As I mentioned in my first Oscar predictions of the season, waiting for the annual April Board of Governors meeting of the Academy proved to... Read More
Erik Anderson
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
NEON announced today it has acquired U.S. rights to King Snake, from Loving and Mud filmmaker Jeff Nichols. The film, starring Margaret Qualley (The Substance), Michael Shannon (Take Shelter), and Drew Starkey (Queer),... Read More
The Lost Boys and Schmigadoon! dominated the nominations for the 79th Tony Awards on Tuesday, earning 12 nods each, followed closely by the musical revival... Read More
On episode 343 of the AwardsWatch podcast, Editor-In-Chief Erik Anderson is joined by Associate TV Editor Karen Peterson to review the spring blockbuster sequel The... Read More
Sometimes it pays to wait just a bit longer. With the yearly Board of Governors meeting taking place in April, where any new or changed... Read More
The Academy’s Board of Governors has approved awards rules, inclusion standards and campaign promotional regulations for the 99th Academy Awards, including pushing back on AI and sweeping... Read More
NewFest, New York’s leading LGBTQ+ film and media organization, has announced the full lineup for their sixth annual NewFest Pride summer film series, including the... Read More
The Critics Choice Association (CCA) today revealed the nominees for the eighth annual Critics Choice Real TV Awards, which recognize excellence in nonfiction, unscripted and reality... Read More
It’s been 20 years since Andy Sachs walked into Miranda Priestley’s office looking like a bargain version of Diane Keaton and walked out, throwing her... Read More
Today, Frameline, the queer media nonprofit that will host the landmark 50th San Francisco International LGBTQ+ Film Festival (Frameline50) June 17–27, announced three of its major Festival screenings... Read More

2027 Oscar Predictions: BEST ACTOR (May)
NEON Charms U.S. Rights to Jeff Nichols’ ‘King Snake’ with Drew Starkey, Margaret Qualley, Michael Shannon
79th Tony Nominations: ‘The Lost Boys,’ ‘Schmigadoon!’ Lead, June Squibb Makes History
AwardsWatch Podcast Ep. 343: Reviewing ‘The Devil Wears Prada 2’
2027 Oscar Predictions: INTERNATIONAL FEATURE FILM (May)
Sweeping Oscars Changes: Academy Says No to AI, Opens International Film Eligibility, Allows Multiple Acting Nods in Same Category
2026 NewFest LGBTQ+ Pride Summer Series to Feature ‘STOP! THAT! TRAIN!,’ Outdoor ‘Heated Rivalry’ Screening and More
‘The Traitors’ Leads 8th Annual Critics Choice Real TV Awards Nominations
‘The Devil Wears Prada 2’ Review: The Long-Awaited Sequel Proves That Fashion is Always in Vogue [B+]
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Announces Opening Night, Centerpiece, and Pride Kickoff Films
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes