The opening minutes of 1938’s The Adventures of Robin Hood, starring Errol Flynn as the folk legend, show him striding into the banquet hall of... Read More
Trace Sauveur
Some film franchises are sustained by merchandise sales tied to the movie. Pixar’s Cars remains a wildly popular toy franchise for children, despite the now... Read More
Sometimes it’s nice to show up at the cinema for a genre programmer that gives you exactly what you expect — a polished studio horror... Read More
It’s July 2004 on the sunny Atlantic coast of Spain, in the city of Vigo, Galicia, the gateway to the Cíes Islands. Eighteen-year-old Marina (Llúcia... Read More
It doesn’t matter whether you call writer-director Macon Blair’s raucous new comedy by its festival-circuit title, The Shitheads, or its cleaner, more marketable new name,... Read More
There’s a sense of resignation that comes with watching The Super Mario Galaxy Movie. To see the sequel to Illumination’s 2023 mega-hit adaptation of Nintendo’s... Read More
A clear theme emerged out of a few movies from this year’s SXSW film line-up: Severance. Specifically, Britt Lower and Adam Scott, who topline the... Read More
Mike & Nick & Nick & Alice is an increasingly rare variety of film, the kind that movie fans keep clamoring for studios to finance... Read More
There’s often a romanticization of “breaking the rules” in filmmaking. It’s laudable when filmmakers color outside the lines and refuse to conform to typical standards... Read More
Hollywood hasn’t had a creative muse like Andy Weir in quite some time. Though not nearly as prolific, his combination of hard-science technical detailing imprinted... Read More

‘The Death of Robin Hood’ Review: Gritty Take on the Folk Legend Takes Rich Text and Makes it Poor [C-]
‘Masters of the Universe’ Review: Travis Knight’s He-Man Reboot is the Ideal Version of a Movie Made to Sell Toys [B-]
‘Passenger’ Review: André Øvredal’s Van Life Haunted House Movie Does Exactly What You Expect and Maybe That’s All It Needs To Do [C+]
‘Romería’ Review: Carla Simón’s Restrained Coming-of-Age Tale Opens Up the Doors of History and Cinema [B+] Atlanta Film Festival
‘Idiots’ Review: Dave Franco and O’Shea Jackson Jr. Don’t Feel at Home in This World Anymore [B] Atlanta Film Festival
‘The Super Mario Galaxy Movie’ Review: The Iconic Platforming Plumber is Asphyxiated in an Intergalactic IP Spree [C-]
SXSW 2026 Reviews: ‘Sender,’ ‘The Saviors,’ ‘Hokum’ Highlight the Stars of ‘Severance’
‘Mike & Nick & Nick & Alice’ Review: BenDavid Grabinski Asks ‘What if Wong Kar-Wai Made a Gangster Love Triangle Sci-Fi Action Buddy Comedy’? [A-] SXSW
‘I Love Boosters’ Review: Boots Riley’s Dressed to Excess Cartoon Revolution is Too Much and Not Enough [B-] SXSW
‘Project Hail Mary’ Review: Ryan Gosling is Stuck Between a Rocky and a Hard Place in Crowdpleasing Sci-Fi Buddy Movie Adventure [A-]
‘The Death of Robin Hood’ Review: Gritty Take on the Folk Legend Takes Rich Text and Makes it Poor [C-]
Daddy Issues, Aliens, Sharks, and Nazi Hunters: Ranking Our 15 Favorite Steven Spielberg Films
Interview: Leslie Bibb Straps In to Talk About Her Hilarious Guest Spot on the Final Season of ‘Hacks’
Make it a Double Feature: ‘Breaking Fast’ and ‘Flee’