Sundance Review: ‘The World to Come’ too often sacrifices character for mood
The latest entry in the period piece lesbian drama genre that has grown increasingly popular in the past few years is The World to Come,... Read More
Catherine Springer
Catherine is a shameless child of the ‘80s who discovered her passion for movies when she was 12 and has never looked back. As the daughter of an American diplomat, she spent the first 18 years of her life as an international nomad, but, when it came time to choose a college and set down roots, there was no other option than Los Angeles, a true industry town where movies touch and flavor everything. She wouldn’t be anywhere else. The only thing she loves as much as watching movies is writing about them, and her reviews have been seen in the Glendale News-Press, Magill’s Cinema Annual and on Prodigy. 15 years ago, she started her own her own movie blog, CathsFilmForum.com, which has been her pride and joy. And, although she loves sports, there is no better season than Oscar season. She owes everything to Tootsie for lighting the flame and to Premiere Magazine for keeping it lit.
Film Review: ‘Judas and the Black Messiah’ is powered by a fiery and brilliant performance from Daniel Kaluuya
The giants of the Civil Rights movement of the ‘60s could be considered America’s original Avengers, and perhaps there is no better representative of their... Read More
Sundance Review: Robin Wright’s ‘Land’ treads a disappointingly predictable path
It’s taken Robin Wright a long time to get here. After breaking into the industry over 35 years ago, the veteran actress has finally taken... Read More
Sundance Review: ‘Passing’ is stylized and seductive but remains out of reach
In yet another female directorial debut featured at the Sundance Film Festival, acclaimed actress Rebecca Hall premiered her new film, Passing, a stylized look at... Read More
Sundance Review: Jakub Piatek’s hostage thriller ‘Prime Time’ doesn’t break new ground but features a star-making turn from Bartosz Bielenia
On the face of it, the new film Prime Time, from Polish director Jakub Piatek, premiering at Sundance Film Festival, has all the makings of... Read More
Sundance Review: Edgar Wright shines a bright light on iconic duo in ‘The Sparks Brothers’
Perhaps the biggest criticism of the Rock & Roll Hall of Fame is the fact that it tends to only induct the hitmakers, not the... Read More
Sundance Review: Jerrod Carmichael’s ‘On the Count of Three’ is a triggering yet quirky journey of suicidal tendencies
It’s not every day you see a movie about a suicide pact. No matter how you look at it, if a suicide pact is the... Read More
Sundance Review: ‘Flee’ is a refugee tale unlike any you have ever seen before
No matter what kind of entertainment an artist pursues, they are always in search of a story and the best way to tell it. In... Read More
Sundance Review: ‘CODA’ speaks its own language as a potent and moving coming of age story
Joni Mitchell’s “Both Sides Now” is a key player in CODA, the new film from writer/director Sian Heder which kicked off the 2021 Sundance Film... Read More
Film Review: ‘The Little Things’ is a criminally boring whodunit that’s more of a whocares
When you hear that three Oscar winners are starring in a movie, normally it would garner at least a heightened interest in the film, at... Read More
Interview: ‘Gladiator II’ Cinematographer John Mathieson on Reuniting with Ridley Scott and Continuing the Legacy and Lore 
Interview: Alan Menken and Glenn Slater on Creating the Songs and Score for ‘Spellbound’ and the “Perfectly” Cast Rachel Zegler 
2025 Oscar Predictions: BEST PICTURE and BEST DIRECTOR (November) 
Interview: John Lithgow on ‘Conclave’ Being a Career Highlight, Oscar Buzz and Comparing Director Edward Berger to David Lean [VIDEO]