The Oscars are right around the corner, and it’s time to get a taste of what some of the voters have been championing. Below is... Read More
Kevin L. Lee
Kevin L. Lee is an Asian-American critic, producer, screenwriter and director based in New York City. A champion of the creative process, Kevin has consulted, written, and produced several short films from development to principal photography to festival premiere. He has over 10 years of marketing and writing experience in film criticism and journalism, ranging from blockbusters to foreign indie films, and has developed a reputation of being “an omnivore of cinema.” He recently finished his MFA in film producing at Columbia University and is currently working in film and TV development for production companies.
The Oscars are right around the corner, and it’s time to get a taste of what some of the voters have been championing. Below is... Read More
Kogonada may only have two films under his belt, but already his work exhibits a meditative quality that is so rarely seen and difficult to... Read More
The need to be seen and how the pressure of society affects how you behave and color yourself is ever-present in Girl Picture. The script... Read More
Anne (Anamaria Vartolomei) is a brilliant Literature student. She’s at the top of her class, deep in her studies, and ready to pass her exams.... Read More
Riley Stearns was one of my favorite discoveries at SXSW 2019. Nearly every writing and directing decision in The Art of Self-Defense was on my... Read More
Many thrillers try too hard to be original. They try to incorporate a twist to their intriguing premise. They throw a curveball at the midpoint... Read More
You can’t blame Noa (Daisy Edgar-Jones) for taking her chances with Steve (Sebastian Stan) at a grocery store. She’s survived too many awful dates and... Read More
Simplicity can go a long way for a movie. All you really need are memorable characters and a compelling situation to throw them into. Some... Read More
I think most of us can agree that 2020 was a blur. So much of our lifestyles were disrupted and so many films were delayed.... Read More

Anonymous Oscar Ballot #2: Producer goes all in for ‘Drive My Car,’ Penélope Cruz gets another vote
Anonymous Oscar Ballot #1: Voter champions ‘West Side Story’ and ‘Flee,’ calls the Academy and producer’s show changes “ridiculous”
Interview: Kogonada on creating ‘After Yang’ and finding a universal truth about love and memory
Sundance Review: Alli Haapasalo’s ‘Girl Picture’ is a frank and funny look at the power of female friendship [Grade: B+]
Sundance Review: Audrey Diwan’s Golden Lion winner ‘Happening’ is intense, visceral filmmaking at its best [Grade: A-]
Sundance Review: Riley Stearns’ sci-fi satire ‘Dual’ gives us a killer double dose of Karen Gillan [Grade: B+]
Sundance Review: Where ‘Watcher’ lacks in originality, it more than makes up for with a thrilling central performance from Maika Monroe [Grade: B+]
Sundance Review: ‘Fresh’ explores a “meat cute” gone wrong [Grade: B-]
Sundance Review: ‘Emergency’ is both a wildly funny and soberingly dramatic look at one night of being Black in America [Grade: B+]
Kevin Lee’s 15 Best Films of 2021
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’
2026 Sundance Film Festival: ‘Josephine’ Wins Grand Jury Prize and Audience Award
Director Watch Podcast Ep. 137 – ‘Je Tu Il Elle’ (Chantal Akerman, 1974)
Midnight Critics Circle (MCC) Awards: ‘Marty Supreme’ Wins Best Picture