There’s a sense of resignation that comes with watching The Super Mario Galaxy Movie. To see the sequel to Illumination’s 2023 mega-hit adaptation of Nintendo’s... Read More
Trace Sauveur
A clear theme emerged out of a few movies from this year’s SXSW film line-up: Severance. Specifically, Britt Lower and Adam Scott, who topline the... Read More
Mike & Nick & Nick & Alice is an increasingly rare variety of film, the kind that movie fans keep clamoring for studios to finance... Read More
There’s often a romanticization of “breaking the rules” in filmmaking. It’s laudable when filmmakers color outside the lines and refuse to conform to typical standards... Read More
Hollywood hasn’t had a creative muse like Andy Weir in quite some time. Though not nearly as prolific, his combination of hard-science technical detailing imprinted... Read More
When the opening frames of The Bride! displays introductory text establishing that Mary Shelley wrote her classic Gothic tragedy, Frankenstein, on a dare, it feels... Read More
Matt Johnson and Jay McCarrol desperately want to play the Rivoli in Toronto. That’s been the ongoing premise for the two creatives’ web series-turned-TV show-turned-movie... Read More
Fans of Silent Hill—legendary Japanese game developer Konami’s landmark psychological horror series (typically) about the terrors lurking within a quiet, Midwestern American hamlet—have had a... Read More
Anyone who saw 28 Years Later would likely pinpoint the last two minutes of the film as a source of serious excitement, bewilderment, or some... Read More
During our precarious social moment in America—where wealth inequality continues to skyrocket, federal police forces are taking to the streets to strip vulnerable people of... Read More

‘The Super Mario Galaxy Movie’ Review: The Iconic Platforming Plumber is Asphyxiated in an Intergalactic IP Spree [C-]
SXSW 2026 Reviews: ‘Sender,’ ‘The Saviors,’ ‘Hokum’ Highlight the Stars of ‘Severance’
‘Mike & Nick & Nick & Alice’ Review: BenDavid Grabinski Asks ‘What if Wong Kar-Wai Made a Gangster Love Triangle Sci-Fi Action Buddy Comedy’? [A-] SXSW
‘I Love Boosters’ Review: Boots Riley’s Dressed to Excess Cartoon Revolution is Too Much and Not Enough [B-] SXSW
‘Project Hail Mary’ Review: Ryan Gosling is Stuck Between a Rocky and a Hard Place in Crowdpleasing Sci-Fi Buddy Movie Adventure [A-]
‘The Bride!’ Review: Maggie Gyllenhaal Goes For Baroque in Messy, Misguided Post-Modern Monster Movie [D]
Matt Johnson and Jay McCarrol on the Unlikely, Legally-Challenged Journey of Getting ‘Nirvanna The Band The Show The Movie’ to the Big Screen [VIDEO INTERVIEW]
‘Return to Silent Hill’ Review: Christophe Gans’s Belated Sequel Gets Lost in the Fog of Lackluster Video Game Movies [C-]
‘Zootopia 2’ Review: The Fast and the Furriest [B-]
2026 Tonys: Laurie Metcalf (‘Little Bear Ridge Road,’ ‘Death of a Salesman’) May Join Elite Group of Double-Nominated Performers
2026 Tribeca Festival Celebrates 25th Anniversary with World Premieres of ‘Hadestown: The Musical,’ ‘Earth, Wind & Fire’ Doc
Director Watch Podcast Ep. 149 – ‘Killer of Sheep’ (Charles Burnett, 1978)
‘Lee Cronin’s The Mummy’ Review: Careful the Spell You Cast, Children Will Listen (and Sometimes Kill) [C]