The African American Film Critics Association (AAFCA) has announced its winners of this year’s AAFCA TV Honors, its annual TV Top 10 list and its... Read More
Erik Anderson
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
The Critics Choice Association (CCA) today revealed the winners for the seventh annual Critics Choice Real TV Awards, which recognize excellence in nonfiction, unscripted and... Read More
Sony Pictures Classics has acquired all rights in North America, Latin America, Eastern Europe, South East Asia and India to Directors’ Fortnight People’s Choice Award... Read More
From boys to men, these three films look at a teen’s coming out, a man’s struggle with his darkest demons and two men who find... Read More
“The best way to criticize a film is to make one.” Jean-Luc Godard’s famous quote, among many others, finds its way early in Nouvelle Vague... Read More
The 78th edition of the Cannes Film Festival has ended but not without a few bumps along the way, including a full city power outage... Read More
Jafar Panahi has won the Palme d’Or of the 78th Cannes Film Festival for his politically and personally inspired film It Was Just an Accident,... Read More
The 1980s Chilean AIDS surrealist drama The Mysterious Gaze of the Flamingo has won the top award from the Un Certain Regard section of the... Read More
Ratchapoom Boonbunchachoke’s A Useful Ghost, a fable about a man who discovers his wife has been reincarnated in their vacuum cleaner, has won the Critics... Read More
The National Academy of Television Arts & Sciences (NATAS) announced the winners of the 46th Annual Sports Emmy Awards. The ceremony was hosted by Roy Wood Jr., award-winning... Read More

7th African American Film Critics Association (AAFCA) TV Honors: ‘Forever,’ ‘Paradise,’ ‘Matlock’ Lead the Way
7th Critics Choice Real TV Awards Winners: ‘The Traitors,’ ‘Love on the Spectrum,’ ‘Dancing with the Stars’
Sony Pictures Classics Acquires Worldwide Rights to Cannes Hit ‘The President’s Cake’
2025 Cannes Film Festival Reviews: ‘Enzo,’ ‘Urchin,’ ‘Pillion’
‘Nouvelle Vague (New Wave)’ Review: Richard Linklater Channels His Inner French Cinephile with Impeccably ‘Breathless’ Recreation [A-] Cannes
AwardsWatch Podcast Ep. 288 – 2025 Cannes: The Winners, the Losers, the Coughing
2025 Cannes Film Festival Winners: I Saw the NEON Glow
2025 Un Certain Regard Winners: ‘The Mysterious Gaze of the Flamingo,’ ‘Urchin’ and More – Cannes
2025 Cannes Critics Week Winners: ‘A Useful Ghost,’ ‘Left-Handed Girl’
46th Annual Sports Emmys Wins Lady Gaga Her First Ever Emmy Award
Director Watch Podcast Ep. 144 – ‘A Matter of Life and Death (Powell and Pressburger, 1946) with Special Guest Jesse Nussman
Association of Motion Picture Sound (AMPS) Television and Nonfiction Nominations Announced: ‘Adolescence,’ ‘Black Mirror,’ ‘Slow Horses’ and More
Trailer Watch: ‘Spider-Man: Brand New Day,’ ‘Dune: Part Three,’ Disclosure Day,’ ‘Wild Horse Nine’
‘Anima’ Review: Sydney Chandler and Takehiro Hira Ground Brian Tetsuro Ivie’s Low-Fi Sci-Fi Road Movie [B+] SXSW