SXSW Review: John Leguizamo’s ‘Critical Thinking’ makes chess inspiring
John Leguizamo continues to create stories that matter; that give a face to underrepresented groups….
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Film Festivals
Film Review: ‘Perfect Nanny’ rocks the cradle
The annual ‘Rendezvous with French Cinema‘ series is underway at the Film at Lincoln Center…
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Film Review: Eva Green just needs a little space in ‘Proxima’
The annual ‘Rendezvous with French Cinema‘ series opens tomorrow (March 5th) at the Film at…
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Berlin Review: ‘First Cow,’ Kelly Reichardt returns to Oregon for a ruminative tale of the American Frontier
“The bird a nest, the spider a web, man friendship”: A famous proverb from the…
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Berlin Review: Despite a deft all-star cast ‘The Roads Not Taken’ is a wrong turn
In Sally Potter’s reality-hopping drama The Roads Not Taken, all the staples of prestige awards-courting…
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Sundance Review: Lee Isaac Chung’s ‘Minari’ is a poetic and heartfelt masterwork
One of the joys of minari, mischievous grandmother Soonja (Yuh-Jung Youn) tells her equally impish…
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Sundance Review: Despite good performances ‘The Glorias’ can’t liberate itself from convention
The Glorias, directed by Julie Taymor based on the book “My Life on the Road”…
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Sundance Review: ‘The Last Shift’ is a contrived, entry level effort
This may be my first year actually attending the Sundance Film Festival, but I know…
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Sundance Review: ‘The Nest’ is an astounding showcase for Carrie Coon
Sean Durkin returns nine years after Martha Marcy May Marlene with a tension-filled slow burn…
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Sundance Review: ‘Miss Juneteenth’ avoids tropes to find truth in the Black experience
Nicole Beharie establishes herself as one of Hollywood’s most underrated talents with her strong and…
