Searchlight Pictures this morning announced the release date and first image of All of Us Strangers (formerly title Strangers) starring Andrew Scott (Fleabag) and Academy... Read More
Erik Anderson
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
Amazon Studios and MGM announced today that Saltburn, Emerald Fennell’s follow-up to her Oscar-winning debut Promising Young Woman, will open the 67th BFI London Film... Read More
The race for the next International Feature Film Oscar has begun and Switzerland is first out of the gate. Carmen Jaquier’s film Thunder will represent... Read More
Academy Award–winning directors Pedro Almodóvar and Spike Lee have been announced as the first honorees of this year’s Tribute Awards at the 2023 Toronto International... Read More
The Toronto International Film Festival has announced the 2023 selections for the Midnight Madness and Discovery programs, including the world premieres of Dicks: The Musical... Read More
TIFF today unveiled the 10 World Premiere features that will comprise the Platform program for 2023, along with the 2023 Platform jury members: Academy Award–winning... Read More
New Sundance Film Festival Director Eugene Hernandez revealed in a letter today that the 40th edition of the festival, which will take place January 18–28,... Read More
As the WGA and SAG-AFTRA strikes rage on due to the Alliance of Motion Picture and Television Producers (AMPTP) behind the Hollywood studios and networks... Read More
After weeks of debate, the 75th Primetime Emmy Awards are officially not airing on September 18 as originally planned in the face of the ongoing... Read More
Nominations for the 44th Annual News and Documentary Emmy Awards were announced today by The National Academy of Television Arts & Sciences (NATAS). For Outstanding... Read More

Andrew Haigh’s ‘All of Us Strangers’ with Andrew Scott and Paul Mescal Lands December Bow
Emerald Fennell’s ‘Saltburn’ to open 67th BFI London Film Festival
2024 Oscars: Official Submissions for International Feature Film
TIFF48: Pedro Almodóvar and Spike Lee to Receive Toronto International Film Festival Tribute Awards
TIFF48: Midnight Madness and Discovery Programs Announced with World Premieres of ‘Dicks: The Musical’ and Patricia Arquette’s ‘Gonzo Girl’
TIFF48: Platform Program Announced; Barry Jenkins, Nadine Labaki, Anthony Shim to Lead Jury
2024 Sundance Film Festival to Continue Hybrid Screenings for 40th Edition
Episode Submissions for the 75th Emmys Awards Find Internal Competition at its Highest in Several Categories
75th Primetime Emmy Awards Move From September, Eyes Likely January 2024 Date
CNN Leads 44th News and Documentary Emmy Awards Nominations
FINAL 2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN
Interview: Joachim Trier and Eskil Vogt on Capturing Memory in ‘Sentimental Value,’ Missing Robert Redford, and the Movies That Make Them Cry
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS
2026 SXSW Film & TV Festival Lineup: ‘Ready or Not 2,’ ‘I Love Boosters’ and the Return of David E. Kelley