2019 Oscar Predictions: BEST ACTRESS (April) – Viola Davis Still Tops; Glenn Close is Coming
[divider style=”normal” top=”20″ bottom=”20″] As you can see, not a lot of change this month with the top 4 remaining so and in the same... Read More
Erik Anderson
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
2019 Oscar Predictions: BEST ACTOR (April) – Bale’s VP is VIP
Christian Bale (Untitled Dick Cheney biopic) holds onto the #1 spot, a phrase I feel like I will repeat quite often this year. Despite just... Read More
2018 Cannes: Directors’ Fortnight brings ‘Birds of Passage,’ Debra Granik’s ‘Leave No Trace’
[divider style=”normal” top=”20″ bottom=”20″] The 50th edition of the Cannes Directors’ Fortnight will open with Cristina Gallego and Ciro Guerra’s Birds of Passage. This is... Read More
‘Dear White People’ Season Two Teaser and Release Date
Cultural appropriation, sex and gender norms, racist bots, black lesbians, conspiracy theories, black Scientology and The Sunken Place are front and center in the first... Read More
2019 Oscar Predictions: BEST DIRECTOR (April) – McQueen is King
[divider style=”normal” top=”20″ bottom=”20″] As was with Best Picture, Best Director sees a change-up from last month with Widows‘ Steve McQueen taking the pole position... Read More
2019 Oscar Predictions: BEST PICTURE (April) – Widows is new #1
[divider style=”normal” top=”20″ bottom=”20″] Widows from Oscar winner Steve McQueen (12 Years a Slave) is the new top pick for Best Picture for April as... Read More
2018 Cannes Critics’ Week: Paul Dano’s Directorial Debut; Competition Films 57% Female-Directed
[divider style=”normal” top=”20″ bottom=”20″] The 57th Cannes Critics’ Week was announced today and Paul Dano’s directorial debut, Wildlife, starring Carey Mulligan and Jake Gyllenhaal will... Read More
SFFILM Awards: ‘Eighth Grade’ Wins Audience Award, New Directors Prize Goes to Ana Urushadze
The 2018 San Francisco International Film Festival (April 4-17) announced the winners of the juried Golden Gate Award (GGA) competitions and the two Audience Awards (for Documentary... Read More
2019 Oscars: The State of the Foreign Language Film Race Before Cannes
Following our analysis two weeks ago of next year’s Animated Feature Oscar race, we turn our attention to the 2019 Foreign Language Film race... Read More
Why Black Panther Should Be Considered a Serious Contender for the Oscars in 2019
[divider style=”normal” top=”20″ bottom=”20″] Black Panther has made a huge impact and is certainly good enough to be nominated for Oscars in certain categories. The... Read More
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes 
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