Kevin Lee’s 15 Best Films of 2021
I think most of us can agree that 2020 was a blur. So much of our lifestyles were disrupted and so many films were delayed.... Read More
Kevin L. Lee
Kevin L. Lee is an Asian-American critic, producer, screenwriter and director based in New York City. A champion of the creative process, Kevin has consulted, written, and produced several short films from development to principal photography to festival premiere. He has over 10 years of marketing and writing experience in film criticism and journalism, ranging from blockbusters to foreign indie films, and has developed a reputation of being “an omnivore of cinema.” He recently finished his MFA in film producing at Columbia University and is currently working in film and TV development for production companies.
‘The Matrix Resurrections’ review: Self-aware to a fault, the rabbit hole deepens in the most meta Matrix yet [Grade: B-]
Everything that has a beginning has an end. For the Matrix trilogy, that end came in 2003. Trinity died and Neo sacrificed himself to end... Read More
Interview: Asghar Farhadi on judgment and storytelling in ‘A Hero’
Some of the most compelling dramas are the ones where you see your allegiances shift back and forth between characters. You understand where each character... Read More
‘The King’s Man’ review: Once the pieces are set, Vaughn goes all out [Grade: B-]
So much was riding against The King’s Man. For a franchise that felt like the perfect blend of James Bond and unapologetic violence and political... Read More
‘Nightmare Alley’ review: Another gorgeous but safe outing from Del Toro [Grade: B-]
There’s something beautiful, admirable, yet frustrating about Guillermo Del Toro’s recent works. With films like The Devil’s Backbone, Pan’s Labyrinth, and the Hellboy films, he... Read More
‘Clifford the Big Red Dog’ review: What’s big and red and a movie you’ve seen many times before? [Grade: D+]
Clifford the Big Red Dog is not good. Sure, it’s energetic and sincere with a big heart, and it will win kids over. At the... Read More
‘Ron’s Gone Wrong’ review: A cacophonous knock-off that’s more obnoxious than entertaining [Grade: C-]
Plenty of animated films have come along to push the boundaries of the medium and tell stories that enrich the lives of adults as much... Read More
‘Escape from Mogadishu’ (모가디슈) review: A tense, moving story of nationalism vs. humanity [Grade: B+]
‘Escape from Mogadishu’ (모가디슈) review: A tense, moving story of nationalism vs. humanity [Grade: B+]
Every once in a while, you would hear a story that is so fantastical and incredible, you wouldn’t believe it actually happened. If it weren’t... Read More
Review: ‘Detention’ (返校) tests the storytelling boundaries of video game and film [Grade: B-]
To make a successful film adaptation of a video game is to understand the strengths and limitations of both mediums. Amongst the many differences, the... Read More
NYFF Review: Ryusuke Hamaguchi’s 3-hour ‘Drive My Car (ドライブ・マイ・カー)’ is a detailed and meticulous ride that will quietly reward your patience [Grade: B+]
There’s something inherently fascinating about taking a short story and extending it to a feature film that asks for a three-hour runtime. You can sit... Read More
Director Watch Podcast Ep. 140 – ‘A Couch in New York’ (Chantal Akerman, 1996) 
Interview: ‘Pillion’ Director Harry Lighton and Star Harry Melling Bring Kink to the Mainstream 
Prime Video Announces Ensemble Cast of ‘Jury Duty Presents: Company Retreat’ 
Academy Announces 27 Recipients From Wētā, ILM, DreamWorks Animation and More for Scientific and Technical Achievements