions (Ali Zaoua, Casablanca Beats, Blue Caftan). He followed that resourceful experience by taking on the job of Head of Archives at the Cinémathèque de Tanger. Since 2021, Ali has been running a specialized film program on Radio 2M, one of the leading radio channels in Morocco. He is currently in the process of launching the Filmothèque, a traveling cinema project aimed at showing independent and classic films in Morocco in creative fashion. He writes about films in English and French Lioumness, International Cinephile Society and TelQuel.
In 2015, Todd Haynes came to Cannes to premiere Carol that received rave reviews and an instant cult classic treatment. He came back to the... Read More
The biggest event of Cannes this year is the return of Martin Scorsese, 38 years after After Hours. The expectations for Killers of the Flower... Read More
Australian director Warwick Thornton lets you know from the beginning that the Aboriginal boy (a mesmerizing Aswan Reid), who arrives at a remote monastery, is... Read More

‘Club Zero’ review: Jessica Hausner nails the absurdist comedy but fails to go deeper | Cannes
‘May December’ review: Natalie Portman and Julianne Moore make a meal out of Todd Haynes’ delicious story of infamy and obsession | Cannes
‘Killers of the Flower Moon’ review: Martin Scorsese’s true American crime story of greed, murder and love may be his most empathetic | Cannes
‘The New Boy’ review: Cate Blanchett and Aswan Reid stun in Warwick Thornton’s spiritually dense Aboriginal fable | Cannes
Seattle Film Critics Society (SFCS) Nominations: ‘Sinners’ Leads with Record-Tying 14
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