Iana Murray

‘Blitz’ Review: A Solid Saoirse Ronan but Steve McQueen’s WWII Story Feels Too Tidy | London Film Festival

Anyone who has grown up in Britain will be intimately familiar with the narrative of the country’s enduring spirit in… Read More

October 9, 2024

‘All We Imagine as Light’ Review: Mumbai Comes Alive in Payal Kapadia’s Complex ‘Little Women’-esque Portrait of Sisterhood | Cannes

Mumbai is alive in Payal Kapadia’s stunning second feature All We Imagine as Light. It’s a boundless shape-shifter, always moving… Read More

May 24, 2024

‘Armand’ Review: Renate Reinsve is Electric as a Woman on the Verge in Halfdan Ullman Tøndel’s Enigmatic Debut | Cannes

Ever since Renate Reinsve stunned the Cannes Film Festival as a disaffected millennial in Joachim Trier’s The Worst Person in… Read More

May 18, 2024

‘Memoria’ review: Tilda Swinton investigates an eerie mystery in Apichatpong Weerasethakul’s slow-burning epic [Cannes Review]

It starts with a bang. Not the metaphorical, head-first into action kind of bang — not that you would ever… Read More

July 16, 2021

‘Titane’ review: Julia Ducournau revs up the body horror in her masterfully audacious follow-up to ‘Raw’ [Cannes Review]

How do you solve a problem like talking about Titane? Julia Ducournau’s film is best seen blind. Really, if you… Read More

July 14, 2021

‘Benedetta’ review: Praise be, Paul Verhoeven’s silly and sizzling hot nun summer is here [Cannes Review]

“We’re all entitled to a sin,” one nun confesses to her attentive Sister Benedetta (Virginie Efira). And sin she indeed… Read More

July 10, 2021

Interview: Eliza Scanlen bites into her first lead role (‘Babyteeth’) and what inspires her take risks

Eliza Scanlen in BABYTEETH (Photo: Biennale Venezia Cinema) Eliza Scanlen was moving at a mile a minute, that is, until… Read More

June 18, 2020

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