“But he’s so good!” That was Marianne Jean-Baptiste’s reaction to the news that Richard Lawson, Vanity Fair’s chief film critic, had been let go from... Read More
Brandon Lewis
In Honey Don’t!, Margaret Qualley’s Honey O’Donahue is handwashing a small but varied assortment of sex toys after a night of wild pleasure with Aubrey... Read More
It may have come as a surprise to film lovers when Celine Song announced that her sophomore feature would be a romantic comedy. After all,... Read More
How does it feel to be in the middle of a cultural phenomenon? “It’s a bit of a whirlwind,” says Taylor Dearden, who stars as... Read More
Anyone who’s paid attention to the last two decades can understand how celebrity worship has warped the cultural zeitgeist. One such way is journalism, where... Read More
“All I can do is be true to my own experience and what I feel is ethical and right in the stories I want to... Read More
It’s an embarrassment of riches to have two transformative, awards-worthy roles in one career. But what does it mean when you have two in the... Read More
It was the reunion that set the hearts of cinephiles aflutter. In September, British filmmaker Mike Leigh returned to the silver screen with Hard Truths,... Read More
When Hard Truths made its world premiere at this year’s Toronto International Film Festival in September, the film’s rapturous response inspired a deep well of... Read More
Malcolm X once said the most disrespected, unprotected, and neglected person is the black woman. One of the consequences of such a state is a... Read More

Marianne Jean-Baptiste on Being a TIFF Platform Jury Member: “I’ll Be Open”
‘Honey Don’t!’ Review: The Power of Chris(t) Almost Compels You in Ethan Coen’s Overly Sexualized Yet Sexually Timid Romp [B-]
‘Materialists’ Director Celine Song on How the Past Informs Her Modern Rom-Dramedy and Her Filmmaking Ambitions [VIDEO]
‘The Pitt’s’ Taylor Dearden on How the Series Expands What Neurodiversity Looks Like On Screen [Interview]
‘Opus’ Review: Ayo Edebiri Fights the Evils of Access Journalism in Frustrating Satirical Thriller That’s More Parvum Than Magnum [C+] – Sundance Film Festival
‘A Different Man’ Director Aaron Schimberg on Changing How Disability is Captured on Screen Through a Personal Lens
Sebastian Stan on How ‘The Apprentice’ and ‘A Different Man’ Tackle Comfort, Curiosity, and Confronting Our Fears
In ‘Hard Truths,’ Marianne Jean-Baptiste Reunites with Mike Leigh and Finds the Humanity in Pansy’s Misanthropy
Michele Austin on Feeling Safe to Explore the Complexities of Black Storytelling in Mike Leigh’s ‘Hard Truths’
‘Hard Truths’ Review: Marianne Jean-Baptiste Sears the Screen in Mike Leigh’s Carefully Observed Mediation on Black Joy and Sadness | TIFF
Carrie Preston (‘Elsbeth’) on the Resurgence of Broadcast Television and What She Sees for Season 4 [VIDEO INTERVIEW]
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]