Caroline Tsai

Caroline Tsai is a film critic and screenwriter by day, meticulous watch-list curator by night. (Seriously—she might have a problem.) When she’s not daydreaming about Oscars season and working out as an excuse to rewatch “Succession,” you can find her interning for Janet Yang Productions, writing newsletters for her Substack (cahier.substack.com), and publishing occasional fiction at carolinetsai.com.

‘Blue Bayou’ review: Justin Chon’s stunning portrait of immigration and what it means to be an “American” [Cannes Review]

What does it mean to be an American? The question reverberates throughout every frame of Blue Bayou, the new film… Read More

July 15, 2021

‘The French Dispatch’ review: Wes Anderson dials up the quirk in anthological homage to journalism [Cannes Review]

“The New Yorker will be the magazine not published for the old lady in Dubuque,” editor Harold W. Ross wrote… Read More

July 13, 2021

‘Cow’ review: Andrea Arnold’s wordless documentary movingly focalizes the humanity of animals [Cannes Review]

“Okay, so we’re really gonna watch a cow for two hours,” a fellow attendee said, amused and skeptical, just before… Read More

July 8, 2021

‘Annette’ Review: Leos Carax’s occasionally unwieldy rock opera gleefully leans into camp [Cannes Review]

“Fame is like a flame,” Adam Driver’s Henry McHenry says wistfully in his stand-up routine, before a rapt audience. “Glorious,… Read More

July 6, 2021

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