Migration, formative youth experiences, and large-scale conflicts guide this batch of four independent films reaching the San Francisco International Film Festival after successful fall and... Read More
Film Festivals
It’s July 2004 on the sunny Atlantic coast of Spain, in the city of Vigo, Galicia, the gateway to the Cíes Islands. Eighteen-year-old Marina (Llúcia... Read More
Few themes have been as beat to the ground in contemporary cinema as family-induced pains. Be it horror allegories, genre-spanning adventures, or prestige dramas, tales... Read More
Black Zombie (Dir. Maya Annik Bedward) Zombies have been used in nearly a century’s worth of cinema in arguably more varied ways than any other... Read More
With the 69th San Francisco International Film Festival underway, what better way to get a taste of its program than with some capsule reviews of... Read More
It doesn’t matter whether you call writer-director Macon Blair’s raucous new comedy by its festival-circuit title, The Shitheads, or its cleaner, more marketable new name,... Read More
The last day and a half of the 2026 True/False Film Fest saw the massive shift in the weather, from major thunderstorms and rain to... Read More
The 2026 True/False Film Fest was in full effect yesterday, with the streets of Columbia, Missouri filled with thousands of film enthusiasts ready to partake... Read More
This time last year, I received an email about attending a mid-size film festival showcasing, celebrating the best of domestic and international nonfiction cinema. Though... Read More
A tricky part of experiencing and analyzing any piece of art is separating the worthiness of its intent from the success of its execution. With... Read More

2026 San Francisco International Film Festival Reviews: ‘The World of Love,’ ‘A Sad and Beautiful World,’ ‘Nuisance Bear,’ ‘One in a Million’ (SFFILM)
‘Romería’ Review: Carla Simón’s Restrained Coming-of-Age Tale Opens Up the Doors of History and Cinema [B+] Atlanta Film Festival
‘Blue Heron’ Review: Sophy Romvari Immortalizes a Memory in a Profound Act of Courage [A-] (SFFILM)
2026 Chicago Critics Film Festival Reviews: ‘Black Zombie,’ ‘The Last One for the Road,’ ‘Loafers,’ ‘You Had to Be There’
2026 San Francisco International Film Festival Reviews: ‘Two Pianos,’ ‘If I Go Will They Miss Me,’ ‘Filipiñana,’ ‘Elder Son’ [SFFILM]
‘Idiots’ Review: Dave Franco and O’Shea Jackson Jr. Don’t Feel at Home in This World Anymore [B] Atlanta Film Festival
True/False Film Fest Dispatch #3: ‘Barbara Forever,’ ‘Time and Water,’ ‘American Doctor’
True/False Film Fest Dispatch #2: ‘Phenomena,’ ‘Who Moves America,’ ‘Landscapes of Memory’
2026 True/False Film Fest Dispatch #1: ‘The Oldest Person in the World,’ ‘Broken English’
‘Palestine 36’ Review: Annemarie Jacir’s Drama is a Largely Untold Tale of Early Palestinian Struggle [C+] CIFF
2026 San Francisco International Film Festival Reviews: ‘The World of Love,’ ‘A Sad and Beautiful World,’ ‘Nuisance Bear,’ ‘One in a Million’ (SFFILM)
2027 Oscar Predictions: SUPPORTING ACTOR (May)
Interview: Boots Riley on Collecting an Eclectic Cast and How ‘I Love Boosters’ is Like Richard Scarry’s ‘Busy, Busy Town’
Jessie Buckley and Paul Mescal to Reunite for ‘Hold On To Your Angels’ from Benh Zeitlin