‘All We Imagine as Light’ Review: Mumbai Comes Alive in Payal Kapadia’s Complex ‘Little Women’-esque Portrait of Sisterhood | Cannes
Mumbai is alive in Payal Kapadia’s stunning second feature All We Imagine as Light. It’s a boundless shape-shifter, always moving its millions of disparate parts,... Read More
Iana Murray
‘Armand’ Review: Renate Reinsve is Electric as a Woman on the Verge in Halfdan Ullman Tøndel’s Enigmatic Debut | Cannes
Ever since Renate Reinsve stunned the Cannes Film Festival as a disaffected millennial in Joachim Trier’s The Worst Person in the World in 2021, the... Read More
‘Memoria’ review: Tilda Swinton investigates an eerie mystery in Apichatpong Weerasethakul’s slow-burning epic [Cannes Review]
It starts with a bang. Not the metaphorical, head-first into action kind of bang — not that you would ever expect that from an Apichatpong... Read More
‘Titane’ review: Julia Ducournau revs up the body horror in her masterfully audacious follow-up to ‘Raw’ [Cannes Review]
How do you solve a problem like talking about Titane? Julia Ducournau’s film is best seen blind. Really, if you haven’t watched it, you should... Read More
‘Benedetta’ review: Praise be, Paul Verhoeven’s silly and sizzling hot nun summer is here [Cannes Review]
“We’re all entitled to a sin,” one nun confesses to her attentive Sister Benedetta (Virginie Efira). And sin she indeed does, so much so that... Read More
Eliza Scanlen was moving at a mile a minute, that is, until she wasn’t. Like everyone else, the pandemic interrupted Scanlen’s everyday life, though at... Read More
2024 NewFest LGBTQ+ Festival Lineup: ‘A Nice Indian Boy,’ ‘Emilia Pérez,’ Legacy Screenings of John Waters Films and More 
Trailer Watch: ‘The Fire Inside,’ ‘Venom: The Last Dance,’ ‘Will & Harper,’ ‘Salem’s Lot’ and More 
2024 Humanitas Prize Winners: Ava DuVernay’s ‘Origin,’ ‘Fellow Travelers,’ ‘Hacks,’ ‘Nimona’ 
Director Watch Podcast Ep. 63 – ‘The Tree of Life’ (Terrence Malick, 2011)
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