The Utah Film Critics Association (UFCA) has announced its nominees for excellence in filmmaking for 2024. The Brutalist took the lead with nine nominations including Best... Read More
Erik Anderson
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
RaMell Ross’ Nickel Boys and Malcolm Washington’s The Piano Lesson lead the 2024 Black Reel Awards (BRA) nominations with 13 and 12 apiece, respectively. Both... Read More
Conclave and The Substance lead the 2024 Online Association of Female Film Critics (OAFFC) nominations with nine apiece, including Best Film, Best Director and Best... Read More
They do things a little bit different down in Florida. Bucking several critic trends this season, the Florida Film Critics Circle (FFCC) have named Bertrand Bonello’s... Read More
The year is almost wrapped up and with comes the Oscar race that’s not so ‘early’ anymore. Dozens of critics’ lists, AFI and NBR top... Read More
The Nevada Film Critics Society (NFCS) has announced its 2024 award winners for achievement in film. Taking top honors for Best Film is The Brutalist,... Read More
Universal Pictures and DreamWorks Animation’s The Wild Robot leads the 52nd Annie Awards for animation with 10 nominations, which were announced this morning, followed by Walt Disney/Pixar’s... Read More
Jonathan Glazer’s Oscar-winning The Zone of Interest was named Best Film of 2024 by the Dublin Film Critics Circle (DFCC) with Jonathan Glazer also winning... Read More
We have Critics Choice and the Golden Globe screenplay nominations as well as European Film Award winner Emilia Pérez for December predictions. Not a lot... Read More
The UK’s leading film critics announced their nominations for the 45th London Critics’ Circle Film Awards, with Sean Baker’s Anora and Brady Corbet’s The Brutalist leading the nominations with seven... Read More

2024 Utah Film Critics Association (UFCA) Nominations
2024 Black Reel Awards Nominations: ‘Nickel Boys,’ ‘The Piano Lesson’ Lead
2024 Online Association of Female Film Critics (OAFFC) Nominations
2024 Florida Film Critics Circle (FFCC) Winners: ‘The Beast’ Named Best Picture, Director; Kieran Culkin is Best Actor for ‘A Real Pain’
2025 Oscar Predictions: BEST PICTURE and BEST DIRECTOR (December)
2024 Nevada Film Critics Society (NFCS) Winners: ‘The Brutalist’ Dominates with Six
2025 Annie Awards Nominations: ‘The Wild Robot’ Leads with 10
2024 Dublin Film Critics Circle (DFCC) Winners: ‘The Zone of Interest,’ ‘Conclave,’ ‘Kneecap’
2025 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY (December)
2024 London Critics’ Circle Nominations: ‘The Brutalist’ and ‘Anora’ Lead with Seven
‘La Mas Dulce’ Review: Laïla Marrakchi Gives Visibility to Morocco’s Invisible Workers [B] Cannes
‘Garance’ Review: Jeanne Herry’s Underwhelming Alcoholic Actress Vehicle Deters the Turbulently Brilliant Adèle Exarchopoulos [C] Cannes
‘Clarissa’ Review: Sophie Okonedo Gets the Flowers Herself in Modern Day ‘Mrs. Dalloway’ [B+] Cannes
‘Full Phil’ Review: Kristen Stewart is in Peak Form in Quentin Dupieux’s Manic Father-Daughter Comedy [C+] Cannes