Paddy Mulholland

Paddy Mulholland is a 28-year-old movie blogger originally from Belfast, Northern Ireland, now living in London, England, where he’s currently studying for a BA(Hons) in Journalism. He first got into movies 15 years ago, and loves nothing better than sitting front row at a press screening of a movie he knows he’ll probably never get a chance to see again. He also enjoys the queerest of queer culture, eating way too much, and being a dirtbag on Twitter.

‘Lady Chatterly’s Lover’ review: Little to love beyond Emma Corrin and Jack O’Connell’s performances in Laure de Clermont-Tonnerre’s listless adaptation | LFF

A spirit of thoughtless anachronism looms over Laure de Clermont-Tonnerre’s Lady Chatterley’s Lover, Netflix’s crude and cynical attempt at seeing… Read More

October 17, 2022

‘No Bears’ review: Jafar Panahi turns the camera on himself in powerful, subtly playful examination of limits personal, political and artistic | LFF

The remarkable prolificacy of Iranian filmmaker Jafar Panahi, and the even-more-remarkable spirit of subversiveness that has only burgeoned in his… Read More

October 16, 2022

‘Nanny’ review: Predictability hobbles what could have been a fascinating take on the horror of trauma | LFF

It is both the blessing and the burden of just about every modern horror movie that it must be about… Read More

October 13, 2022

London Film Festival Review: Rose Glass’ slow-burn horror ‘Saint Maud’ is a potent debut feature

Courtesy of BFI London Film Festival and Film 4 Productions As the nights turn longer and the weather turns colder,… Read More

October 9, 2019

London Film Festival Review: ‘The House of Us’ is an utter delight

It's no wonder kids find us adults so baffling so much of the time. After all, even us curmudgeonly critics… Read More

October 8, 2019

London Film Festival Review: The arresting and experimental ‘Krabi, 2562’

An insider's view of her home country intertwines with an outsider's view in Krabi, 2562, an accessible experimental work from Anocha Suwichakornpong… Read More

October 7, 2019

LFF Review: Alfre Woodard is mesmerizing in ‘Clemency’

Alfre Woodard in CLEMENCY (Courtesy of LFF / Paul Sarkis) A stark, sombre drama with barely a second's worth of… Read More

September 23, 2019

LFF Review: The fascinating, abstract ‘Monos’ marvels as much as it confounds

MONOS (Courtesy of LFF) There are monsters, and then there are monsters! Here, on this fertile, bounteous planet, the monsters… Read More

September 19, 2019

LFF Review: Shoddy, messy ‘Little Monsters’ is a waste of Lupita Nyong’o

LITTLE MONSTERS (Photo: Simon Cardwell / LFF) Little did Lupita Nyong'o know, I suppose, that when she signed onto a… Read More

September 19, 2019

Review: ‘After the Wedding’ is a dull and predictable melodrama despite a radiant Michelle Williams

(Photo: Elizabeth Fisher) Funny how things have a tendency to endure when there’s a bit of money behind them. Funnier… Read More

June 8, 2019

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