‘Mint’ Review: Ambition Outpaces Impact in ‘Snapper’ Director Charlotte Regan’s Stylish BBC Crime Drama Series [C+] Berlinale
After the breakout success of Scrapper, her acclaimed indie debut starring Harris Dickinson, the bar for Charlotte Regan’s next project was inevitably set high. That... Read More
Mia Pflüger
‘17’ Review: Kosara Mitić’s Devastating Debut Exposes the Cost of Silence and Complicity [B] Berlinale
There are films that portray sexual violence as isolated tragedy and then there are films that examine the systems that make such tragedy possible. With... Read More
‘Flies (Moscas)’ Review: To Be a Fly on the Wall is to See All in Fernando Eimbcke’s Quiet Family Drama [B-] Berlinale
It begins with the buzzing of a fly. That thin, nerve-fraying sound that slices through the silence and refuses to disappear. Flies are tiny invaders,... Read More
‘The Blood Countess’ Review: Isabelle Huppert’s Glamorous Vampire Mother Rises Above Baroque Bungle [C-] Berlinale
Isabelle Huppert glides through an underground grotto as if she is about to launch a global tour. A neon-red boat slices across the dark waters... Read More
‘At the Sea’ Review: Amy Adams Gasps for Air in Film Desperate to Drown Her Under the Weight of Water [C] Berlinale
Amy Adams gazes just past the camera. Her expression is tired, hollow, as if any additional emotion would already be too much. In this extended... Read More
‘Rose’ Review: Sandra Hüller Commands the Screen in Gender-Bending Period Piece with a Towering, Career-High Performance [A-] Berlinale
Smoke hangs heavy over the scorched earth. In the distance, cannon fire rumbles like the aftershocks of a catastrophe that has long since occurred and... Read More
‘Mouse’ Review: Sophie Okonedo and Katherine Mallen Kupferer Shine in Tender Portrait of Grief and Growing Up [B+] Berlinale
It is the summer of 2002 in a suburban corner of Arkansas. Dust dances in golden light, toilet paper flutters from treetops after a teenage... Read More
‘Marc by Sofia’ Review: Coppola’s Friendly Look at a Fashion Titan Leaves Some of its Seams Showing [B-] Venice
Sofia Coppola’s Marc by Sofia could only ever have been made by Sofia Coppola. On paper it is a straightforward proposition: a celebrated filmmaker turns... Read More
‘Elisa’ Review: Di Costanzo’s Film is a Story Lost in Its Own Silence [B-] Venice
Leonardo Di Costanzo’s Elisa is a deliberate and methodical exploration of guilt, memory, and the psychology of extreme acts of violence. At the center is... Read More
‘Duse’ Review: The Chaos of a Legend is Captured in Pietro Marcello’s Endurance Test of a Costume Drama [C-] Venice
Eleonora Duse is a name that carries the weight of legend: Te actress who revolutionized theatrical performance in Italy, who captivated audiences across Europe, and... Read More
FINAL Frontrunner Friday Oscar Predictions of the 2025/2026 Season 
FINAL 2026 Oscar Predictions: BEST PICTURE and BEST DIRECTOR 
‘I Love Boosters’ Review: Boots Riley’s Dressed to Excess Cartoon Revolution is Too Much and Not Enough [B-] SXSW 
‘Margo’s Got Money Troubles’ Season One Review: Elle Fanning and Michelle Pfeiffer Momedy Hits the Mark [B+]