It’s a big weekend of major guilds with Cinema Audio Society (CAS), American Society of Cinematographers (ASC), Motion Picture Sound Editors (MPSE) and the Writers... Read More
Erik Anderson
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
Like the men in supporting actor, their women counterparts in supporting actress have gotten a wealth-spread of precursors that even more inconclusive. While Sean Penn... Read More
Today, SFFILM announced the Centerpiece program of the 69th San Francisco International Film Festival with a hometown and West Coast premiere of award-winning writer/director Boots... Read More
A true see-saw of a category this season, where one contender dominated early critics wins but as we got closer to the televised awards season,... Read More
Eva Victor’s Sorry, Baby Garners Two Wins The Society of LGBTQ Entertainment Critics, the second largest entertainment journalists organization in the world, today announced the... Read More
As they’ve often been, the short film categories can often make or break your office Oscar pool (is that still a thing?) or at least... Read More
The lineup of the 29th annual Sonoma International Film Festival (SIFF) has been announced, unveiling a program that features 41narrative features, 16 documentary features, and... Read More
That’s a wrap, folks. In what’s been a very topsy-turvy season in the acting categories, one thing has remained steadfast and that’s Irish rose Jessie... Read More
Programs under the Disney+/Disney Channel/Disney Jr. umbrella ruled the 4th Children’s & Family Emmys tonight, collecting 19 wins thanks to programs like Descendants: The Rise... Read More
Among the few but very solid locks of Oscar night will be Ludwig Göransson’s score for Sinners, earning him his third Oscar in this category... Read More

Predictions for Sound (CAS, MPSE), Cinematography (ASC) and Writers Guilds (WGA) Awards
FINAL 2026 Oscar Predictions: SUPPORTING ACTRESS
Boots Riley’s ‘I Love Boosters’ Lands West Coast Premiere as Centerpiece of 69th San Francisco International Film Festival (SFFILM)
FINAL 2026 Oscar Predictions: SUPPORTING ACTOR
‘Sinners’ Dominates Society of LGBTQ Entertainment Critics Dorian Awards; Rose Byrne, Amy Madigan Win Acting Prizes
FINAL 2026 Oscar Predictions: ANIMATED SHORT, DOCUMENTARY SHORT, LIVE ACTION SHORT
29th Sonoma International Film Festival (SIFF): ‘Poetic License,’ ‘I Swear,’ Conversations with Julian Schnabel, Barry Jenkins and Lulu Wang
FINAL 2026 Oscar Predictions: BEST ACTRESS
4th Children’s & Family Emmys: ‘Sesame Street,’ ‘Heartstopper,’ ‘Descendants: The Rise of Red’ Among Top Winners
FINAL 2026 Oscar Predictions: ORIGINAL SCORE and ORIGINAL SONG
Carrie Preston (‘Elsbeth’) on the Resurgence of Broadcast Television and What She Sees for Season 4 [VIDEO INTERVIEW]
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]