London Film Festival Review: Rose Glass’ slow-burn horror ‘Saint Maud’ is a potent debut feature
As the nights turn longer and the weather turns colder, here’s a happy thought: at…
Film Festivals
London Film Festival Review: ‘The House of Us’ is an utter delight
It’s no wonder kids find us adults so baffling so much of the time. After…
London Film Festival Review: The arresting and experimental ‘Krabi, 2562’
An insider’s view of her home country intertwines with an outsider’s view in Krabi, 2562, an accessible…
Review: In ‘The Irishman,’ Scorsese’s mobsters age, facing their own mortality
Legends reunite in Martin Scorsese’s sprawling gangster epic featuring a rousing performance by Al Pacino…
LFF Review: Alfre Woodard is mesmerizing in ‘Clemency’
A stark, sombre drama with barely a second’s worth of levity, Chinonye Chukwu’s Clemency is…
LFF Review: The fascinating, abstract ‘Monos’ marvels as much as it confounds
There are monsters, and then there are monsters! Here, on this fertile, bounteous planet, the…
Venice Review: ‘Babyteeth’ is a magnificent portrayal of love
Milla is a teenager, she lives with her parents Henry, a psychiatrist, and Anna, former…
Venice Review: Rylance shines in promising but unfocused ‘Waiting For The Barbarians’
Colombian director Ciro Guerra made himself known to the film world with his sizzling masterpiece…
Venice Review: ‘About Endlessness’ is a triumph
Roy Andersson shocked the 2014 Venice Film Festival when his A Pigeon Sat On A…
Telluride Review: Trey Edward Shults’ ‘Waves’ is an undeniable masterpiece
“History never repeats itself but it rhymes.” That Mark Twain quote is a wonderfully reoccurring…