The Indiana Film Journalists Association (IFJA) have announced their 2023 nominations representing the best in film for 2023. The group uses extended longlists of up... Read More
Erik Anderson
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
The North Texas Film Critics Association (NTFCA) has revealed its nominations for 2023 in film where Saltburn, The Holdovers, American Fiction, Barbie, Killers of the... Read More
The Producers Guild of America (PGA) have revealed the nominees for its 35th annual Producers Guild Awards for Outstanding Producer of a Documentary Motion Picture, including... Read More
The final season of Succession dominated the Golden Globe nominations for television this morning, with 9, that included a drama series nod and eight individual... Read More
The nominees in motion picture and television for the 81st Golden Globes were announced today with Barbie (9), Oppenheimer (8) Poor Things (7) and Killers... Read More
The Los Angeles Film Critics Association (LAFCA) have named Jonathan Glazer’s The Zone of Interest the best film of 2023, plus Best Director, Best Actress (a dual... Read More
The Holdovers has been named the Best Film of 2023 by the Boston Society of Film Critics (BSFC). Da’Vine Joy Randolph continued her dominance, winning... Read More
Oppenheimer leads the 2023 St. Louis Film Critics Association (StLFCA) nominations with 14. Winners will be announced on December 17. Here is the full list... Read More
The Washington DC Area Film Critics Association (WAFCA) have awarded American Fiction the Best Feature of 2023, also giving the Cord Jefferson film a win... Read More
The Washington DC Area Film Critics Association (WAFCA) have announced their nominations for 2023 where Barbie, Oppenheimer, Killers of the Flower Moon and The Holdovers... Read More

Indiana Film Journalists Association (IFJA) Nominations
North Texas Film Critics Association (NTFCA) Nominations: ‘Saltburn,’ ‘The Holdovers’ Score Big
Producers Guild of America Reveals 35th PGA Awards Nominations for Documentary
81st Golden Globe Nominations – Television: ‘Succession’ Dominates
81st Golden Globe Nominations – Motion Picture: ‘Barbie,’ ‘Oppenheimer,’ ‘Poor Things’ Lead
Los Angeles Film Critics Association (LAFCA): ‘The Zone of Interest’ Named Best Picture, Director; Women Win All Acting Awards
2023 Boston Society of Film Critics (BSFC): ‘The Holdovers’ Wins Best Film, Actor, Supporting Actress, Screenplay
2023 St. Louis Film Critics Association (StLFCA) Nominations
2023 Washington DC Area Film Critics Association (WAFCA) Winners: ‘American Fiction’ is Best Feature, ‘Oppenheimer’ Takes Six
2023 Washington DC Critics Nominations (WAFCA)
‘The Man I Love’ Review: Rami Malek Gives a Career Best Performance in Ira Sachs’s Ode to Art and Life in 1980s New York [A-] Cannes
‘All of a Sudden’ Review: Virginie Efira and Tao Okamoto are Luminous in Ryusuke Hamaguchi’s Life-Affirming Wonder [A] Cannes
Cannes 2026: ‘La Gradiva’ Wins Top Critics Week Prize
Interview: Jen Malone on Crafting the Heartbreaking Soundtrack of ‘Love Story,’ and the Power of Music