Plenty of animated films have come along to push the boundaries of the medium and tell stories that enrich the lives of adults as much... Read More
Kevin L. Lee
Kevin L. Lee is an Asian-American critic, producer, screenwriter and director based in New York City. A champion of the creative process, Kevin has consulted, written, and produced several short films from development to principal photography to festival premiere. He has over 10 years of marketing and writing experience in film criticism and journalism, ranging from blockbusters to foreign indie films, and has developed a reputation of being “an omnivore of cinema.” He recently finished his MFA in film producing at Columbia University and is currently working in film and TV development for production companies.
‘Escape from Mogadishu’ (모가디슈) review: A tense, moving story of nationalism vs. humanity [Grade: B+]
‘Escape from Mogadishu’ (모가디슈) review: A tense, moving story of nationalism vs. humanity [Grade: B+]
Every once in a while, you would hear a story that is so fantastical and incredible, you wouldn’t believe it actually happened. If it weren’t... Read More
To make a successful film adaptation of a video game is to understand the strengths and limitations of both mediums. Amongst the many differences, the... Read More
There’s something inherently fascinating about taking a short story and extending it to a feature film that asks for a three-hour runtime. You can sit... Read More
The virtual world in Belle is called “U,” as in it specializes in “you” and what makes each and every person distinctively them. Though the... Read More
It’s probably better for you as a moviegoer to just take my word for it and go see Titane as blind as possible. There are... Read More
At the center of our story stands an apartment building, fully wrapped in blue tarp. We see many buildings of identical structure, but only this... Read More
The Godzilla franchise is 67 years old. Six decades of a dedicated fan-base that has embraced some of the silliest, wackiest ideas that have ever... Read More

‘Ron’s Gone Wrong’ review: A cacophonous knock-off that’s more obnoxious than entertaining [Grade: C-]
Review: ‘Detention’ (返校) tests the storytelling boundaries of video game and film [Grade: B-]
NYFF Review: Ryusuke Hamaguchi’s 3-hour ‘Drive My Car (ドライブ・マイ・カー)’ is a detailed and meticulous ride that will quietly reward your patience [Grade: B+]
NYFF Review: ‘Belle’ (竜とそばかすの姫) will make your heart sing [Grade: A-]
NYFF Review: Cinema just took a huge dose of adrenaline with ‘Titane’ and gasped for air [Grade: A]
TIFF Review: ‘The Falls’ (瀑布) is a tense, touching portrait of love and empathy [Grade: A]
Retrospective: 5 years later, ‘Shin Godzilla’ is still the beacon of hope we need
Interview: Boots Riley on Collecting an Eclectic Cast and How ‘I Love Boosters’ is Like Richard Scarry’s ‘Busy, Busy Town’
Jessie Buckley and Paul Mescal to Reunite for ‘Hold On To Your Angels’ from Benh Zeitlin
2027 Golden Globes Reveal Key Dates, Adds AI Rules, Expands Podcast Pool
How Judith Light Psychs Us Out in ‘The Terror: Devil in Silver’ and the Secret to Her Long-lasting Career [VIDEO INTERVIEW]